Introduction
 

In June 2025 my brother Matthew revisited our hometown of Kansas City MO, where he reviewed some of our father's professional papers at the University of Missouri-Kansas City Library.  "(That is, I’ve done the 'reviewing' at UMKC.  It turns out that the papers actually are stored in Columbia and had to be shipped here for my perusal.)"  We had been intrigued by reference to a "Personal Journal 1976-1977" in Folder 1 of Box 040 of the George Ehrlich Papers, hoping this might have documented a Third Sabbatical to accompany 1961's First Sabbatical and 1969's Second Sabbatical, both already presented in these Navigations.  As such, there would most likely be extensive coverage of his working on Kansas City, Missouri: An Architectural History, 1826-1976.

As it turned out, the Personal Journal was a collection of observations about various events between July 1976 and September 1977.  To these I have appended similar commentaries made from May 1979 to July 1981, found in a manila folder that had not been donated to the George Ehrlich Papers; as well as a late account of an ice storm that struck KCMO in 2002.  In transcribing these I have aimed to enhance online clarity by amending some punctuation, adjusting a few paragraph breaks, making a few [bracketed] addenda, and silently correcting a few misspellings.  Matthew also copied extensive extracts from five decades of our father's correspondence, from which I hope to present selections as the concluding entry in George's Navigations.  As per usual, my thanks to my brother for his contributions, copyreading, and clarification.

"Domestic" photography was at a low ebb in the Ehrlich family during 1976-81, but the snapshot to the left shows Mila Jean and George at home (5505 Holmes) in December 1976.


Journal

George Ehrlich

*

2 July 1976

I am not on the threshold of a great adventure, nor do I have a special vantage point to observe great events and notable people; consequently, I lack the obvious excuses for keeping a journal.  And since I doubt that I shall achieve the stature where my musings will someday merit study by others, I cannot fall back on that as justification for so self-centered an exercise.

I note that I am now well into my fifty-first (second to be accurate) year and I am reasonably content with my lot, having been able to benefit from my experiences over the years.  I am also nearing the end of a sabbatical leave which has allowed me time to turn inward and to involve myself in sustained periods of quiet contemplation.  That this frame of mind has been intersected by the advent of our bicentennial day has created a need to react in a more substantial way to the event, if only to resolve in my own mind whether I was witness to anything special.  A journal seems as good a way as any to challenge myself to think through thrice some thoughts on that occasion—and others that I shall record from time to time.

4 July 1976

Twenty-five years ago, plus a couple of months, I finished my Master's Degree with a thesis that dealt with American international expositions and therefore the 1876 Centennial in Philadelphia.  As a microcosm of man's accomplishments it celebrated the centennial in a fashion that was physical and tangible, with objects and participatory events.  In contrast it seems as if the bicentennial has been a very different sort of thing, the result of too much ineffective planning that produced an incredible string of little things but no real symbol.  I suspect in short order the bicentennial will be unremembered.

By 1976 we've become victims of short attention spans; the bicentennial has been with us so long it has arrived as nothing special and certainly not novel.  The bicentennial has become in kind and in fact a TV variety show to be witnessed passively by almost all, and to be forgotten.  There is no sense of time or place that I can identity as the Philadelphia world's fair has served.  This is not necessarily a bad thing; it does suggest that we are a changing people.

And indeed this has been the quietest Fourth of July in memory.  Quiet but not silent.  I endorse the fireworks ban and trust that soon most memorial occasions will be more contemplative than bombastic.

10 July 1976

On the slippery quality of one's memory

While wrestling with the text and gathering the illustrations for the paper on Developmental Factors in the History of Kansas City (MO) Architecture, I was taken aback by the problems generated by the segment since 1950, time in which I was direct witness except for a few years.  My own photographs and clippings are largely post-1971, and so I had no ready reference to ease the burden of trying to remember.  And in point of fact I have been hard pressed to pin down in time those memories I do have.  I know things happened, and I have a fair idea of sequence, but not the specifics of when.  There is a lesson here that can be useful in teaching.  I'd been impressed with the Amiens experience (of 1966) when I saw the transformation of a group of South African veterans of the 1916 Battle of the Somme after they had visited the battlefield and remembered as personal experience that which had become for them as others, written history.  In turn, I have been trying to get at the history of events which I remember but without the structure of dates or other specifics.  And I guess that is one of the essentials of writing history; it is the giving of structure and precision to various types of remembrances regardless of their documentation, for these "facts" can and do lose their temporal place and their accuracy.  History is more than that, but it must include the temporal structure if history is to be more than storytelling—if it is to be useful in helping us understand from where we've come.

On the task of writing history

The more I ponder the problems generated by the task of writing the K.C. Architecture paper (which really dates back to the Landmarks Commission involvement starting early 1973), the more I've become convinced that a period-by-period approach is the way to do it.  The subject is too large and cluttered for a sweeping synthesis.  Though we teach this way—by periods—and I've written other things (e.g. the dissertation) in periods, I'd never given thought to it other than it provides a convenient packaging.  But there is the problem of how can one see the past through the later accumulations.  How can one deal with the to-be-recovered past through the encumbrances of the present?  We are trying to see, as it were, the underpainting through the glazes and scumbles of the top layers.  The period approach is a synthetic device that tries to take us step by step through an evolutionary process.  By taking the primary time-block, and keeping it manageably small, one can visualize the appearance of a city.  One can pore over old photos, maps, drawings and documents and eventually the survivors of buildings can find in the mind's eye a period environment.  Westport becomes the Santa Fe outfitting town and the Wornall House regains its farm.  At some point then, and though it tends to conceal the first, one has a basis to go into another phase of development.

And I think that is why my concept of a series of separate period studies is the best way to get at the task of saying something useful (rather than simply entertaining) about a city's architectural history.  It is much like the multi-volume biography.  Don't treat it as a continuum even though it was in fact just that.  It is a way to manage time, to make it slow down or speed up without the distortions of the same in a film.  Maybe now I know why still pictures (slides) have certain advantages over film or TV tape.  The latter is a temporal medium which imposes its own demands on the historian.  We need a different type of control of time in order to do our work.

20 July 1976

At about 7:15 a.m. Kansas City time, a space vehicle from the United States landed on the surface of the planet Mars.  That this function was successful, 23,000,000 miles from Earth, is a marvel.  That photographs are being transmitted from the surface of Mars to that of the Earth and almost immediately visible on the television set in my home—as I write this—is truly incredible.  It is an amazing feat of technical skill that covered eight years of effort by an enormous number of people.  Everyone is preoccupied with the question of "life" on Mars and I detect (I think) disappointment that there weren't little furry creatures staring at the camera.  But consider the organizational skill that was involved in bringing off this complex effort.  No doubt the focus on a rather precisely defined goal is a factor, but that alone cannot explain it all.  Nor am I convinced that scientists and technocrats have advantages in working as teams.  Really, someone should be telling us —after appropriate study—the how and why such an organizational model that was at work on the Mars project worked.

A footnote.  Seven years ago to the day, the first man stepped onto the surface of the moon.  We no longer run moon flights and if we did I suspect they'd get two minutes on the evening network news.  But the Viking Lander of Mars "clicking" its pictures and next week running some biology experiments is an exciting thing.  I know I've been captured by the experience.

1 August 1976

With the first day of August I am clearly on the last leg of my sabbatical leave, and having to write a report I find myself assessing my current professional situation.  Have I successfully recycled myself as I suggest I have (to 85%) during the first seven months?  In my report I speak of three objectives the leave was to serve: regenerative; research; and recycling.

Regeneration has occurred.  By and large I feel as good as I have in many a year.  I may not be trim and fit in a health-spa sense of the words, but I feel healthy, physically and mentally.  And there is professional corroboration for these opinions.

Research activity has not been linear, but I have done a lot and I have things to show for it.  Papers have been written, given at meetings, and accepted for meetings and publication.  I've peeled away some of the external layers and I [am] doing things on a more significant scholarly and critical level than I have for a long time.  I am stockpiling more projects than I can ever do.  My real problem is to stay focused on one topic long enough to be certain that I finish the project properly.  So far I've stayed on track fairly well.

As for recycling, that has been the most difficult, the most important, and I believe the most rewarding.  I don't think I've brainwashed myself, but I really feel I have gotten into scholarship in the best sense of the word, and it has been a long time coming (or delayed).  I also feel the best I have in a long time about my pending courses, whatever the competency of students I will find.  One thing helps is that I truly believe that my research and teaching will be more meaningful to the university than my management chores were.  I'll continue the last only on special assignment, as task-oriented duties, but these will be a minor part of my overall professional work.

It is interesting to note that one can be a second echelon art/architectural historian and still make significant contributions to the store of knowledge.  That is something humanistic scholars have over scientists.  I may not be "big time," nor work at a first-rate university, but I know I am doing important work with my research and teaching.

So all in all, here at the start of August, I feel pretty good about things on a professional and personal level.  It is a real blessing to be able to say this.

6 August 1976

Mila was taken to the airport to join her tour to Bavaria and Switzerland on Wednesday (4th) and the following night the boys and I went to see Kaufman and Hart's Once in a Lifetime as it opened at the Missouri Repertory Theatre.  There is a small sidelight on contemporary morals, etc. to derive from that experience, even though the play and performance were not terribly noteworthy.  Two of the scenes were set in a Pullman Car.  There was the porter—who would have been Black in the original—being played by a Black who did it as a comic Italian.  My, how times have changed.  I can imagine the actor, who is good and plays the trainer Tick in The Great White Hope also at MRT, saying he wanted to do a dialect and could.  In any case it wasn't commented on by anyone and I wonder how many caught on?

2 September 1976

Today is my mother's eighty-first birthday.  She seemed in good spirits and hale when we called to wish her our best.  Not too long ago she sent Paul a rather lengthy account of her meeting and marriage with my father and the immigration to America.  Paul has been collecting accounts re: both sides of the family for a few years and may someday pull them together.  In any case it was a curious thing to read about those early years, for while I remember some things heard now and then it was a curious experience to read about them.  (I fear I go in circles.)  The point is that as a working historian, even though it is art and architecture, I get into the past through accounts and photos of a bygone period; now I find myself as it were captured in an account reaching back sixty years which I can read as I can other historically ordered reminiscences.

We are so involved in the now, and tomorrow we lose our perspective on the path of our lives.  This is something the older folk can help us with if only we give them the chance and we learn to listen and to read with some sensitivity.

2 October 1976

Last night I "escorted" Rheta Sosland to the dinner at which Elliot Richardson, Secretary of Commerce, was given the Thomas Hart Benton award by the Kansas City Art Institute.  I say escorted with quotation marks because she, in fact, took me.  Mila was also invited but she represented us at a Philharmonic concert.  The evening provided some curious experiences, not the least of which was the most elaborate dinner I've ever had—but on that more later.

Somewhere, in the past year apparently, I've slipped over a notch in the local structure.  Perhap [sic] I should say we except I can reflect only on my vision of this.  Earlier this year we were asked to a "coffee" to meet and presumably support John Danforth's bid as a Republican candidate for the Senate.  And later, we were asked to a swimming party that had some of the same crowd.  (I did not swim.)  And last night I think I was largely surrounded by well-heeled folk who are more likely to vote [for] Ford than Carter on economic grounds and tradition than on issues.

Rheta Sosland is, in my opinion—shared by many—a great lady; but her perception of the world we live in is hardly that of my students or of my past.  I guess as I have climbed my short ladder of success, and have grown older, I've left much of my roots in the past.  Granted my "wealth" is all a result of my own labors and sacrifices, and I was hardly rich by the standards of the Soslands or most of the others last night, [but] I guess I can understand now a bit better than before the way one's views change as one has some security to indulge in activities beyond ordinary subsistence.  In the hard times of the 1930s, which I still remember vividly, an affair such as last night and the conversations would have sounded and would have been seen as decadent.  And I'm sure for many today in the city the whole thing would be no more than the rich engaged in self-indulgence.  We even had—so to speak—liveried servants who made a great ceremony of the multiple courses and the many knives, forks and spoons in correct sequences.

In the short run I was a part of it all, far removed from an era and values that represent my early years.  But in the long run I wonder if ever I could be a part of that world?  And again, it is unlikely that I would ever be a permanent part, especially since I've retreated from academic administration which provides one entree into our $ociety [sic].  Family connections don't exist, I'll never have the funds to bring people to me, and I'll not likely hold a post that would make me the attraction that Chancellors are in this town.

Nevertheless, we are being asked—now and again—to sit at the table in the big room and I think it is for ourselves alone.  The fact that I can carry it off with some grace still astonishes me, and I guess that and [what] I hope [is] our continued earthbound humor has made the last year a more unusual one than any in my memory.

The Menu

Smoked Sturgeon á la Maison
Sauce Gribiche
Beringer Chenin Blanc
Belgian Endive, Brie Francaise
Sauce Mutard
Sorbet aux Champagne
Medallions of Veal Lady Morgan
en Croûte
Zucchini Farcie
Belgian Carrots Glacé
Miniature Assorted Rolls
Butter
Frozen Orange Soufflé Norwegian
Cheese Fours
Café
Graacher Himmelreich Riesling Kabinett 1973
Ameretta Liquor

(all of this was at the Alameda Plaza Hotel)

Late October 1976

On the evening of 17 October 1976, Mila and I attended a party that Maurice and Gloria Peress gave, mostly for the executive committee of the Board of the Philharmonic.  We were (along with one or two others) the reason why it was mostly and not only the Board.  So there we were—interestingly we knew a fair number of these folk, some from Nelson Gallery affairs.  And we socialized, sipped wine, nibbled munchies (damned good) and behaved quite properly.  I did and I assume so did Mila.

And then I saw—or so I thought—Sally Rand in the dim light of the "great hall" by the piano.  I made inquiry and sure enough it was she.  Sally had come alone with one of the Board people (whom I know from the Historic Kansas City Foundation—Howard Haynes).  He insisted that I meet her and so we were introduced.  What to say?  "Pleased to meetcha: I saw you perform about 1946 or 7 in Chicago."  I may have gotten out the comment more elegantly, but I remember [it] that way.  She brightly replied, "Oh yes, let me see, that was - - - the Oriental Theatre."  Probably it was, but the "new Dean" of the Conservatory, Lindsey Merrill, came up and we got involved in the fact that Sally was a student in 1914.  And so on.  Eventually I retreated and continued my quiet social way.

Soon we were called to take seats for Tony Montanaro—a truly great mime visiting the Peresses—who was to do about twenty minutes.  I promptly took a choice seat where I could see all and see it well, and there was Sally coming to join me on the couch.  And there we were, the former Helen Beck and once the notorious Sally Rand and now a very charming and calculating professional—still performing at age 72—and me.  But soon we were lost in an exquisite demonstration of a monumentally fine mime at work.  Tony dedicated his work to Sally—she graciously accepted (downright regally).  Afterwards she went up to speak to Tony; I tagged along since I was already so close.  And the three of us began to chat.  I could not resist; I had to comment on my profound appreciation of the real professionals, and these were two whose professionalism I was ready to defend.  I had seen Sally Rand capture and manipulate an audience at the "Strip the Folly" auction, at which she was only to make a token appearance.  She did so much more—even a few minutes of decorously veiled fan dancing (unexpected but spectacular for the occasion and setting, in an old theatre which was in shambles just prior to the start of restoration).

And though it was a short visit with these two people, for a brief period I was indeed in accord with two performers, so different and yet so professionally demanding, about the virtues of striving for and appreciating excellence.

It was a great moment and a memorable experience for me.

11 January 1977

We have been in the midst of an extraordinary cold wave that has affected an enormous section of the country, and is one of the coldest, if not the coldest, I can recall in Kansas City.  It really began in the afternoon of Saturday [the 8th], where the temperatures fell from a morning high of 15° F and was bitterly cold all day Sunday and Monday.  Officially, yesterday's high was either 2 or 3° F.  And, of course, there has been snow,  But despite the minor and major inconveniences (e.g. the car won't start—and it isn't the battery), the event that prompts this writing is the unprecedented experience of Sunday evening.  In the midst of some froth on television, a bulletin broke in to announce that the Gas Service Company was rapidly running out of fuel, and with pressure dropping they were requesting everyone to turn back their thermostats (presumably gas users) to 55° F.  This was modified later to "as low as you can possibly bear it."

So it has come to pass, that which everyone talked about but did little [to prevent].  The capacity of the system is proven to be finite—as was obvious but not believed—and without the cooperation of anonymous thousands, there could be a disaster.  Mind, this was after the interruptible users were already cut off.  We learned that sustained below-zero weather and reasonable interior temperatures were incompatible.

There are, of course, many technicalities.  There is underground storage to help even out excess demands on the primary delivery system, and so forth, but [?there/these] are technicalities.  It wasn't lack of money to buy fuel, in contrast to the tales of being unable to buy even a scuttle of coal in the Depression.  It wasn't irrational waste, as with highly inefficient automobiles, and excessive speed, with gasoline.  It wasn't as self-indulgent as with the many electrical appliances.  While there is some waste, what was made clear was that we should be more austere but that there is a finite limit to the system which required mass cooperation if disaster was to be avoided.  And apparently people cooperated.

We are not out of the problem, and it may be another day or even two before we are.  I wonder what might have occurred if gas pressure had dropped sufficiently that pilot lights would have gone out?  With below-zero temperatures and snow, how many could have gotten furnaces and hot water heaters started again?  There was a story of a small town in northwest Missouri that did run out—they drained the city wells, but that was 200 people, a manageable disaster.

We've had a very dry summer, near drought conditions, in many places.  Now we're in for a bad winter.  Nature is no doubt blind to the folly of human profligacy, but we are certainly being tested.  It isn't even manageable by spending more money.  The need is now to conserve and cooperate, and to readjust our values.  More is not better, bigger is not best, and the need for water, shelter, warmth, and sustenance are [sic] only going to increase while supplies may actually diminish.  I think we just had our first really solid warning of some possibly grim times.  No doubt we'll need a lot more before we comprehend their meaning.

I wonder if the new President, Jimmy Carter, will speak to these issues in his inaugural address?

14 June 1977

A gentle, gentleman died on Sunday, June 12, 1977.  Joe Shipman has left us and no longer will we be able to talk with him face to face, or to share an idea, or to seek his counsel; but in a very real sense he will always be near.  How could one ever forget him, or what he did?  It seems important that I record here a rather faint reflection of what Joe mean to me.

It is necessary to say that while we were good friends, we really did not mingle socially.  Joe wasn't that much older than I (seventeen years) but the difference was enough to put us into different circles.  But there were intersections, some of which were profoundly important to me.

I met Joe very soon after coming to KCU.  That university in 1954 was in reality a very small liberal arts college coupled with several professional schools, only one of which was of any size—Dentistry.  In another academic era, certainly for KCU-UMKC, there was the faculty dining room in Haag Hall and there sundry of us would retreat from the cafeteria line to eat and talk.  And it was there that I met Joe.  He ate simply—I remember a bowl of soup and a slice of cake as a regular selection.  He came for the conversations and frequently was its most stimulating contributor.  There I began an important segment of my education.  Still without my Ph.D., indeed only started on it, I bemoaned the fact that the one real research library collection in the city (Joe's library) was outside of my province.  What could an art historian find in a science and technology library?  Joe didn't know, but he took me on a tour.  It was only the old Hall house then, now gone.  And so year by year I began to learn that invaluable lesson of finding one's research problems within the materials at hand—and what a treasure house it was.  In fact the library grew more rapidly than I had time to learn, what with all the other responsibilities and pressures I had to cope with.  Well, between Linda Hall and the Nelson Gallery I found my research topic and the materials and a dissertation was written.  How to get it typed?  I confessed one day to Joe, who knew of and supported my research, that I was going to have to type my own dissertation, but I had no decent place to work.  It was summer, hot and humid, and I had a manual typewriter.  That gentle man set up a place for me in the closed area of the then new library building, the only air conditioned locale I had access to, and there I removed myself to work some six hours a day during the summer of 1960.  Joe even gave me a key to the library (a different world then) so I could work whenever I wished.

But that wasn't all.  Our relationship grew in other ways.  One one occasion, for a night class in 15th and 16th Century Northern art, he allowed me to carry out a briefcase of illustrated books from that period to show my class.  Incredible in retrospect.  And then in 1969, for a sabbatical that year, I sequestered myself with Joe's assistance in the rare book room of Linda Hall Library to work on (I thought) scientific illustration as an art form.  Out of that experience and Joe's teaching, I moved into the topic of the use of artists by scientists.  I recall the excitement of when the monumental Expedition de L'Égypte arrived, and there together we looked at the plates.

The memory of those days is clear.  I, seated in a Chippendale chair, reading, looking, making notes.  And Joe, visible in his office through the connecting door.  Now and again he'd come in and we'd chat about this and that, and he'd pull down another book for me, or open a case.

Well, as the years slipped by, the luncheon group ceased, the library and the university grew and demanded more of all.  Out intersections were fewer and farther between, but the meaning never changed.  I have often said that I learned my art history in the Nelson Gallery (though I learned methodology from Frank Roos and Arthur Bestor) and I learned how to maintain an inquiring mind from Joe Shipman.

It is funny that as I write this my principal research is in architectural history and thus my attention is far removed from the interior of Linda Hall, though I pass it nearly every day and watch its physical expansion, the third since 1954.  I dig into Kansas City's architectural history, and that has my attention and has done much for me professionally, but I am tied tight, nevertheless, to the work waiting for me at Linda Hall.  Sooner or later, soon I think, I shall turn to a project that will reach back in its beginnings to a chance conversation with Joe Shipman.  To think that he won't be there to help me is hard to accept.  But whatever I do will be done because his impact on me cannot be reduced.

We will miss him sorely, for he was truly a great man.  I will never forget him, for he was in fact one of my teachers.

13 September 1977

How does one begin?  As I sit here with my lap board I'm more conscious of my fatigue than the enormity of the flash floods that hit Kansas City last night.  At 5505 Holmes the impact was limited to about two feet of water in the basement and a random assortment of leaks, mostly around the windows, for the disaster was triggered by some twelve to sixteen inches of rain in about twenty-four hours in two intense sieges about twelve hours apart.

When I went to work [sleep?] fairly early on the evening of the 11th it was just starting to rain.  Apparently it continued all night and when I awoke at six a.m. on the 12th I checked the basement.  Within, the water was down, but there was evidence that we had flooded to about two inches.  The outside drain was of course clogged, but it drained after being cleaned.  With that I went to the university.  The rain kept on and off but ended by midday.  I returned home in the early afternoon to rest and do some homework before going back to teach a night class.  I heard several stories about badly flooded basements; my colleague Gerry Fowle had had two and a half feet in hers and [it] was slowly draining out.  Happily I had had my floor drains roto-rooted in June and this, I'm sure, was one reason I survived so well—the first time.

It was while teaching my night class that the rains began again.  I left on foot about 8:20 p.m. and it was a gentle rain but with much thunder and lightning.  By the time I was within a block of the house it was a downpour.  I checked the basement immediately and all seemed sound, and I got out of my wet clothes; that was about 9:00 p.m.  The rains increased and the floor drain was no longer able to cope, for the spring that comes in at the corner of the house was finally activated.  The spring functions only when the ground is saturated, and it really does no damage to the foundation that I can detect.  However, the rapid backing up of the water at the floor drain suggested that the sewers were full rather than an overactive spring or a clogged drain.  And indeed they were.  The intersection at 55th and Holmes, the lowest spot in the immediate area, was flooded, and soon there were two stalled cars there.  Holmes was a raging white-water stream, and by the storm drain at the corner it must have been about three feet deep.

The rains were furious and the water rose steadily in the basement.  I had marked the previous high water (before the final repairs on the city sewer) and that had been about 9" at the door in 1970, and subsequent to the repairs only 2"—which meant half the basement normally was dry whatever the deluge.  This time it rose to a point where there was a real concern.  Earlier I had unplugged appliances, and so when I saw the water reach the first step on the basement stairs—a normally dry area—I waded in and began moving some key things (photo supplies) up and out of the way.  But the rains continued and I realized as the water crept ever higher that if the drain became clogged, or even sluggish due to debris, more water cascading down the drive and via the spring could do us in.  And when I realized the water had covered the second step, I began the task of transporting photo equipment and supplies up to the first floor.  By now the water was up to my knees in the shallower areas.  After securing the photo stuff (about 11:00 p.m. or later) I began the vigil—watching the intersection and the basement.  The rains finally lessened and slowly the intersection cleared.  And ever so slowly the basement began to drain.  By 12:30 a.m. it had receded about ten inches and the raging river in front of the house was gone and the stalled cars were removed.  A final check at 1:00 a.m. suggested we had survived tolerably well.  Others had not, for Steve Gosnell, a colleague just a few houses south, had nearly five feet when I had no more than ten inches, and I had then gone double that.  It measured nearly 20" by the door when all was over.

We knew via spot announcements on TV that things were bad elsewhere.  We had at least power and were reasonably dry.  On Monday morning I had taken Matthew to school and I could see that there had been spot flooding on Ward Parkway west of the Plaza—there was driftwood on the parkway, and Brush Creek was bank-full.  Now with the ground already saturated with inches of rain, what would more than two hours of pounding torrential rain bring?

Disaster, true disaster.

In the morning I woke at six and crept down to check the basement.  I managed to relight the hot water heater, I flushed the toilets (which I had put on "hold" so to speak) and turned on the radio for news.  Things were bad, but the worst for us in the central city was the Country Club Plaza.  While details were scanty, the report stated there had been extensive damage to shops, and cars were reported swept down Brush Creek.  I then turned to hosing down the basement, a task of nearly an hour, which included moving junk out to the back area in a very light drizzle.  By 9:00 a.m. I felt I'd done a tolerable job of cleaning and noted that the drain worked well.  My roto-rooter job had been, I'm sure, the key to holding down the damage.

Then it was off to school to meet classes that I knew would be severely reduced in size due to the fact that power was off in many areas of the city, and many streets were still flooded.  At noon, still in a light rain, I walked down to Volker and Rockhill and saw evidence of the enormous flood that had swept out of the banks of Brush Creek.  Debris in the trees indicated a crest of about six feet above the bridge, and there against the abutments were cars stacked helter-skelter.  The handrails of the pedestrian bridge were swept away.  A large gully was cut into the bank nearby, and across the Theis Mall stones from the walls were scattered like pebbles on a beach.  Automobiles were scattered here and there, some badly damaged by the force of the water that slammed them against trees or light poles.  An apartment parking lot on Oak near Volker looked like a box of a child's toy cars, with automobiles turned every which way and variously dented.  On Oak Street, pieces of pavement were scattered.

But the damage here was modest compared to the Plaza.  I had neither the energy (which only five hours of fitful rest and much work) nor the courage to see the Plaza.  Also, wisdom argued that one should stay as far removed as possible from an area that was being cordoned off to permit salvage operations.  The growing reports were grim.  Halls wrecked, as were other shops along Ward Parkway and perhaps farther up.  On Nichols, across from Halls, there was about five feet of water.  But more than the height of the water it was the rapid rise and crashing force that threw automobiles into display windows.

As I write this, about 9:00 p.m. on the 13th, the report is that there are now nineteen known dead in the metropolitan area, and no reports on injuries though there must be some—one being one of my students who was nearly swept away (I know not all of the details).  Estimates of the damage vary, but it is clear that this flood struck many and in a wide area.  People within a half block of each other suffered little and much.  The effect on the streets, sewers and utilities is only guessed at.  Personal losses or damages are probably not covered by insurance due to the flood exemption usual in home owner's policies.

How will the story end?  It will be a long time coming.  I've begun a clipping file.  What it will tell will be the external facts; the personal tragedies will be largely that, despite their collective impact.  And for many untouched, it will be as remote as the Ruskin Heights tornado of 1957, or the Chicago Fire.  But the city, in many places and many ways, will be different because of the flood, maybe for a long, long time.

12 May 1979

Yesterday afternoon I saw my first bound copy of Kansas City, Missouri: An Architectural History, 1826-1976.  The author is me!

What are my feelings at this time?

Well, there is no sense of elation, nor of pride.  Yet the book is handsome, and I feel well done by all involved in its production.  I guess it is the inevitable problem of having lived for so long with the project that one cannot relate to the fact that it is over.

The book is published by the Historic Kansas City Foundation, and sales (after costs are paid) will be for the benefit of the Foundation.  I shall receive a suitable number of copies for my private distribution, and to the extent that the book is well received, I shall of course benefit.

The book was not cheap to produce, and at $19.95 (in the hard cover) it will take some time to cover the cost of producing the 3,000 copies that HKCF ordered.  My photographic costs (198 illustrations, counting the frontispiece) [were] covered by two grants from the Research Administration of UMKC.  Grants from seven local foundations were received by HKCF to help meet production costs (that included hiring an editor and so forth).  Someday, perhaps, I'll discover the full extent of that aspect of the project.

Everyone seems more elated about this project than do I.  This is certainly the case with the Lowell Press of K.C. that did the design and printing.  In fact, they printed up at least another 1,000 copies at their cost, and these are to be put in soft covers and sell at $12.95.  I gather their release will come after the hardbound sells out.  And the people at Lowell seem optimistic that it will sell well.  I hope we can move at least 1,000 copies before the end of the year.  To this end I'll be doing my bit to advertise the book.  That includes an exhibit of the photos at the UMKC art gallery, and an autograph party at the Bennett Schneider bookstore (both in early June).  Also in early June is Night in Old Possum Trot, and then there is the long-awaited meeting of the American Institute of Architects in K.C. immediately thereafter.

Well, it should be an exciting six months.

15 May 1979

They are telling people that they should not go on automobile driving trips this coming Memorial Day holiday.  The combination of reduced supplies of gasoline and an increased demand for it has created a situation where there is no guarantee of having adequate supplies of fuel as measured by demand.  Demand, of course, is not need, but after years of cheap energy and encouragement to use it wastefully, the crisis is real enough.  As usual, there is talk of conspiracy (Americans's explanation for all such "unexplainable" situations) by the oil companies, outrage against government over-regulation, under-regulation, inaction (take your choice), and Americans's need to face reality, etc.

As usual, things will have to get bad (perceived or real) before it will sink in that there is, in fact, a giant turning of the way of life Americans have enjoyed since the late 1940s.  The politicians will have to do unpopular things.  There will have to be accommodations made to those unfortunates caught in circumstances not of their own making.  Gasoline will have to get so expensive that alternatives to foolish auto use will be palatable.  And the alternatives will have to be provided.  Congress seems more unfocused than a faculty meeting run by a milquetoast.  The President says the right things but does little to persuade anyone.

And there am I.  Driver of smaller car, resident of the "inner city," walker to work, one who could survive on one-third of the average Missourian's monthly past usage, also caught in the kind of a gasoline crisis caused by others less prescient.

I wonder what comes next.

1 January 1980

It is morning, still a bit gray, but the day promises to be pleasant, a decided contrast to a year ago when a massive snowfall launched the coldest winter on record, with much snow.  But the promise of a pleasant day is flavored by the decade-end recountings in the press and TV of what might be called a truly turbulent century [decade?].  Consider what we face on this day independent of the decade's events:

In the city, the firemen are once again behaving in a simplistic fashion by creating what is called a "job action."  I call it a strike, though technically it is not quite that.  The city administration has drawn numerous lines, retreated a few times, but now seems adamant.  I have to side with City Hall.  A union, particularly one as primitive in its beliefs as this one, cannot be in charge of a city service.  But that issue is only one at hand to temper the day.

The petroleum-energy crisis is that of both excessive demands on supplies and irrational fiscal behavior lumped under the heading of "inflation."  Gasoline is, as they say, a dollar a gallon.  Actually, it is a bit higher and I suspect it will go higher yet, even if a glut temporarily appears on the horizon.  The oil companies and the oil producing nations have become a textbook study of market misbehavior.

Inflation in general is bad; in certain areas it is pure greed.  The evidence is that of a hoarding instinct converted into wage and price figures.  I've heard more nonsense about the economy from every sort of person than I ever could have expected.  While there is evidence of restraint forced by necessity on many at the lower economic levels, those of wealth or in the federal government seem totally incapable of doing what needs to be done.  If the truth is being told, there is a propensity to disbelieve it.

An ounce of gold has passed the $500 mark.  What earthly good is it for an oil baron to buy gold?  He already has more money than he can spend; so he bids up the price of gold to give his money some value, and the gold is totally useless sitting in a vault—as would-be dollar bills.

The Muslim revolution, principally active in Iran, has created the ridiculous situation of trying to govern a non-homogenous nation on the principles of the Koran—while using the westernized device of Television [sic] to create a media event related to the seizure of the U.S. Embassy and the holding of perhaps fifty hostages by militant "students" wanting the return of the deposed Shah.  American response has been mixed and fairly temperate, but includes the production of Khomeini Tissue, toilet paper imprinted with the face of the religious fanatic who is the ostensible leader of Iran.

And Russia, apparently, has invaded Afghanistan to ensure a sympathetic government (?) [sic] there.  And Cambodia is on the edge of non-existence following an act of behavior patterns that defy my comprehension.

There is more, but the list is quite long enough.  Yet all is not bleak and grim.  I am not in despair and I even see signs of improvement in areas that previously were not too well off, such as historic preservation, or in a more rational and productive behavior by university faculty and students.

In 1979 my book on Kansas City's architectural history was published.  It has sold very well locally and has received kind comments.  It should become better known and distributed in the coming years to my professional advantage and the Historic Kansas City Foundation's benefit.  I am now a member of their Board of Directors, I've been named to the Landmarks Commission, and apparently I am going to be elected to the Board of Directors of the Society of Architectural Historians.

Helicon Nine, the journal of women's arts and letters of which Mila is an Associate Editor, has produced two issues, and the reception has been excellent.  Mila is also now teaching (part-time) in the Department of Theatre and is professionally much happier.

Paul is gainfully employed at the UMKC Bookstore and is clearly now his own man, fully independent and making his own way.  Matthew has completed his first semester at UMC and is well-adjusted to that routine and seems to be capable of handling himself.  No worries there.

My mother, now 84, seems well as can be expected and apparently dauntless.  Mila's mother has adjusted, reluctantly but well, to senior citizen's status.

My days are full, I am doing what I enjoy best, I seem to be making some sort of professional mark that may have some lasting quality.  My health is really quite good since I take my medication and behave myself, and I really look forward to doing more of what I am paid to do.  So despite the ominous symptoms of national and international stress, I look forward to 1980.

14 July 1980

This has become "the summer of 1980," much as there was the summer of 1954 and the one of 1936.  Drought in Kansas became official, and according to the K.C. Star tonight, Jackson County has had 93 possible heat-related deaths since the first of the month.  It has been twelve or more days of 100° (F) weather (who thought to count?), and the weather service sees no let up, certainly not for the next five days.

The pattern is insidious.  Now we have reached lows of 80°, and they occur around 6 to 7 a.m., perhaps holding till 8 in an area with a lot of trees.  The temperature builds slowly to about the mid-80s between 11 and noon.  Then throughout the afternoon the temperature moves into the 100-plus range with the highest figure reached around 4 p.m. and then it holds until the sun sets.  Then the slow, slow slide down.  The sky is mostly clear, winds mostly from the southwest—the local sirocco.  Downtown gets the brunt of it, going to 108° or 109° on many a day.  Water is becoming a problem in many communities, even KCMO has had to ask for restraint.  Electric power loads are perilously high, but that is due to air conditioning.

What would it be like without the many air conditioned retreats most, but not all, of us can use?  UMKC is almost totally air-conditioned now, and of course we have our window units here at home.  The latter we can usually keep off in the morning, but by noon they are necessary, along with some fans to help reach corners and byways.  So we manage to cope tolerably well, are able to work in some comfort, and to sleep with a sense of having rested when we awake.  Our excursions out are limited and mostly in the morning.

But there are those jobs, those places, and those homes that receive the full effect of the heat, which debilitates one as it continues day after day.  For those who are tied to that arena, there is a serious emergency.  And it isn't one of those one reads about.  It is all around us, and with a power failure or a larger water crisis, we will all be in it.  Not a pleasant thought to hold at 7:15 p.m. with the temperature under the east awning an even 100°.

20 July 1981

The Hyatt Regency Hotel disaster.  What can one say more than two days after the tragedy?  The death toll is now 113, with said possibilities of it increasing since some of the injured are in critical condition.  The overt cause of it all was the collapse of two of the three skywalks across the Hyatt's four-story lobby during the most crowded time, the Friday evening tea-dance.  The cause for the failure is the subject of multiple, extensive searches and investigations.

I know none of the victims (as far as I can tell)—a curious sense of relief in that—but in a way I do, for two people deeply affected by all of this I do know.  They are the two principal architects, Herb Duncan and Bob Berkebile.  The picture of the two of them shown in the K.C. Times this morning, as they try to cope with all that now has hit them, is just as heartwrenching to me as the views on television and in the newspapers of the physically assaulted victims.  Knowing them, I know they would not have done anything knowingly improper.  And I suspect they nevertheless feel culpable.  Indeed, perhaps no one did anything wrong, except not to anticipate one additional stress factor that none of the design books or programs said was necessary.  It may be like the dike that no one built the extra foot higher, because it never before ever flooded anywhere was that high.

My immediate reaction was the "marching men on a bridge" explanation.  We were told that people on the skywalks were keeping rhythm to the music, some were even dancing.  An early report quoted a survivor that the walkways began to sway.  Well, my expertise is nil in the matter, the investigative engineers have the task to provide answers.

Mila and I had gone to the opening at the Nelson Gallery, with Venne and Felicia Londré.  We then returned to our house for a light dinner and conversation.  They went home at 10:30 p.m.  I turned on the television to catch M*A*S*H or whatever, and was faced with a network news broadcast reporting a disaster.  Only I didn't know it was in Kansas City.  There was a visual that blinked on noting the coverage came from KMBC.  I looked, and observed to myself that that was curious, those were local call letters for the channel I was watching and why would Channel Nine do that; we all knew which station we were watching.  Indeed, I thought it was Las Vegas or some other place.  It never dawned on me at the first that it was a local disaster.  And then there was the voiceover, or the reporter-commentator saying some words, ending with "in Kansas City, Missouri."  It was a while before the full implications set in.

It was hard to sleep Friday night.  No direct[?] dreams, just tossing and turning.  Saturday morning the newspaper listed 48 dead.  Soon there was a call from L.A.  My mother called to ascertain if we were all right.  We reassured her, but she said the dead were over 100, and she was so concerned.  My reaction was: there goes the media exaggerating, or poor Mom got confused and had the injured list transposed to deaths.  But she had heard correctly, and the report was correct.  By then the toll had reached 111.

What do people like us do?  I have no relevant skills or strengths.  I cannot give blood, considering the medication I take.  One simply picks up and does what one would have anyway, except one feels a little empty and forlorn; but "life goes on" as the saying puts it.  Nevertheless, there is a sense of anguish when it is near to you.

We went to the bank; we went to Bob Jones Outlet to buy some shoes; and we went to the City Market.  Only as we went down Grand Avenue, by the police barricades and the crowds of curious people, could an outsider sense that "something" had happened.  The people parked at a distance, walked up to the police line, stared silently, and then eventually walked away.  Really one could see virtually nothing except boarded places where the entrances had been ripped out to get heavy equipment into the lobby to lift the broken skywalks.  Indeed, a glance driving down and a glance driving back was all that was required to "see it all."  And for me, that was quite enough.

We attended a departmental dinner at Gerry Fowles's house Saturday evening. A few of us talked about it, but what was there to say?  I attended a lecture at the Nelson Gallery earlier, and talked with very few.  One was Bob Bloomgarten, an architect of advanced years.  We could only ponder the implications of present-day cutting back on traditional overbuilding of structure, as material and labor costs force more innovation in design.  But that may not even apply here.  One gropes for an explanation.,

Put one day next to another, and you realize that for most of us, the disaster could well have been in Las Vegas, for all of the direct impact at hand.  Soon it will be only a vaguely remembered thing for virtually all but those there, like a flood or an earthquake.  "Yes," we will say, "I recall it happened, but I'm not sure exactly where or when."  But somehow or other, I feel that this is a real trauma for the city, far different but just as real as the personal tragedies for individual people.  The city can be resilient, but this hurt it.  It put—for how long?—600 people out of work.  It has permanently scarred the lives and careers of some fine architects who are in my estimation totally blameless.  The profession itself is damaged, in a way far worse than when the Kemper Arena roof fell in a storm.  Hallmark and Crown Center [are] hurt.  And one can add to the list, and add again.

They say that time heals.  Let us hope it does and quickly.

Postscript

I was in the Hyatt Regency just once prior to the disaster.  For some time I had planned to go in and see what the public spaces were like.  And so, about a month ago I went with Mila.  We walked everywhere we could, and that included traversing all three skywalks.  As I write this I try to think of what they were really like, and it is funny but I remember them only as walkways—corridors—bridges—to get from one place to another.  From below, or at a distance, the skywalks filled space.  And there is a lot of space in that lobby which separates the guest-room tower from the convention-center block.  It struck me as a "gimmick," a design solution of no great importance to traffic needs, but that was because I was not a guest and [needed] no "shortcut" or direct path to the pool or whatever.

But there it was, an image of space modulation or a couple of people walking from north to south, or the reverse.  A balcony or terrace they were not.  How wrong I was.

*

APPENDIX

"The Storm"

[This occupied a folder of its own in the files not (yet) donated to the George Ehrlich Papers.  In places it is an extremely rough draft, written under stressful circumstances when George had just turned 77 and had begun his gradual yet relentless descent into dementia.  However, it seems an appropriate addendum to this Collection of Observationsnot least because it allows us to close on a more upbeat note than the Hyatt Regency disaster.]

29 January 2002

Knowing that there would be some sort of nasty storm coming our way, I hustled that morning by auto to obtain an assortment of foodstuffs and such to ensure having adequate supplies.  Our neighbors in Crestwood, across the street from our row of houses, had lost their electricity the night before, and the continuation of their loss made us thankful that we at least still had electricity.  And despite the evolution of a developing fall of sleet, which looked modest at first, [this] permitted us a fairly comfortable afternoon and evening, though inevitably we began to hear the growing sounds of the storm.  Still, we could watch the TV and read, and get ourselves settled into our respective beds.  Sleep was interrupted by the obvious sounds of tree branches breaking loose and crashing on our roof and then sliding to the ground, or direct crashes onto who knew what.  Our electricity had failed by midnight, and the blowing winds, the cracking of large branches and even parts of trees, and the attendant noises were very worrisome indeed.  Since we could do nothing about it, we hunkered into our beds in order to stay as warm as possible and hope for the best.  And so we slept as best we could and wait[ed] for the daylight, assuming there would be enough light to see what we could and plan for how to cope with Wednesday's events.

30 January 2002

When we had enough light to see the damage and what else related to the storm, we saw a rather messy scene, what with debris of broken tree limbs and sundry damage to trees, some quite serious as to size and proximity and scattered onto the street. sidewalks, terraces, driveways, etc.  And the "timber" kept falling, since the sleet and rains had built a covering of ice on all sorts of things.  Fortunately, the car was tucked into its garage, but figuring out how, if needed, we could make our way outside of the house [sic].  Moreover, the house was itself getting noticeably colder, and so we bundled up as if preparing to go out into the frosty world.  By chance, we discovered the K.C. Star newspaper very close to our front door.  Given the iced grounds and walk, the throw of the paper to our house must had absorbed the advantage of now being able to skid literally on ice to reach us.  Mila secured the paper.  And as best as we could adapt to the situation, we winced when yet another crash of tree branches, or large elements of a tree, or an entire large tree toppling nearby, a most unpleasant sound what with not knowing if there were serious injuries or major damage to windows, roofs, or whatever.  As the light outdoor faded, it was time to prepare ourselves to see what Thursday would bring.

31 January 2002

After having piled on much clothing, blankets and whatever else might help to keep me reasonably warm, I soon discovered that if I by chance shifted left or right [it] automatically put me in contact with sheets that were strikingly cold, but slowly my body heat shifted to "sort of warm" enough to let me go back to sleep.  But a trip to the loo ensured an overall cold bed on my return.  Nevertheless, I did get some rest, and with evidence that daylight was arriving, I rather swiftly managed to convert [my] assorted clothing from sleep gear to walking about the house gear.  By 7 a.m., there was enough light to see through the windows to reveal the rather large amount of tree branches that had broken off, particularly from the pin oak, to the added fragments of ice that were either still on branches or had fallen free.  Overall a mess, since the walks and driveway were covered with ice and in some places the sidewalk was blocked by debris.  Even as we looked at the mess, our neighbor Fritz Lee from across the street had come over to our side of the street to begin moving [fallen] limbs and piling them by the curb.  He had a saw at hand.  And another [neighbor] with [a] shovel cleared off the ice pellets etc.  We had had our cold cereal breakfast, and thus being fueled so to speak we got into boots and our heaviest outer garments (and me getting a saw and shovel, with the latter also acting as a sturdy cane) and we went out to do our best.  And before we knew it, some others from our immediate area came to help.  And so it went with a sense (of all of us I suspect) that we felt even much better knowing that we were making things better, but much still needed to be done.  Inevitably I ran out of steam and went back into the house.  From the convenience of the back porch, I could survey the yard in the rear, and saw the maple tree, the magnolia and sundry shrubs heavily coated in ice, which had caused extreme bending of branches, often to the very ground due to the weight of the ice.  Several branches were broken, but nothing as severe as in the front [yard].  The garage roof was partially covered by iced branches.  As for the various power lines, how they managed to remain in place given the heavy icing seemed to defy nature.  As for me, I finally got myself to be again useful in some way, by getting out my Pentax and [taking] a series of photographs.  And after some cold food, for me it was soon off to bed, given the darkening hours.

1 February 2002

Tired of eating cold food—and the food was diminishing [rather] quickly despite our modest portions—Mila and I started out to seek "hot food" at UMKC.  While the university as expected had done a decent job on clearing walks, elsewhere on our walk we had to go into the street, which had far less ice.  But that was still precarious in spots.  Also, bits of ice kept falling (and we hoping to be missed by the larger pieces of ice).  When we got to 52nd Street, we went up the stairs to the higher ground where Newcomb Hall is located.  Took the elevator (UMKC has its own power sources) and found Dave Boutros and Marilyn Burlingame tending WHMC.  Without shame (after all I was a participant in the establishment of the "western Missouri WHMC") I [asked] Dave if he had any hot coffee, since now more than two days had passed with[out] it.  He did have the things [needed] to produce hot tea.  And [we] finally had the long sought comfort.  After a visit about this and that, we thanked them and continued to the Fine Arts Building, and visited briefly with several people, and then on to the University Center to see if they had hot food.  YES!  And so we finally had some simple but most satisfying food (when measured by the past couple of days).  On our return trip home, the weather being nice as the hours slipped by, more ice was falling from intact branches, and since a lot of the ice was still heavy and long, it was a rather precarious passage, [ice] just missing us on one occasion.  Lucky us!  Yes by hindsight, but now [we] wished we had helmets for both of us.  When we arrived safely at our house, we ran into Ross Taggart, who had been looking for work re: cutting up and stacking branches, etc. that had fallen.  He also would able to cut the [tree? into?] log-size [segments] that had crashed on our lawn.  I said I wanted all remnants of the redbud cut down and removed to the curb.  He said he would do so tomorrow, but then to our surprise he returned about three hours or so later, with two "assistants" (one his wife, the other a young woman being trained to be a regular assistant), and in about an hour or so, with a [vivid?] heavy-duty chain saw, Ross went at it and the assistants stacking it.  All told $200, but well worth it for both sides.

2 February 2002

We still were without electric power, and so faced yet another day dependent on daylight for doing most of our tasks.  One of which was an added attempt to clear the driveway of ice, which was rather thick in some places.  I had already cleared a section next to the garage over the past couple of days, and at the street end, the frequent welcome presence of the sun had begun to clear [it] rather nicely, with the help of scrapers, etc.  Fortunately the weather was quite balmy, and things looked reasonably ready for yet another "attack" on the driveway ice.  We also had some helpers, who also were working on the sidewalks with considerable effect.  After our various efforts to improve our outside physical situation, and as the daylight was slowly ebbing, Mila arranged a collection of candles and holders to enable us to have a decent dinner set up.  Earlier, we also were informed by our neighbors that we could quite safely light burners on the stove, using a match to ignite the gas and thus the burner.  Proving to do this quite easily, we could now have hot water, etc. for food and drink preparation.  And I diligently concentrated on that.  I set up a candle next to the food preparation area to help me see what I needed to do, since the light outside was darkening fast.  So while working at this I glanced at the stove, on which a kettle was kept hot, and noticed a PF sign on the elevated back of the stove.  That puzzled me, and while pondering this, Mila said, "Look at the light."  What light?  Huh?  Mila, who had noticed the fact that out heaters had come alive, was attempted to make [clear?] the wonderful news that we also had electricity.  And so for dense George, she turned on the kitchen light to the highest level, and finally I did indeed see that we were fully operational, and could set aside the candles, and return to normalcy, so to speak.  Of course, our furnace had to stay running for two full hours before we were up to out usual temperatures.

And thus endeth our blackout.  (Alas, many others were, and would still, be seeking power.)
 


Notes

[click on the > at the end of each Note to return to its source above]
 

  The main campus of the University of Missouri in Columbia MO, aka UMC.  >
  "65 cubic feet, oversize" at the State Historical Society of Missouri Research Center-Kansas City ("preferred citation after first mention may be abbreviated to SHSMO-KC"): official entry number K0067.  >
  Along with letters principally related to the deaths of his sister Martha and mother Mathilda, which I drew upon in preparing the Revised Anniversary Edition of To Be Honest>
  Possibly because his parents were both native Hungarians, George almost always rendered dates "Continental style" with the day preceding the month.  >
  So the Third Sabbatical did in fact take place in 1976, following George's stepping down as Chairman of the UMKC Art and Art History Department the previous year.  >
  Observations of the American Bicentennial began long before July 4, 1976, and included two years of Bicentennial Minutes broadcast nightly by CBS.  >
  The International Exposition: An Index to American Art of the Nineteenth Century, University of Illinois, 1951.  >
  The inventory list of the George Ehrlich Papers dates this document as Sep. 1976 and its introduction as Oct. 9, 1976.  It does not appear on George's bibliography of published works, but may have been intended for the Missouri Valley Chapter of the Society of Architectural Historians, of which George was elected preservation officer in 1977; or it might have been an early version of what became the full-length Kansas City, Missouri: An Architectural History.  >
  Technology and the Artist: A Study of the Interaction of Technological Growth and Nineteenth Century American Pictorial Art, University of Illinois, 1960.  >
  Thin coats of opaque paint, applied to give a softer effect.  >
  West Port, four miles south of Westport Landing on the Missouri River, was the early 19th Century gateway to the Santa Fe, Oregon and California Trails through Kansas Territory.  Westport Landing became a component part of Kansas City MO, which went on to annex Westport in 1897.  Today Westport is a leading KCMO entertainment district.  >
  In 1858 John B. Wornall (1822-1892) built a Greek Revival house at what is now 6115 Wornall Road in Kansas City MO.  In 1864 it was used as a field hospital following the Battle of Westport.  In 1967 the Jackson County Historical Society renovated the Wornall House as a museum.  >
  Viking 1, launched in Aug. 1975, was the first spacecraft to successfully land on the planet Mars; it would remain in operation for over six years.  (Compare George's remarks about it to those he made re: the first manned spaceflights during his First Sabbatical, and about the Apollo missions and lunar landing during his Second Sabbatical.)  >
  One reason why George stepped down after eleven years as department chairman was concerns about his health: "I could no longer continue doing what I had been doing.  I was becoming cranky, and in fact ill."  >
  Unfortunately Mila Jean kept no log of her two-week Bavarian/Swiss holiday (Aug. 4-18, 1976) with members of the UMKC Alumni Association.  Among the places they visited were Munich, Heidelberg, Zurich, Lucerne, Innsbruck, Salzburg, and Hitler's Eagle Nest at Berchtesgaden.  >
  John Cothran Jr., born 1947 in St. Louis, who went on to a long career in Hollywood including roles in Rango, Yes Man, Black Snake Moan, and Boyz n The Hood.  >
  Starring Earnest L. Hudson (aka Ernie Hudson of Ghostbusters fame) as Jack Jefferson.  >
  Matild/Mathilda Kohn/Kun Ehrlich (1895-1992), whose story is told in To Be Honest>
  It was forbearing of my father to phrase it this way, when he could just as easily have said "hasn't gotten off his duff and done a damn thing with them yet."  Eventually I made good and produced To Be Honest (first edition 1986, revised 2024).  >
  Rheta Aaron Berkley Sosland (1905-2003) was one of KCMO's leading advocates of music and the arts; in 1991 she received the Missouri Arts Award for her contributions to the state's cultural environment.  Her second husband Louis Sosland (1903-1976) served as Chairman of the Board of the Kansas City Art Institute and President of the Kansas City Lyric Opera.  In 1993 the Edgar L. and Rheta A. Berkley Child and Family Development Center (named for her and her late first husband) opened in what had previously been the UMKC Bookstore, where I'd been employed from 1975 to 1988.  >
  Elliot Richardson held four different Cabinet posts under Presidents Nixon and Ford, but is best remembered for resigning in protest against Nixon's order to fire Watergate special prosecutor Archibald Cox in 1973's "Saturday Night Massacre."  >
  One reason why my parents's marriage lasted long enough to mark its golden anniversary in 2006 (in spite of their variant personalities
Linear George vs. the Mila Spiral) was that my father enjoyed music and the theater and my mother enjoyed museums and art galleries.  Another reason was what George calls "our continued earthbound humor."  >
  John Danforth served as Missouri's Attorney General from 1969 to 1976 and as United States Senator from 1976 to 1995.  >
  A cold egg sauce using cooked yolks, as opposed to mayonnaise's raw yolks.  >
  Possibly alluding to The Wild Irish Girl, written by Sydney Owenson (later Lady Morgan) in 1806, which describes medallions of veal prepared with nutmeg and cream.  >
  Zucchini stuffed with a savory filling.  >
  The opulent Alameda Plaza Hotel at 401 Ward Parkway opened in 1972.  It became the Ritz-Carlton in 1989, the Fairmount in 1999, and the InterContinental Kansas City at the Plaza in 2005.  (As of Sep. 2025 it is again up for sale.)  >
  In 1975 Mila Jean became close friends with Gloria Vando Peress (born 1934/36), whose husband Maurice Peress (1930-2017) had become Music Director and Conductor of the Kansas City Philharmonic the previous year.  In 1977 Gloria, a professional poet and artist, founded the Helicon Nine Editions literary press along with Philomene Bennett (born 1935), Thelma "Pinky" Kase (1926-2022), Marjorie "Merry" Prostic (born 1946), and Mila Jean (as Associate Editor).  The first issue of Helicon Nine: The Journal of Women's Arts & Letters was published in 1979; but by the end of that year the Peress marriage ended unhappily, Maurice would be fired as Music Director in 1980, and the Philharmonic itself would go out of business in 1982.  Helicon Nine marched on for a run of twenty issues, most of them without Mila Jean who quit in 1980 (her only comment to me being "Don't work with friends"); but she would eventually reconcile with Gloria—by then Gloria Vando Hickok—and be among those photographed at a 1991 reception celebrating Helicon Nine's move from magazine to book publishing.  >
  Sally Rand (
née Helen Beck: 1904-1979) was a Missouri native who began her professional dance career in KCMO before moving on to Hollywood and then winning renown/notoriety as a fan dancer at the Chicago World's Fair.  In June 1976 she returned to Kansas City to serve as auctioneer at a "Strip the Folly" fundraiser to help restore the Folly Theater at 12th and Central, and perform (at age 72) a five-minute fan dance.  >
  The Peresses lived at 627 E. 46th, more-or-less across Rockhill Road from the Nelson Gallery campus.  Their house was not far north of Brush Creek, and I don't recall how they were affected by the Sep. 1977 flood; but daughter Lorca at Bennington was reportedly alarmed by the headlines Kansas City Flooded / Conductor Dies.  (This was Leopold Stokowski, aged 95 in Nether Wallop, England.)  The following summer, while my parents were away in France, I was phoned by Maurice Peress asking to borrow 5505's "drain snake"; I remarked at the time about probably being the only person in the world to receive such a call from a metropolitan orchestra conductor—on that particular day, at least.  >
  Howard D. Haynes (born 1935) founded Questover, a residential program for learning-challenged youth.  He served on numerous music, historic, and community boards in KCMO, Santa Fe and San Miguel de Allende; his career employment ranged from Director of Admissions at the University of Akron to personal consultant for the men's executive shopping service at Saks Fifth Avenue on the Plaza.  Sally Rand was Haynes's house guest when she visited Kansas City in 1976-77.  >
  The Oriental Theater opened in the Chicago Loop in 1926 and, after a decline into screening exploitation movies, closed in 1971.  Reopening as the Oriental-Ford Center for the Arts in 1998, it was renamed the Nederlander Theatre in 2019.  >
  Elmer Lindsey Merrill (1925-1995) served as Dean of the UMKC Conservatory of Music from 1975 to 1985; he was an early operator of and composer for the Moog synthesizer in the 1960s.  >
  Tony Montanaro (1927-2002), a student of Marcel Marceaux, founded the Celebration Barn Theater in Maine where many mimes, puppeteers and Cirque du Soleil performers have been trained.  >
  Sally Rand returned to town in Apr. 1977 and took part in a telephone membership drive for the Philharmonic, saying "It provides cultural experience, plus it's a cheap way to be a big shot."  When asked about future plans during an earlier visit in Dec. 1975, she said "I want to live to be 117.  I will have a glass of pink champagne, dance the Vienna Waltz with a nice man and sleep late the next morning.  After that I don't give a damn."  >
  The intense cold evidently derailed George's train of thought, since he rewrote this entire sentence (already slightly redundant) in full without striking out the previous line.  >
  Ours was a frugal household ("We were poor but we were honest," Mila Jean would sing) and if Matthew or I left any lights on upstairs of an evening, George would send up back up to turn them off.  >
  Jimmy Carter would create the Department of Energy and pursue conservation and price control, but the 1979 oil crisis and fuel shortages did as much to scuttle his presidency as the Iranian hostage standoff.  >
  Joseph Collins Shipman (1908-1977), a chemist turned librarian, served as the first director of the Linda Hall Library from 1945 to 1974.  Named after its benefactress (Linda Southall Hall: 1859-1938) and located on a sizable arboretum across the street from UMKC, this is one of the largest and most prestigious libraries of science and technology in the world.  My first paying job (1973) was in the Linda Hall Annex basement, packing blueprints for the Missouri Valley Chapter of the Society of Architectural Historians.  >
  Built in 1937 as the KCU Liberal Arts Building, this was renamed after donor Lena Haag (1864-1951) following her death.  When Mila Jean began teaching English part-time in 1964 it was at Haag Hall, which I at age seven apprehensively associated with the Irish folktale "The Old Hag's Long Leather Bag."  >
  Linda Hall Library was established in 1946 by Linda and Herbert F. Hall (1858-1941: president of the Hall-Bartlett Grain Co.) on their 21-acre estate.  The Halls's Georgian home housed the library until the new building opened in 1956.  >
  See the May 8-9, 1969 entries in The Second Sabbatical >
  Frank John Roos Jr. (1903-1967) taught art, art appreciation, and the history of art and architecture at Ohio University (1928-36), Ohio State (1936-46), and the University of Illinois (1946-67), serving as head of the latter's Art Department from 1946 to 1948.  He wrote An Illustrated Handbook of Art History (1937) and, with his wife Beatrice Belle Adams Roos (1900-1972), Bibliography of Early American Architecture: Writings on Architecture Constructed Before 1860 in Eastern and Central United States (1968).  For more on his role in George's education, see Two Essays>
  Arthur Eugene Bestor Jr. (1908-1994) received his PhD from Yale, then taught at Columbia University's Teachers College (1936-42), Stanford (1942-46), the Universty of Illinois (1946-62), and the University of Washington (1962-86).  He specialized in the history of American utopian socialism, and as a critic of Progressive education's impact on liberal arts.  For more on his role in George's education, see Two Essays >
  This indicates that George still hoped to write
The Age of Exploration and the Use of Art, a project envisioned in The Second Sabbatical and pursued during our 1971 trip to England, but which would get no further than scholarly papers on specific topics.  >
  George made himself a lap board so as to be able to sit comfortably in his favorite living room chair while grading students papers (a constant professorial chore) or doing other writing by hand.  In time this lap board was bequeathed to Matthew for much the same purposes.  >
  Art historian Geraldine E. Fowle (1929-2011), who lived three blocks away at 5726 Charlotte, had joined the UMKC faculty in 1967; she accompanied George and Mila Jean on their study tour of Greece in 1978.  As with George, a scholarship was created in Gerry's name to provide support to students seeking an art history degree.  >
  This intersection had flooded before, with Holmes Street turning into a similar "raging white-water stream," on July 9, 1969>
  George used a section of 5505's basement as a darkroom, where for many years he did all his own photo development and printing.  >
  5505's driveway made a 18
0° turn behind the house and a steepish descent to the basement's garage door, but George never parked a car in the cellar; even a Volkswagen was too large to fit in the space available, as he found when trying to secure his squareback prior to our trip to England.  So the VW remained out in the driveway for the next six weeks, surviving unscathed.  >
  Studio artist Stephen James Gosnell (1941-2012) joined the UMKC faculty in 1969; his monumental back-patio portrait of George and Mila Jean would be donated to the Art Department in 2016. The Ehrlichs were close friends with Steve and his two wives, Nelda Gay Younger Gosnell (1938-1982) and Mary Lou Pagano (born 1951, married 1985).  Steve, Nelda and their children lived at 5527 Holmes; Steve would move across the street to 5528 Holmes after marrying Mary Lou.  >
  Matthew attended Pembroke-Country Day School ("Pem-Day") at 5121 State Line Road from 1974 to 1979.  >
  Ward Parkway was (and may still be) the poshest landscaped boulevard in KCMO.  For most of its length it runs north and south, parallel to State Line Road (the local border between Missouri and Kansas); then it curves eastward and straddles both banks of Brush Creek, south of the Country Club Plaza and the Nelson-Atkins Museum campus.  >
  Brush Creek flows semi-horizontally west to east through KCMO, draining to the Blue River.  The Battle of Westport was fought in its vicinity on Oct. 23, 1864.  In 1935 the creekbed was paved by Boss Tom Pendergast's Ready-Mixed Concrete Co., ostensibly to prevent flooding; after which Brush Creek often resembled a gutter rivulet, easy for agile folks to leap across—at least through the 1970s.  >
  KCMO's Country Club Plaza opened in 1923 as the first large outdoor shopping center designed with unified architecture—"an eclectic style based on Spanish-Mexican motifs," according to George—and with parking for what were originally suburbanites.  For all its upscale amenities, the Plaza also featured a Sears, a Woolworth's, a cafeteria and a bowling alley—at least through the 1970s .  >
  When George awoke Matthew and myself for school that morning (I was in my final year at UMKC, still living at home) he grimly announced "The Plaza is wrecked."  >
  The corner where Volker Boulevard, Rockhill Road and Cherry Street converged was effectively UMKC's northernmost point, with the Midwest Research Institute to its west and Menorah Medical Center (Matthew's and my birthplace) to its east.  A double row of eight small houses on Pierce Street, used for University offices and storage, was about half a block further north.  >
  Originally part of the William Rockhill Nelson estate, a "Cultural Center park" was developed in the 1950s between the Nelson Gallery and Kansas City Art Institute to the north, and KCU and Rockhurst College to the south.  A fountain (the last work by sculptor Carl Milles) was dedicated here in 1958 in honor of philanthropist William Volker; the surrounding park was commonly called "Volker Park" till 1966.  That year it was officially named the Frank A. Theis Memorial Mall, after the late President of the Board of Trade and Board of Park Commissioners.  In 1991 it would be renamed Theis Park; the Volker Fountain would be shifted southward in 1996.  >
  This might have been Twin Oaks at 5100 Oak.  Beside surface parking lots at its two eleven-story buildings, there was an underground garage that flooded at this time, cutting off all electricity and phone service, and causing both buildings to be evacuated.  By the time I moved to Twin Oaks the following June, everything had returned to normal—though there was much fuss about a tenant's waterbed having recently burst.  >
  Halls department store was founded in 1916 by Joyce C. Hall as a companion to his Hallmark greeting card company.  A luxurious branch store occupying an entire city block opened on the Plaza in 1965; it would close in 2014.  >
  Ultimately twenty-five people died in the 1977 Brush Creek flood, seventeen of them in automobiles, and there was over $100 million in property damage.  The character of the Plaza changed as restoration and renovation led to yuppification in the 1980s.  As for Brush Creek, flood control planning led to its channel being widened and deepened in the 1990s, with streets rerouted and bridges replaced; yet there would be another flash flood in 1998 that killed eleven people (and again swamped the basement at 5505 Holmes).  >
  The 1957 Ruskin Heights tornado was the worst ever to strike KCMO; forty-four people died and over 500 were injured.  >
  The Historic Kansas City Foundation was founded in 1974 after demolition of the Emery Bird Thayer Building in 1972-73, much as the Kansas City Landmark Commission had been created in 1970 following destruction of the old Kansas City Board of Trade Building in 1968.  George was deeply involved with both organizations from their inceptions, serving on Historic Kansas City's Board of Directors from 1978 to 1984 and as a member of the Landmarks Commission from 1979 to 1989.  Historic Kansas City offers an annual Achievement in Preservation Award in George's name.  >
  The Bennett Schneider bookstore opened on the Plaza in 1929, relocating to 300 Ward Parkway from 1970 to 1993.  As independent booksellers were crowded out by big chain stores, Bennett Schneider downsized to a stationery shop in Crestwood that would close in 2012.  >
  In 1838 West Port's landing on the Missouri River was named the Town of Kansas.  Supposedly an old speculator named Squire Bowers (also remembered as One-Eyed Ellis) suggested "Possum Trot" as the town's name, and later legend would state that Possum Trot lost to Town of Kansas by just one vote.  In 1976 the Historic Kansas City Foundation began holding an annual festival, "Night in Possum Trot," to raise funds for preservation efforts.  >
  George was an honorary member of the American Institute of Architects; in 2003 the Kansas City Architectural Foundation would present him with a Legends Award.  >
  The Iranian Revolution in 1978 triggered a decrease in oil production, doubling of prices, extensive fuel shortages and panic buying of gasoline in 1979.  This was followed by rampant inflation and worldwide economic recessions in the early 1980s.  Alternatives to fossil fuel and automobile transportation have been proposed and partly enacted in the half-century since George's remarks, but are once again being forcibly discouraged.  >
  A foot of snow fell during New Year's Eve 1978-79, and did not completely thaw until springtime.  >
  $1.00 in Jan. 1980 = $4.16 in Aug. 2025, according to the CPI Inflation Calculator >
  The Shah of Iran was forced into exile in 1979 after a year of strikes and demonstrations, and the Ayatollah Khomeini became Supreme Leader of a theocracy.  In Nov. 1979 Iranian students seized the American embassy and held fifty-two hostages until Jan. 1981; the failure of a military rescue attempt in Apr. 1980 contributed to Jimmy Carter's landslide election loss to Ronald Reagan that November.  >
  The Soviet-Afghan War began in Dec. 1979 and lasted nearly a decade, undermining the Soviet Union and encouraging non-Russian republics to seek independence from the USSR, which would dissolve in 1991.  >
  From 1975 to 1979 dictator Pol Pot's Khmer Rouge subjected a quarter of Cambodia's population to systematic genocide.  >
  Previously Mila Jean taught Freshman English.  She would continue to teach Oral Interpretation of Literature till retirement in 2000.  >
  Ada Louise Ludeke Smith (1907-2011), whose story is partly told in Ach du Lieber Ludeke, Part Five of Fine Lineage>
  There had been killer Midwestern summers in 1936 and 1954 (when George moved from Illinois to KCMO); but living is seldom easy during any Missouri summertime.  (In The Big Chill Raymond Chandler's Philip Marlowe compares the interior of a tropical greenhouse to "St. Louis in August.")  >
  These 80° "lows" were often accompanied by 80% humidity; inhalation on such mornings felt like trying to swallow a hot biscuit-and-gravy unchewed.  >
  My air conditioner at Twin Oaks broke down during the summer of 1980 and I never replaced it, "soldiering on" through seven more summers on the seventh story of a brick building facing westward, getting the full brunt of slow-moving sunsets.  This was one reason why my weight dropped as low as 135 lbs, despite my being 6'1" tall.  >
  One of those severely injured was Kay Marilyn Kenton (born 1955) who had worked at the UMKC Bookstore in 1979.  A law student, she would win a $4 million settlement from Hyatt Hotels in 1983.  >
  Herbert Ewing Duncan, Jr. (1931-2024) joined his father's architectural firm in 1957; it then expanded from residential design to the construction of office buildings, shopping centers, educational facilities and museums.  His wife Patricia Dubose Duncan (1932-2021) was an advocate for preservation of tallgrass prairies.  >
  Robert Berkebile (born 1937) founded the American Institute of Architects's National Committee on the Environment, devoting himself to sustainable planning, green environmental design, and restorative projects.  In 2009 he received the Heinz Award for Special Focus on the Environment.  >
  Venne-Richard Lond
ré (born 1942) was on the UMKC Foreign Languages faculty, teaching and translating French literature.  Felicia Hardison Londré (born 1941) joined the UMKC Theater Department in 1978; she was dramaturge and literary manager for the Missouri/Kansas City Repertory Theater for over twenty years.  Her History of World Theater from the English Restoration to the Present was published in 1991; among those acknowledged as "a constant source of support" was Mila Jean.  >
  KMBC-TV (channel 9) has been Kansas City's ABC affiliate since 1955.  >
  Bob Jones was an iconic KCMO shoe store at 1914 Grand Avenue from 1960 to 2018.  >
  George and Mila Jean greatly enjoyed visiting Kansas City's City Market at 20 E 5th St., where local mobster Carl "Cork" Civella could often be glimpsed (before being sentenced to prison in 1984).  >
  Robert Bloomgarten (1902-1987) was one of the designers of the Revised Church of Jesus Christ of Latter-Day Saints (later renamed Community of Christ) Auditorium in Independence MO.  >
  Kemper Arena opened in KCMO's West Bottoms in 1973; its innovative roof design won an American Institute of Architects (AIA) award in 1976, the same year the arena hosted the Republican National Convention.  Its roof collapsed during a severe storm in 1979; fortunately the arena was not in use and there were no casualties.  (The AIA happened to be holding its annual conference in nearby Barrtle Hall at the time.)  After extensive repairs, Kemper Arena reopened in 1980; following further renovations it would be renamed Hy-Vee Arena in 2018.  >
  When Donald J. Hall Sr. succeeded his father as CEO of Hallmark Cards in 1966, he launched the Crown Center project to redevelop the area around Hallmark's headquarters at 26th and Grand.  Crown Center included a shopping center, restaurants and hotel
s—including the Hyatt Regency, which opened the year before the collapse of its walkways.  Final casualty counts were 114 killed and 216 injured: one of the deadliest structural failures in the United States prior to the World Trade Center disaster in 2001.  >
  Crestwood is a "posh" neighborhood bordered by Holmes to the east, Brookside to the west, 56th to the south and more-or-less 53rd to the north.  It includes the Crestwood Shops along 55th between Oak and Brookside.  >
  After Matthew left 5505 Holmes, Mila Jean took over "the boys's room" as her own: partly as an office but also because George was a champion snorer.  (When he and I shared accommodations at the University of Illinois Student Union during a visit in 1985, he apologized in advance for this trait; but I inherited a tendency to it myself.)  >
  A separate enclosed garage was built during 5505's renovation in 1989-90, with an "east room" or "sun room" extending over what had been the driveway's slope-down-to-the-basement.  Also the fireplace had been decommissioned, George believing that "all the heat went up the chimney anyway."  >
  George had taken a bad fall in Nov. 1980, slipping on a sweetgum pod and fracturing his femur; after that he walked with a cane.  >
  Newcomb Hall was built in 1936 as the University of Kansas City's library, and was heavily overstocked long before its newly-built replacement opened in 1968.  The "Old Library" then housed offices, a student lounge, and the State Historical Society's Western Historical Manuscript Collection.  In 1984 it was renamed after Ernest H. Newcomb (1886-1979), who had been one of the prime creators of KCU.  >
  Archivist David Boutros (born 1948) was Assistant Director of the State Historical Society of Missouri Research Center-Kansas City until his retirement in 2014.  He worked closely with Mila Jean to set up the George Ehrlich Papers.  >
  Marilyn Burlingame (born 1940) was Assistant Archivist at UMKC and Historian of the University's Retirees Association.  >
  The Western Historical Manuscripts Collection, created by the University of Missouri in 1943; the State Historical Society of Missouri assumed its sole management in 2010.  >
  Ross Campbell Taggart (1950-2023), an art restorer and conservator, was the son of Ross Edgar Taggart Jr. (1915-1998) who gave George his first tou
r of the Nelson Gallery"one of those magical experiences which are truly unforgettable"—back in 1951.  >
  Scribbled postscript: "Cooperating weather enabled us to clear the driveway sufficiently to take the car out of the garage and begin a moderately normal routine, though there were many places where passage was difficult or impossible, even into the second week of February."  >
 



A Split Infinitive Production
Copyright © 2025 by P. S. Ehrlich


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