Introduction
 

In 1969 George Ehrlich was midway through his eleven-year stint as Chairman of the Art and Art History Department at the University of Missouri-Kansas City (UMKC).  From February through August he took his second sabbatical leave from teaching, and—to a considerable but not complete extent—from administrative duties that had become increasingly onerous.  (At one point while contemplating plans for an innovation, he would write: "No more petty foggery [sic]...  If it fails, I think I'll just shove the chairmanship into their faces.")

His first sabbatical had been in 1961, at a time when George was far from satisfied with life at the then-private University of Kansas City, reluctantly accepting the condition that he would have to return there for another academic year—presuming KCU survived that long, which was not a certainty.  During the 1961 sabbatical George kept his eyes open for possible escape routes, even as he acknowledged the possibilities of how the University might yet develop, given half a chance.  “You see that potential as a carrot dangling in front of your nose, and you want to keep trying for it.”

Eight years later UMKC was on more stable footing as an affiliate campus of Missouri University, though wolves would never be distant from its fiscal door.  As an administrator George worked diligently to build up his department's faculty, facilities and curriculum, though this meant "for quite a few years I put my teaching and scholarship on a lower priority than managerial concerns."

During his second sabbatical in 1969 he began to research the history of scientific illustration as an art form.  George, whose 1960 doctoral dissertation was titled Technology and the Artist, had always been intrigued by the relationship of pictorial art to scientific development; he now focused on the illustrators who had accompanied explorers on voyages and expeditions—plus, in Napoleon’s case, a conquering invasion—of the 18th and early 19th Centuries.  From this material he hoped to produce scholarly papers if not a full-length book, continuing to pursue the project when he led his family to England a couple of years later.  1969's summer study trip (every Ehrlich vacation gave George an opportunity to do some research) took place en route to, through, and back from Canada; for this he kept a separate journal, to which I have appended commentary by his wife in The George and Mila Show: 1969 Canada.

Apart from further travel logs and a series of pocket-sized appointment books, George's journal of his second sabbatical appears to have been the last time he kept a daily diary over an extended period.  Together with the previous sabbatical's journal, it neatly bookends that turbulent transformative decade, the 1960s: contrasting the start of Kennedy's administration with the start of Nixon's, and the first manned spaceflights in 1961 with the Apollo lunar landing in 1969.  Moreover, the second sabbatical's journal provides ample evidence of the role George played not just at UMKC and Mizzou, but in his community and profession as a art-and-architectural historian—as well as a husband, father, family member, homeowner, concerned citizen, and observer of the world around him during the short-lived Age of Aquarius.

As per usual, thanks to my brother Matthew for providing some of the photos, some of the copyreading, and some of the clarification.
 


A Note on the Text


To enhance online clarity I have amended some punctuation, adjusted a few paragraph breaks, expanded most abbreviations, standardized most capitalization, made a few [bracketed] addenda, and silently corrected a few misspellings.

This webpage is best viewed on a device using both fonts I employed: Times New Roman for George's entries, and Verdana for my own.

 

 

SATURDAY, FEBRUARY 1

An inauspicious beginning.  Assorted symptoms, such as sore throat, aches and pains, etc. followed hard upon an ice storm which prevented my attending the CAA meetings in Boston.  At least I got sick at home instead of Boston.  Now there is need to make a somewhat different start on the sabbatical leave than that planned.

From a constructive point of view, comparatively little was accomplished.  I read Art and Life in Black America, which is still another free handout of Marshall Fishwick.  The "lecture?" [sic] was rather superficial, but did make a few points.

I've given considerable thought of late to whether (or better how) we can approach this problem if it arises in our own sphere of influence.  At the moment there seems to be two rather distinct problems independent of the current "Afro-American" manifestations (best treated under "current trends").

First, we have the arts of black Africa.  The purist historian in me argues that there must be more precision than that now operational.  I feel that our tendency to lump it altogether under a simple ethnic heading is self-defeating.  And since the state of historiography is so undeveloped, we need be rather archeological in our study.  Also, I wonder how we keep the anthropological elements in proper balance.  To paraphrase Laurence Sickman, The History of Chinese Art becomes The History of Chinese Art and Culture.

Second, we have the art of the black American.  Here there is a legitimately defined and, I would argue, an approachable topic.  The problem here is: can we isolate it from the total art of America?  If we accept the thesis that a story of art in America which excludes the black component is an incomplete story, so is the reverse.  Indeed, to isolate the black story may be more damaging than we expect, since it would be as exaggerated in its storyline as when we isolate America from Europe, and fail to see the American as principally provincial.

And then, as for "recent trends," I think we have a third problem which might be labeled (in the visual arts) as assimilation-submergence (or who can tell who did it) or as "black eclecticism" (or heritage arbitrarily selected).  I think, perhaps, I have a brief article here for the American Quarterly.  Must try it on for size.

Also did some reading in the February issue of Scientific American.

SUNDAY, FEBRUARY 2

A day with little accomplished other than some reading and sorting.  The cold (?) [sic] is well settled into the larynx and the most constructive activity of the day consisted of periodic naps.  I did do some thinking on methods and projects, but this was largely to salve my conscience.  A more vigorous start on scholarly activity would have been nice.

MONDAY, FEBRUARY 3

In retrospect the most significant contribution of today was the benefit from two rather nice long naps.  I think I am making some headway against my ailment.  Certainly I feel better today than yesterday, but I wouldn't call my work significant.  I did finish the Scientific American, sort out some papers, and did some reading in Seventeenth Century Science and the Arts.  About all I'm good for today is sorting and some reading.  Hopefully tomorrow can begin a bit more vigorous a routine.

TUESDAY, FEBRUARY 4

No one can accuse me of starting the sabbatical with anything more than a cough.  I am constantly astonished at what the human body can manufacture within the upper respiratory system.  It is no wonder that it is so difficult to get it "up and out."  Once out it has both a cohesive and adhesive quality that defies description.  As a result, the day was one of convalescence.  I did manage to clear the office a bit more, finish the 17th Cent. Science & Art Book (of only limited use), finish the Scientific American and read a bit in Don Quixote.  I'm afraid that some of my very ambitious study plans will have to wait upon a return of energy.  I tend to need periodic naps, or rests.  I suspect the remainder of the week will be readings which can be done at home and readily interrupted.

WEDNESDAY, FEBRUARY 5

I do believe that I am on the mend.  I am not ready to renew the exercises, but that can soon phase in.

Finished reading the most recent Art Journal and I do believe the Magic Theater piece could work for it.  It will need adjustments, however, in a few places—maybe not.

Read Fred Licht's essay for his Sculpture 19th and 20th Centuries.  It was comforting to see he too has problems of coping with the 20th Century.  Beyond these ventures I was not very productive (except in getting it up and out).

Was asked to be Vice President of the Missouri Valley Chapter of the SAH for the coming year, and I accepted the request to be nominated.  Hopefully I shall be able to do something here that will be mutually creditable.

THURSDAY, FEBRUARY 6

Reviewed the Magic Theater article and made some adjustments based upon my reading of the paper at Lexington and Warrensburg.  Beyond that, the only significant achievement (beyond a few chores) was to read the current issue of Saturday Review.  I tend to get sieges of weariness which are countered only by taking a nap.  Nevertheless, I mustered my resources for the cocktail party at Chancellor Olson's, given for the Department's faculty.  It was quite pleasant, but it did do me in.  I am obviously feeling better, but hardly ready for the hard paced routine of my imagination.

Ken Gangel of KCRCHE called re: the Faculty Institute for next week.  I think my point was made (finally) that I would preside but not really participate.  We shall see.

FRIDAY, FEBRUARY 7

Began typing a final version of the Magic Theater article.  I modified the title to now read "Environmental Art in the Museum: A Reaction to 'The Magic Theater.'"  It is slow going, but I think I have made all of the little adjustments needed.  I went to the Nelson Gallery and obtained four b&w photos of rendering of the projects.  The renderings are better suited for the concept than the finished works.  Unfortunately it is rather difficult to reproduce some of the renderings and I can't be sure the ones I have will be anything other than adequate.  I gather this has been a major problem all along—an adequate and comprehensive photographic record.

While at the Gallery I looked at the new Henry Moore.  I think it is an excellent item, and since it is both typical and atypical I find it far more exciting than the Time-Life sketch which was considered a few years ago.  The newly installed and refinished Gallery I looks too virginal.  It is just a bit too bright—even for the Renaissance.

Continued to read in Don Quixote and to mend.  Both are slow but steady.

SATURDAY, FEBRUARY 8

Continued to type the final version of the Magic Theater article.  I take it one page at a time to try to keep down the errors which I find tend to increase as I push for speed.

Also, I began trying to plan my approach to the main sabbatical project.  I've circled the matter several times, and I feel I need to consider "how" historians of science classify their material.  I know that they make a major division at the end of the 16th Century, and mark "modern" science from that point.  This already argues that art history classifications made [sic] be prejudicial in looking at the material.  Also, am I dealing with the history of the book?

So tentatively, I may begin by some general science (must include technology?) history and a review of the history of print, and of the book.  Somewhere beneath all of this vague searching, I intuit that the issue is "quality was mandatory for major works," hence we may find higher achievement in these printed books than in other publications.

Finally, we attended a reception for Professor Leaf (American Studies from Durham).  It began to get me very close to being a faculty member since so many colleagues were there.  So far I have been able to turn off "shop talk."

Also, happy to record that I now seem nearly well again.  Considerably more energy that in former days.

SUNDAY, FEBRUARY 9

Finished typing the text of the Magic Theater.  Then managed to get in some reading.  Read the Abridged Report of the President's Committee on Communication for the University of Missouri.  No comment needed.  Looked over the most recent issue of the MASA Journal.  I am not pleased with the present layout.  The current trends are not advancing readability.  Granted, there is no special premium on tradition, but we certainly have gone astray in permitting the burden of communication to fall on the receiver.

Did some reading in the SAH Journal.  Took in two openings at local galleries.  Things are not well when it comes to the status of reporting the arts.  Haskell's influence was more important than I thought.  Currently the approach to sound coverage of the arts in the community seems to be to stay equal with the level of the offerings.  But for the moment I see no merit in poking into that arena.  There is time for that when it becomes more of an issue.

My health improves, but the later afternoon and evenings are not my best time.  I still tend to come apart at the seams.

Saw the TV version of Midsummer Night's Dream by the Royal Shakespeare Co.  Quite interesting, especially in the visual style mixture of 18th Century, 17th and whatever.  Well cast and well performed.  But that did me in and put me out of commission.  Didn't even stay up for the news.

MONDAY, FEBRUARY 10

Finished footnotes and illustration captions for Magic Theater.  Now to let it set a few hours before proofreading.

Spent a period of time circling the main research project, and decided that I might as well see what the EWA might suggest.  As I might have surmised there is considerable material, and I shall begin with a quick review of the article "Scientific and Mechanical Works."  This seems excellent for delineation of the boundaries.  The tie-in with the Baroque and the Scientific Revolution is more than coincidental, I'm sure.  Also, I must confine myself to The Book (in the more advanced stages).  The EWA article on "Scientific and Mechanical Works" has proved of value—rather thought-provoking.  Also the bibliography has some excellent leads.

For the moment, it seems best to read widely and swiftly for a sense of what has been done and what the problems are.  Once I've a feeling for the task at hand, then I suspect I best prepare a hypothesis of some sort for a means to get into systematic readings.  The question unresolved is when to start looking at the works.  I feel that they will actually distract me if I am not equipped with some sense of chronology and objectives.  No doubt Joe Shipman could help resolve this, and maybe the thing is to ask him to suggest an initial group of works that are important to him.  Ought to be ready for that in another three or four weeks.

Proofed the Magic Theater article.  I'll have Jean read it before getting the thing Xeroxed.

TUESDAY, FEBRUARY 11

The morning was spent in assorted chores, none profound.  I did get by the Nelson Gallery library and was able to confirm (in Art Index) the lack of recent publications on subject of Black American Art.  Got the Magic Theater paper Xeroxed, and I'll get it into the mail next week.

I have continued my reading of background on history of science and technology, primarily Crombie.  Also obtained (while waiting on Xerox) some books from UMKC library.  Checked social science humanities index—same problem re: Black American Art—no material.

By phone I resolved a few mechanical matters with reference to the KCRCHE Faculty Institute.  I shall pick up McCullough at the airport.

Went to the 30 miles exhibit at the Junior League.  Very society and very ordinary.  What is extraordinary is the aura which these people can surround a rather nothing event.

There is still some congestion, but each day is better, so I keep at it until the urge to rest hits—and I rest.  The best therapy yet devised.

WEDNESDAY, FEBRUARY 12

Today was a reading day.  Made headway in the Crombie, and went by the bookstore and picked up several other books.  No special insights, but I hope to be able to develop the necessary feel for their chronological approach and categories in another two weeks.  The relationship of the herbals to both medicine and botany is one interesting wrinkle.

Received the typescript biography for Who's Who in the Midwest.  They were concerned over the middle name.  At least our boys have resounding middle names.

THURSDAY, FEBRUARY 13

Mailed the Magic Theater paper and took a copy over to Ted Coe at the Gallery.  Then talked with Col Peake [sic] about relations of UMKC and the Gallery.  Outlined the symposium idea for him.

After lunch out with Jean, I read.  The education section of Saturday Review was grim reading—doom doom.  Unfortunately few bright ideas seem to rise up into view.  Then continued with Crombie in the history of science area.

Picked up Joe McCullough at the airport and took him to the Hotel President.  The evening consisted of a good launching of the Faculty Institute in Art for KCRCHE.

FRIDAY, FEBRUARY 14

All day at the KCRCHE Institute acting as Chairman-Moderator.  I earned my meals and then some.

SATURDAY, FEBRUARY 15

Finished the KCRCHE Faculty Institute.  By the time I got home at 1:30, I discovered that I had been working harder than I had intended.  But I feel we accomplished something.  Now I must write up a report.  Discovered also that since I am on leave from UMKC, I am to get an honorarium for chairing the session[s?].  Well, well.

In the afternoon the family went out to Ward Parkway Shopping Center to look at the NASA space exhibit.  The evening was just resting.

SUNDAY, FEBRUARY 16

Other than some magazine reading and TV watching, a day of rest.  The Institute did act as something of a drain.

MONDAY, FEBRUARY 17

Mike Thomas, Tom's son, was killed in an automobile accident.  A most unsettling thing.

On a more positive note, I concentrated on Crombie, and some interesting patterns are beginning to present themselves—e.g. the discontinuity in science in the 15th Century.

Then in the afternoon, I spent some time in Linda Hall, becoming generally familiar with the current layout.  Did do some reading in the area of botanical illustration, and I now begin to think that it would be wise to run from 1400 to 1700 for this study.  That in itself would be quite a challenge.  I think I shall do some readings in cartography to see if there is some parallel with what little I now sense of the chronology.  If so, then perhaps I'll be ready to discuss some of this with Joe Shipman.  No sense bothering him until I can see some sort of pattern (for his reaction).

TUESDAY, FEBRUARY 18

Spent some productive time at the Nelson Gallery.  The morning was involved in doing some reading in the area for the proposed (now titled) "Afro-American Art and Art in America: A Problem in Methodology."  After lunch at the Gallery, devoted time to studying 15th and 16th Century German prints (largely excluding Durer).  There is a matter of technical maturity which few artists had in woodcut.  Urs Graf begins to show some sophistication.  So there is a matter of resources for pictorial representation for the writer.  Whom can he get?  The difference in overall pictorial technique between 1460's and 1490's is astonishing.  Accurate, naturalistic representation of people is a series of contentions with line (woodcut) or burin (engraving).  Unfortunately, much of this is still intuitive on my part, hence I still feel as if I am not ready to make a major move.  More reading is in order, and I now feel that 1700 is indeed the best place to stop.

The Afro-American article is forming in the mind, and a topical outline is in order today or tomorrow.

The evening was centered on a visit to Juanita Thomas (and I did get a chance to talk to Tom on the phone).  The Department will act collectively—thanks to sound thinking and a willingness to assume responsibility by Nancy DeLaurier.

WEDNESDAY, FEBRUARY 19

Read Bland Chapters 4 and 5 on Book Illustrations.  This was after making a topical outline for the Afro-American Art article.  After Bland, and taking notes, read EWA on Cartography.  Some ideas there but not too many.  Began looking at Annals of Printing.  It is rather interesting to speculate on printing technology as both an influence on as well as a part of the story of science, technology and illustration.

During an interlude, I charted a Canada route.

Actually covered a lot of ground, but mostly in knowledge accumulation.

THURSDAY, FEBRUARY 20

Outlined the KCRCHE Report and except for the College Art Journal citation, gathered the sources.  Next time I am in the office, I shall bring home the appropriate issues.

Read in the Annals of Printing, and then in the Saturday Review.  Both Norman Cousins (on clear communication) and Katherine Kuh ("What's an Art Museum For?") were on target.

Attended the funeral of Mike Thomas.  That sort of did it insofar as concentration in the late afternoon or evening was concerned.

FRIDAY, FEBRUARY 21

Began drafting the KCRCHE Institute report.  The later morning (while reading Crombie) brought Louis Cicotello over with the notice of his opening of an exhibit at Park College on Sunday afternoon.

In the afternoon we went out to the Agriculture Hall of Fame (and took Chip Bloch along since Paul was his guest overnight and in the a.m.).  If developed along the initial lines, the Ag Hall should prove to be a major center.  Presently it is more a depository of odds and ends (many interesting of course), and a rigorous presentation of instructional displays is impossible in the limited facilities (and collections).  But it is worth support and it has merit.  Upon return I returned to Crombie.

The news of the various clashes and destructive acts (especially Berkeley again) are extremely disturbing.  I suspect less a national conspiracy than emulation.  Personally I do not object to confrontation with the matter of direct dialogue as an objective.  But the anarchic and willful disruption, on the thesis that only from ashes can the phoenix rise, is self-defeating.  The students will be put on committees and they will be enveloped in the illusion of accomplishment, but there will be a hardening of authority.  And the latter will hurt the faculty as much as the student.  I have always argued that in a university (as contrasted to the small liberal arts college) the main "enemy" of the student was the faculty who through inertia and selfishness lose control over curriculum, standards, and even that word "relevance."  Unfortunately, I am not convinced that students are qualified to know the consequential faculty from the pied piper.  Student evaluation probably works best at the negative end of the scale, to identify the incompetent; but how can they assess the value of the specialist who is dealing with subtle skills or issues?  Even among the faculty there is an admission that we are in trouble as soon as we are out of our professional peer group.  However, the faculty has—historically—failed to confront the student body (and the administration as well) except as individuals.  And these we make into administrators.  It is a troublesome issue.  Considering all things, this is a good term for me to be more on the sidelines—I need to gain some perspective on what will be waiting in the Fall.

SATURDAY, FEBRUARY 22

A day of small chores and odds and ends of activities.  No significant productivity to note.

SUNDAY, FEBRUARY 23

After a lengthy reading of the Sunday paper, turned to the KCRCHE Report and finished the draft.  It will type up (double space) as a dozen pages—best ask them to do it single space.  Will call Gangel's office on Monday.

In the afternoon, we went out to Park College to see Louis Cicotello's exhibition.  There seemes to be a nice attendance, many students from the Department—a good sign.  I wonder how many knew I was on leave—no one said anything except "hello" to me.

Did some more reading in Crombie.  I must say I never really placed some of these events and people very carefully before.  This timing in science is (as with ancient Greece) generally later than the presumed "golden ages" in the arts.  I sure would hate to draw some analogies—but industrialization and technological developments of the 19th Century did follow the 18th Century.  I have no idea of what I can do with this except to suggest that stimuli (or criteria) vary.

My phlegm came back with emphasis in the evening.  Phooey!

MONDAY, FEBRUARY 24

Reviewed the KCRCHE Report and called Gangel.  He is in only on T[uesdays and] Th[ursdays].

Developed that roll of film from the summer—finally.

Read assiduously in Crombie—about finished.

After lunch I went to Linda Hall and spent an hour reading on cartography and I heard Joe Shipman at the reference desk.  Went over, and the next thing was the usual stimulating discussion with Joe, and I am all set up to begin work in the Rare Book room, and to check out books as needed.

I had heard from Ozzie Overby, in a note today, that Hellmut Lehmann-Haupt is now at Columbia.  Turns out he is an old friend of Joe's so I now have another exciting avenue of assistance in the matter of keeping on track.  Joe's enthusiasm is absolutely contagious, and I may really get off the ground if I get surrounded by knowledgeable and enthusiastic people.

After talking with Joe, I now feel it best to concentrate on one area at a time in consulting the books themselves.  I will start with Botanicals and Herbals since this is the area of longest history and also an index to taste.  We may have here, in the fashion for certain types of illustrated books, a real cultural element.  Flowers and Birds but not Quadrupeds please the patron.  The exotic is important—insofar as "pretty" is concerned.  The role of color in printing is an element.  I saw it with 19th Century lithos, but 17th Century engravings?

The atlases will be next, I think.  Lord, there is a lot to do, but it is invigorating.  Joe feels that I should not put 1700 as a limit, but keep 1400.

TUESDAY, FEBRUARY 25

Prepared the letter for Joe to be given check-out privileges.  Finished Crombie.

Then off to the Nelson Gallery to look at the Vitruvius Teutsch published by Petreius of Nuremberg in [the] 16th Century.  Picked up Hellmut Lehmann-Haupt book on Gutenberg and the Master of Playing Cards and brought it home where I read it in the late afternoon [insert: and early morning].  I learned some things and was intrigued by the hypothesis.  At the Gallery I had lunch with Dunbar and we talked of these various matters.

Also managed to look in at the Rockhurst Library.  The wall behind Eric's mural location was being finished in color.  Guess he will get his installation on schedule.

Sadly the cough has returned and I'm still getting up a lot of goop.  So I've made an appointment to see Ed Twin.

WEDNESDAY, FEBRUARY 26

Took Paul to the dentist (for his adjustment) and upon return, began drafting the Afro-American Art paper.  Then, after beginning the Boas book, took a useful nap.

After lunch it was off to Linda Hall.  Began with the Sitwell-Blunt item on Flower Books and am now quite intrigued by this aspect of patronage taste.  We have both botanicals and art catering to a specialized audience.  The comparison of Thornton and Redouté, within the matrix of the art of the time, is next; and after talking with Joe Shipman, I have the Redouté out and the Thornton on the way.  There is probably an article or paper in The Temple of Flora as a document in Romanticism.  My conversations with Joe are most stimulating and this was one object of the study, to learn from that remarkable man.

The only negative point was the high temperature in the Rare Book room.  But there is time to cope with that if it continues.

Did some more reading in Boas in the evening.  All in all, a good day.  The cough seems to have eased as well.

THURSDAY, FEBRUARY 27

The morning was spent with assorted chores downtown.  After lunch—with Jean and seafood—I went to Linda Hall.  There worked with Redouté and the obvious parallels between the exotic flower books and the description of exotic architecture made themselves evident.  The entire approach from Piranesi to Audubon are of one piece and probably aimed at the same patron.  This, of course, needs development.

In the evening I began reading Bagrow on Cartography, and I thought of a possible relationship between the voyages of discovery, mapmaking and the landscape.  This is also worth pursuing.

FRIDAY, FEBRUARY 28

Amidst miscellaneous little chores, read primarily in the Bagrow.  Did exchange some books at the Nelson Gallery.  So ends the first month.  Some progress made, and I feel that I am gaining momentum—but then I also feel better.

SATURDAY, MARCH 1

Spent most of the "study day" with Bagrow on Cartography.  This led to some side excursions, and whether I can tie it together I still do not know.

Went out to the Department to get my mail (junk) and saw Eric there.  He will be working on a (still another) ten-year projection.  I will of course help him on that.  We will get together some Sunday.

Finished reading the current Saturday Review and in the evening we entertained the Mardikes[es], Rivas and DeLauriers.  Just about right for me, for a party.

SUNDAY, MARCH 2

Also a day of miscellaneous.  Finally printed the pictures taken on last summer's trip.  The boys helped—which didn't.

Continued to work through the Bagrow on the History of Cartography and possible I can now see how to develop a paper out of this (tentatively titled—Cartography and the Development of Landscape Painting).

MONDAY, MARCH 3

Began the daily (?) [sic] study of French, hoping to up my proficiency.  As with the exercises for physical reasons, began with the old graded material.

Bulk of the day went to finishing the first draft of the Afro-American paper.  Now I shall let it cool for several days before going over it.

Saw Ed Twin in the late afternoon, and the blood pressure is holding fine, and other elements seem O.K. too.

Did almost finish Bagrow, will try to do so tomorrow.

TUESDAY, MARCH 4

Continued the French.  Finished readings in Bagrow and still need to do a review of the plates in the book.

Went out to Avila to turn in the report on the KCRCHE Institute, and after discussion with Gangel gave the O.K. to "finish the job" at a follow-up session in Excelsior Springs in early May.  Then visited with the art faculty of Avila.

Spent about two hours at Linda Hall on Fine Bird Books, and feeling pooped, came home.  Read in various magazines and went to bed early.

WEDNESDAY, MARCH 5

After some more French, I worked out on the "estate."  Began cutting down the mulberry tree that is crowding the house as part of the chores.  That is a job—still need to get on with it.

Spent later morning and early afternoon at the Gallery on the matter of Cartography.  Found an exhibit and a title which I need to pursue.

Finished the March Scientific American.  And in the evening took Matthew to the Plaza Library so he could get books for "book reports" (on 3x5 cards no less).

THURSDAY, MARCH 6

More French, did the Bagrow illustrations and went to Linda Hall in the a.m.  Returned Bagrow, obtained two other books, finished the Sitwell et. al. Fine Bird Books.  After lunch, obtained some garden-type tools at Sears and did some yard work.  After recovering, I read the one book on Mapmaking and discovered it to be aimed at the 12-to-15 age group.  Nevertheless I read it for its generalizations, and happily found that I could sweep right through it.  Neither the Gallery nor Linda Hall had the exhibition catalog of the Baltimore exhibit of maps and I shall try downtown as well as UMKC.  If neither has it, I guess I'll try Columbia library.  Of course KU might have it and here begins the problem of search and find.  Possibly inter-library loan will be the simplest answer.

Did some miscellaneous other readings.  Ray Browne of Bowling Green called to ask some questions re: the 2nd national meeting of ASA.  Ah memories!

FRIDAY, MARCH 7

First French.  Then, after some reading, went to the Plaza to have a suit "cut down" to match my current measurements.  After that, returned for additional reading in Lynam.  In the later afternoon took off for the Gashland area, north of the river.  We had dinner at Dolce's and then attended the wedding of Juanita Thomas and Ralph Curry in a church nearby.  I hope this provides a happy ending to the many-part saga.  As we returned, it began to snow.

SATURDAY, MARCH 8

Began with some snow removal which Paul continued.  Then turned to income tax efforts.  An excursion out of doors for various things and then finished Lynam.  Read a bit in Boas.  All in all a slow day for compensation.  The income tax awaits a couple more sessions before the data is ready.

SUNDAY, MARCH 9

Took Paul to the Unitarian Church today.  He is ripe for seeing the nature of church service, and yet rather easily taken by ceremonials.  This has opened a new door for him, and I believe at about the right level, since Ray Bragg was dealing with a sticky theological question on the matter of Jesus—Past, Present and Future.

The major productive activity of the day was computation of the Federal Income Tax.  It is in draft form, and needs one minor correction.  We can see the need to increase the withholding to cover our situation.

In the off moments from the above, I continue to read in Boas, Scientific Revolution [sic].  I have also been able to keep tabs on the many adventures of Don Quixote—principally before going to sleep at nights.

MONDAY, MARCH 10

Continued with the French.  Went to Linda Hall to return two books, and to get a "recent" Ptolemy.  Found nothing recent!  Did obtain an 1893 "Elucidations" by Rylands which I checked out.  Must return to the issue of Ptolemy publications.  Later at the UMKC Library—the same thing.  Not even in Loeb edition.  Took over note and check re: Phi Kappa Phi installation and initiation.  Went over to Payroll to increase the withholding.  Then back home via the bookstore for some folders.  The reading notes need sorting out.

At home I went through the Rylands and discovered that there is "geography" and "chorography" and later I must add topography.  The first two distinctions are of interest if I am to pursue the cartography and landscape relationship.  Also finished the Hofer Baroque Book Illustration—not too much.  There are many things to think about and I must note that I don't have them clearly in mind.  The concept of science itself, prior to the 20th Century, is a factor.  Continued with Boas.

TUESDAY, MARCH 11

After French I went to Linda Hall and worked over three editions of Ptolemy.  Also discovered that perhaps only one English translation exists despite a most extensive history of publication.

Continued to deal with Boas, and then went over to Rockhurst to see the dedication of Eric Bransby's mural there.  All went well—it certainly looks good, and I returned for more reading in Boas.  Later in the late evening there was a TV show on the Fresco Exhibit that was in N.Y. last Fall.

WEDNESDAY, MARCH 12

Another session on French, then off to the Nelson Gallery.  Continued bibliographic review re: the cartography matter—no new leads.  Then into the print room, where I concentrated on Italian prints.  Didn't see the Mantegna nor the Pol but I suspect they are boxed independently of the run of the mill.  The Italians had a rather curious early style in their lines, almost like a dry point in the edge, the burin may have been a factor—broad short strokes often noticeable.  No identification by the Gallery, they don't even know its origin insofar as their having it.

Previewed the photography exhibit in sales and rental.  It was still in process of installation.

In the afternoon I was immersed with Ortelius and Mercator.  After stuffing my head with quantities of maps, I am now ready to go back to the flower books and the herbals, but I think I shall hold off and do some office work—review materials, work on an article or two, etc.  I do have materials at home for study and use.

THURSDAY, MARCH 13

A slower day today.  First French, and then began reading rhe Art Journal.  Took some time out to summarize my thoughts on the cartography and landscape painting theme.

Jean and I went out for lunch and a bit of shopping, and upon return we had a letter from niece Sherry who is planning (?) [sic] one of her adventures which tentatively includes us.  The composition of an appropriate reply took time.

Then off to the Nelson Gallery for the opening of the ceramics exhibit.  Also open, but with the formalities to be later in the evening, was a fine photography exhibit in sales and rental.  Considering the time (around 6 p.m.) and the crowds, Jean and I plan to return tomorrow afternoon so that she can see it more conveniently.

The remainder of the evening was not much beyond talk and reading.

FRIDAY, MARCH 14

French.  Finished the Art Journal, and then began reworking the Afro-American article.  Jean and I went over to the Gallery at noon to look at the exhibits again.  After return to the house I continued on the article.  The content is there, but the language is still quite clumsy, and so that must be corrected and polished.

Took Paul to get new frames for his glasses.  And with a few odds and ends, so went the day.  Received one call re: the university, and while I devoted some time to answering Geo Phillips in his concern over the use of space at the building once the Library moves, I did not become involved.  I simply cannot nor will I become a direct participant.  I will not, nor can I anguish over some of these matters without having knowledge of the issues.  But that is hard to explain to those who anguish easily.

SATURDAY, MARCH 15

Began by doing some outside chores.  Then after some errands, did some French.  Afterwards began the rewriting of the Afro-American article.  Other than that, little of consequence.

SUNDAY, MARCH 16

French.  Took Paul to the Unitarian Church again.  Also continued the redrafting of the Afro-American article.  Labored in the back yard for a while, with real help from Paul.

Read in journals, finishing articles of interest [in the] SAH [and] MASA journals.  Finished the magazine called Journal (a Church of Christ publication?) which was sent to me and concentrated on Negro history matters.  The special issue of Psychology Today on Creativity in the Arts did not turn me on at all.

MONDAY, MARCH 17

Numerous little chores.  But also did French, typed up the study trip for the income tax, and did some looking at the Journal for [sic] Negro History in the stacks of the library.  Obviously there is no interest in art history (in the broadest term of the visual arts) during the past decade.

In the early afternoon went over to Linda Hall to work on The Temple of Flora, but nose began to run so I cut it short [sic], checked out two books and returned home for some Contac.  Read during the afternoon and part of the evening on The Temple of Flora.

Saw some films, taken by the latest Apollo crew, of the moon landing ship on a TV special.  Astonishing.

TUESDAY, MARCH 18

First French, then off to Linda Hall to work on The Temple of Flora.  Did do some background study on the Egyptian campaign of Napoleon in order to put the book in a context suggested by part of the text.

After Linda Hall, I went over to Rockhurst and looked at Eric's mural and then over to Massman Hall for a look at the exhibit by the 15 (?) [sic] black artists.  Rather a pedestrian display, and except for some Martin Luther King things, much had no significant content except for black models.  Even the photography was rather modest in size and content.  All of this does not prove anything except to say that the justification of the show was in the group rather than in their work.  By and large it would not get the artist into any show of consequence on a competitive basis, simply because the quality was low.  Reminded me of student work and the anguish students have when they feel it is necessary to exhibit as a group in order to get exhibited, and this with a negative attitude toward the more public displays which "conform to taste."

In the afternoon continued work on the Afro-American paper.  Also did some work on the yard.  A stuffy head doesn't help very much.  Also bought some new shoes for Matthew.  Life is a multiplicity of little activities.

WEDNESDAY, MARCH 19

Outside of some yard chores and shopping errands and a haircut, the effort was [on] the Afro-American paper.  Did do French and some readings on Herbals.

THURSDAY, MARCH 20

French.  Then readings in Herbal History.  Lunch out with Jean, more reading, then off to see The Prime of Miss Jean Brodie.  Ran into the girls from the department at the theater, so invited them home for a drink.  After dinner, went to the Nelson Gallery to hear a lecture on 18th Century English country house interiors.

FRIDAY, MARCH 21

French, some reading in various books—mostly Arber on Herbals.  Miscellaneous chores including shopping expeditions.  The outdoors claimed some time and attention, since this is an activity dictated by weather and the season.

SATURDAY, MARCH 22

Skipped the French and turned to a morning of outside chores.  Paul assisted.  Read in the afternoon and concentrated on Arber and Herbals, but also continued some in Boas.  While with Arber I got the thought (from where?) to check on that booklet I have on the flora in the Unicorn Tapestry.  Another tie-in?  In the evening it was the Greek Dinner and I had a pleasant, really non-shop talk with Eric.  The boys sat themselves so I guess we can say that they youth sat.

SUNDAY, MARCH 23

Paul and I went to church.  After lunch I called the Bel Air East and made reservations for next weekend.  Skipped the French again and did some reading in Arber.  It is prudent to just stay easy once in a while.

MONDAY, MARCH 24

French.  Continued the drafting of both income tax returns, now pretty well ready to submit them in April (since I owe them money).  Took the car in for service prior to the trip this weekend.  Read in Boas and just about finished Arber except for some notations of titles.

TUESDAY, MARCH 25

Took Paul to the dentist for his adjustment.  Returned to read French.  Afterwards did a couple of errands and then finished Arber and continued with Boas.  In the afternoon continued to work at the [Linda Hall] Library where I reviewed the facsimile of the Dioscorides Vienna Codex and worked with the Gart der Gesundheit and Brunfels.  Also discussed matters with Joe and he laid out additional material.  Then got a new French dictionary.

After dinner I went to get the mail while going to the store.  There was a miscellany, but it included a note from Henry Hope saying that he hoped to be able to use the Magic Theater article in the Fall Art Journal.  Will let me know definitely later on.  Read in the Preservation News, which is devoted (double issue) to Belle Grove.

I note that I have a conflict (this Friday) with the local chapter of the SAH.  I am to be vice-president—I'm not doing a good job of [attending?] the meetings ([missed?] three in a row except for the Preservation conference).  Well, that can't be helped.  I'll call Joe Oshiver and explain.

WEDNESDAY, MARCH 26

French, and then a long fruitful session at Linda Hall.  In the afternoon I worked on preservation of the old scrapbook (mine), picked up the typewriter from the shop and took Matthew to get his watch.  Did some reading and other desk-type chores.

THURSDAY, MARCH 27

French, then errands.  The afternoon spent at Linda Hall.  Had a good session with materials and had a long discussion with Joe Shipman.  Tomorrow we head for St. Louis, and that took some time.

FRIDAY, MARCH 28

Off to St. Louis for the MASA meeting tomorrow.  Nice, quiet trip.  Stopped at the City Art Museum before going into the center of the city and the motel.  The most obvious thing was the reinstallation of the Far East section.  Very tasteful and I noted other readjustments.  In general there seems to be respectable progress which is gratifying.  There was a unusual and interesting educational presentation of Bingham's Jolly Flatboatmen.  The contemporary sculpture continues to impress me.  Also the restaurant has been modernized.  It is quite effective.  There was no special exhibits open, so it was a walk through to see progress.  And there was progress.  Good.

Leaving the Museum we noticed flags at half-mast.  Dwight D. Eisenhower has died.

SATURDAY, MARCH 29

Went to the MASA meeting.  Seemed a little more strained than I had expected, only to discover that Martin Hasting had left the order and St. Louis University and arrangement had been rather hurried.  One paper on Quarters and Slavery was good.  Became quite happily reacquainted with people.  Had a chance to talk with Ozzie Overby.  Life in Columbia is a bit tough.  Did a little looking around after the meeting was over, and so went the day.

SUNDAY, MARCH 30

We began the return home via a visit to Shaw's Garden.  Concentrated on the Climatron.  Still an extremely impressive experience.  Then it was the "river route" to Jefferson City.  Saw Washington and Hermann for the first time.  Both still have much of the 19th Century river town quality, although I doubt that there is much [insert: architecture] of major consequence in either on the basis of a brief "round the blocks."  Possibly I might cut off again at some later time and do a more careful review, but not by way of the river road.

In Jefferson City, after a late lunch, looked at the Lincoln University campus and then to the State House.  We received permission to go into the lounge where the Benton mural is located.  The room seemed to be set up as a Republican caucus room.  The murals have been recently cleaned by Sid Larson of Christian College, and they look in fairly good condition.  I attempted some black and white photos.  For the first time I realized what the painted architectural moldings were doing, and I could see how the multiple images-scenes work.  The room is a fairly long and narrow rectangle with three doors and three windows.  The spaces between the windows are corn stalks and derricks, hence merely fillers.  The function of the fake architecture is to remove the corners "A" and "B: and create five major areas, one [insert: each] around each door and one each, larger, of which "A" and "B" are integral.  This brings into effect a much different space (than the actual).

The painting is rather freely drawn, like [Benton's] late 20's easel works, and the color is rather pronounced.  The painting dominates the room, yet hangs on the wall largely because the space moves up and back (as is typical in the Benton manner).  The wainscot is fairly low, hence the pictures can be seen at face level as well as up to a rather ornate, neo-classic frieze.  Since the room was filled with chairs and a curious table organization, it was awkward to move about, but I did manage to absorb the essentials.  The lighting is fairly good, and I shall see if I get anything with the camera.  [Notes on camera settings and film selection]

Then we saw other odds and ends of the building and went back onto the highway to home.

Summary  [Detailed notes on mileage and expenses]  Total miles 591.  Total cash outlay $40.51.

MONDAY, MARCH 31

I was pooped, and did little beyond some reading.  Just plain tired.  So ends the second month.

TUESDAY, APRIL 1

French.  Finished the two income tax returns which I mailed on the way to vote on the school levy.  Then returned by way of the UMKC bookstore to pick up the Lehmann-Haupt book on The Book in America, and some other items.  On return I finished "preserving" my old scrapbook with the acetate covers, etc.  After some shopping on the Plaza, I engaged in cooking and reading the latest edition of Giedion's Space, Time and Architecture (21 years after reading the first edition).

WEDNESDAY, APRIL 2

Paul's 12th birthday.  After taking care of some desk and budget routine, I took Jean downtown and the boys over to the K.C. Museum.  It has been a long time since I was at the K.C. Museum, and the major displays are—in order of excellence—natural habitat, geological, women's costume and American Indian.  Local history is neglected to the point of meaninglessness.  My feeling is that they should get out of the historical (let Jackson County Historical, Westport etc. do that) and concentrate on Science & Technology.  But my opinion isn't solicited, so I shall keep my tongue.

Took the boys to lunch, then the store and returned home.  Did another section of French and then back to Giedion.  Good to read him again.  Then it was birthday-party time.  Later in the evening the boys called my mother in L.A. and spoke with her.

THURSDAY, APRIL 3

French and some minor chores.  Took Jean with the boys to a movie, and while they were there I did some desk chores.  After picking them up, I helped Paul build his crystal set (which worked) and managed to do some yard work.  A bit [of] reading (mostly Saturday Review) completed the productive work.

FRIDAY, APRIL 4

Good Friday and the anniversary of the death of Martin Luther King.  Went out to the Department to deposit some things (e.g. last payment to Lee Anne Miller for the prints) and picked up a fistful of stuff.  Included was the Phi Kappa Phi materials.  Then some French.  Continued general readings—e.g. Saturday Review, Scientific American.  Seem to have trouble focusing my mind.

SATURDAY, APRIL 5

Started with a few chores, then French.  Finished the last part of the last story in the first book, so ready to start the second.  I try for comprehension rather than precise translation, although I won't skip words or passages until "translated."  I figure that as the vocabulary builds up again, I can polish subtleties of grammar.

Matthew received his watch from the Bel Air East—trust he learned his lesson.

I finished the National Trust publication on Belle Grove, and did additional readings in Boas.  Reviewed the KCRCHE Reports—which I finally received.  Did some letter writing.

SUNDAY, APRIL 6

Easter Sunday.  Some reading and some desk activities, but little besides that.

MONDAY, APRIL 7

Fair amount of French.  Talked with Eric Bransby and set up a time, next week, to develop the ten-year projections.  Did various chores about the house and garden, and got off a group of letters.  Finally finished the Boas book, did more with Giedion.  Developed a roll [of film] from recent trip and discovered that the House Lounge in Jeff City apparently had five windows, one additional right in the corner.  Well, I was most interested in the painting.

TUESDAY, APRIL 8

French.  Read in the current Art Bulletin.  Some chores and read in the Praeger series on Fauvism.  Muller (the author) neglects to document—very irritating, although he does maintain narrative.  Printed the roll developed last night.  There is evidence that I have gotten very careless in settings, etc.  I am hurrying and even got one slightly out of focus.  First time for that in a long time.  Then in the evening processed the last exposed roll on hand (one all with flash) only to discover a blank film.  Immediately checked the camera, and discovered the flash switch on M instead of X.  Who knows how long that has been, at least since last October.  I am thoroughly disgusted with the careless practice but I note that I haven't become pressurized.  Shot some check [insert: flash] exposures and will shoot a couple-three outdoor shots and [insert: will] develop the film tomorrow to confirm (?) [sic] the source of the spent roll.  While I lost some "birthday" shots, they are less important than the evidence of careless procedure.  I have always argued that photography should be orderly—but in the turmoil of the past year I've treated it as a chore with the justifiable results.  Finished by reading in Giedion.

WEDNESDAY, APRIL 9

French.  Then after some reading, I went out to the Department for a short visit.  From there over to the Nelson Gallery.  Talked with Ross Taggart about the forthcoming Napoleonic exhibit.  I will explore avenues for university-level participation.  Then back home.  All of this on foot—a very pleasant day.  Continued to read in Giedion.

THURSDAY, APRIL 10

French.  Processed the test roll, and all is O.K. again re: setting and such on the camera.  Began reviewing the Afro article.  Then, after lunch, spent a long session at Linda Hall, including a good conversation with Joe.  Am now well into investigating the travel and discovery-exploration books.  Quickly lighted onto the Perry expedition and this calls for further study, especially about it as a vehicle for presenting Japanese art to the U.S,  After working with the boys on their homework, I did some checking at the UMKC library re: Perry and noted some Snyder items worth reviewing.  All in all a very productive day.

FRIDAY, APRIL 11

French.  Then off to Linda Hall.  Looked at additional voyages material, and a monumental one on a Scandinavian expedition, in French, is a truly ripe Romanticism item.  Must go over that in a methodical way.  Contemporaneous with the mature Delacroix.  After lunch, went to Snyder and UMKC library to expand the Perry material.  The Perry report on Japanese art is of consequence, and it should be explored.  I wonder if Library of Congress has any of the original material.  I'll have to check on inquiry procedures.

While doing coals for skewered marinated meat, read in Giedion.

SATURDAY, APRIL 12

Mostly chores about the house.  Went to the Nelson Gallery where I met Harold Wethey who was with Gerry Fowle, and had lunch and a stroll through painting galleries.  A charming two hours.  Also did some reading in Giedion.

SUNDAY, APRIL 13

Church with Paul.  Continued work on the Afro-American revision.  Attended an opening at Lawrence Gallery for Henry Koerner (visiting Park College).  Continued to read in Giedion.

MONDAY, APRIL 14

French.  Then turned to finishing the Afro-American revision.  Next step is a typed draft.  Began drafting a "Letter to the Editor" on the matter of the school levy.  In the afternoon I worked at Linda Hall on the Scandinavian Expedition and I feel that there is something that can be done with the architectural illustrations as well as the general category.  Hence, after returning home, spent considerable time exploring Norway literature at home.

TUESDAY, APRIL 15

French.  Spent the remainder of the morning working with Tom and especially Eric on various long-range problems.  Finished the session in the early afternoon.  Went over to the Nelson Gallery to check the Art Index on Norwegian architecture, and then over to the UMKC library.  In the evening attended the Friends of Art purchase meeting—they got a monumental Calder stabile.

WEDNESDAY, APRIL 16

Prepared a letter to C.B. Ball relative to department business I could not avoid.  After some reading went to meet with Don Beaver and discussed the research and, in general, visited.  A very pleasant chap, and there is much merit to pursuing discussion.  Talked with John Dowgray about the Age of Napoleon academic festival idea.  John seems to be in that stage where a change of scene has considerable appeal.  I guess he really has been in heavy traffic.

After lunch, rested and then out into the heat and humidity to put in a hour of yard work.  Afterwards more reading.  Finally got around to some French.  The evening was devoted to relaxation.

THURSDAY, APRIL 17

Desk chores.  Then off to the downtown library to see what there was in Norwegian art and architecture books.  Found two items of interest; only one had the "scholarly text" I needed.  I am discovering how little significant English language material there is.

On the way to downtown, stopped at the Department to give Eric the C.B. Ball letter.  Discovered that a candidate was to be in town, and I agreed to meet informally with him at the Nelson Gallery.  We visited for an hour, I stayed out of the interview other than to note my "philosophical" position.

Drafted a letter to KU/MU people about pending Age of Napoleon exhibit and projected emporium.  Read more French, and on Norwegian art.

A state of discouragement, what with strikes and all, seems to pervade the public life of the city.  People are going to have to stand up to it—including me.

FRIDAY, APRIL 18

Off to Linda Hall to continue the Scandinavian expedition.  After working through the lithos (310 of them), began reading the narrative of the voyage (in two volumes).  Managed to scan, with understanding, about fifty-six pages before I ran out of time.  The French exercises have helped.  After lunch, went to the Gallery to check on the artists who were on the Scandinavian expedition.  Talked with Ross Taggart about the Napoleonic exhibition prior to contacting the MU and KU people.  I think we can really develop this.

SATURDAY, APRIL 19

Typed letters to KU and MU re: the Napoleon exhibit.  Prepared copy for the revision of the KCRCHE report.  Took Paul to Pakula re: his allergy.  [He] will need weekly shots.  Began typing the next draft of the Afro-American paper.  Some yard work and then French.  In the evening visited at the Rivas.  Almost finished The Prime of Miss Jean Brodie.  The picture was an improvement.

SUNDAY, APRIL 20

Church with Paul.  Some reading, a bit of French and a little Giedion, etc.  In general a day of no scholarly or physical activity.

MONDAY, APRIL 21

In bits and pieces moved ahead on typescript draft of the Afro article.  Also a fairly long session with French.  Read in Giedion.  Went out to Avila to turn in revision for the KCRCHE report and discussed matters re: Institute.  Worked on letter to editor re: levy.  Managed to keep busy without difficulty.

TUESDAY, APRIL 22

Took Paul to Thompson for adjustment of his braces.  Read in AQ.  Then, after depositing Paul at school, went to Linda Hall and put in a solid two hours of reading French re: the Scandinavian voyage.  After lunch, typed up letter to the editor re: the school levy.  Continued the typescript for the Afro paper and read in Giedion.

WEDNESDAY, APRIL 23

All morning at Linda Hall reading the French narrative re: Scandinavia.  Afternoon spent with Giedion.

THURSDAY, APRIL 24

All morning at Linda Hall with the French Scandinavian expedition.  Mila and I went downtown to lunch, to see the science fair (Matthew was a group-member participant) and then to see Man of La ManchaThe La Mancha was excellent theater—superb stagecraft.  Some of the voices were less than superb, although the acting was excellent.  A good show (but the Music Hall is a lousy theater for an audience).  In the evening, open house at the Nelson school.

FRIDAY, APRIL 25

Part of the morning was spent with Eric about the long-range planning [for the] physical plant.  In the afternoon, continued with the Scandinavian voyages and saw Part III of the Atlas (zoology).  This last [is] a strange portfolio—largely crustaceans.  The quality of hand coloring, where it was used, was astonishingly fine.

The letter to the editor re: the schools was published.  Received three phone calls, one plus, two minus.

In the evening, over to visit with some people.  Since she [sic] was a painter, the conversation was rather subjective at times.

SATURDAY, APRIL 26

A day devoted to ten thousand errands, which was all topped off by going to a "get together" on the wrong day.  Rained prodigiously on top of everything.

SUNDAY, APRIL 27

Paul and I went to church, good sermon.  Did some reading in the early afternoon, mostly AAUP Bulletin.  Life can be grim elsewhere.  Then in the late afternoon went out to the Herb Duncans to meet Charles Kahn, new Dean of KU School of Architecture.  Did not form an impression, but obviously a strong personality.  The evening was capped by the resignation of De Gaulle.

MONDAY, APRIL 28

Prepared a letter to [Chancellor] Olson on the issues associated with obscenity on a campus.  Then prepared a commentary for Tom re: his sabbatical leave request for next year.  Prepared a draft of an interim report on my sabbatical.  After lunch, began cleaning bookcases and moving books—a dusty job which also consumes time.  Did a couple of other chores—such as some grass mowing.  Some reading in Giedion.

TUESDAY, APRIL 29

Read a bit in Giedion while waiting for Eric who wished to consult re: '70-'71 budget.  That accomplished, had lunch and put in 3½ hours at Linda Hall.  Another two sessions should complete the narrative.  Upon return home moved books in the two clean bookcases and made room for two more shelves which I cut out of some surplus lumber.  They need to be painted.  In the late afternoon I received a collective call from Westermann, Dale and Mitchell re: the budget for the M.A. in Art History.  So from memory I discussed figures and projections.  Dale wants a three-sentence updating which I did just before supper and will take in, in the morning.  In the early evening I continued on the Afro-American paper.  Possibly I should be working at a heavier pace, but I find it impractical to push simply for that sake.  I wonder if there is such a thing as scholarly sweat?

WEDNESDAY, APRIL 30

First saw Wes Dale to carry the message to him re: the M.A. in Art History.  He went to the Chancellor's office and I went back to Scandinavia at Linda Hall.  Had lunch at the Nelson Gallery, and looked at some art magazines.  Then back home where I read in Giedion, cleaned books and adjusted the placement, got a haircut, etc.  In the evening typed on Afro-American and did the last except for the footnotes.  Once that is done it is revision again.

THURSDAY, MAY 1

At Linda Hall, continuing with Scandinavia.  Joe Shipman brought out some other books, so there is plenty left to do.  After lunch, did chores about the house, especially the basement.  Discovered that Jean's father has been terminated from his part-time jobnow what?

Completed typing the draft of the Afro-American, and read in magazines.  While Jean was off to a play, I read Who's Afraid of Virginia Woolf?  While interesting, I did not find the play to be my special kind (whatever that means).  Ah well, on to bigger and better things.  John Graham called re: the Napoleonic project.  I shall see him next Friday.

FRIDAY, MAY 2

Morning devoted to chores.  In the afternoon went out to Excelsior Springs to join with the KCRCHE windup [of the] Faculty Institute.  Was part of a panel in the evening.

SATURDAY, MAY 3

Next morning chaired two sessions which led to productive recommendations (which had to be written up) and at lunch reported to assemblage.  Got home in the later afternoon and took it easy.

SUNDAY, MAY 4

Attended executive committee meeting of the Missouri Valley Chapter of SAH.  Lasted about three hours.  Had a chance to visit a bit with Ozzie Overby and discuss the Napoleon project.  After the SAH meeting, went out to Avila College to see their senior exhibit.  In the evening I worked on the summer trip—itinerary, timing, etc.

MONDAY, MAY 5

Wrote up the KCRCHE report (hope that finishes it) and began reviewing the Afro article.  Many little changes and corrections.  In the afternoon, over to Linda Hall and worked on a Greek voyage of 1829? [sic] and more or less wound up Scandinavia.  In the evening continued on the Afro paper and thought a bit more about the mechanics of the June trip.  It will be expensive.

TUESDAY, MAY 6

Worked a bit on the Afro paper and then Mila and I went downtown.  Ran some errands and met Mellie for lunch.  We discussed the situation re: the Smiths and arrived at a tentative and temporary plan.  Mellie will inform us of the reception.  Upon return, spent some time at Linda Hall.  Finished Scandinavia and am forging ahead on other voyages.  After return home, upholstered two dining room chairs and read in Giedion.

WEDNESDAY, MAY 7

In the morning, finished revision of Afro paper.  Went to Gallery via Coldsnow (to pay a bill) and checked footnotes.  Also began on the architectural holdings project by preparing a periodical list.  Looked at the Kung Hsien exhibit—very interesting.

The afternoon was mostly sleep and minor chores.  In the evening attended the Lehmann-Haupt lecture for the Friends of the Library.  He touched on my study project with discussion of illustrations of microscopic images (among other things).  In effect he helped to justify what I have been doing.  Joe Shipman said that the Egyptian expedition [book] had arrived, so it is the project for the morrow.

THURSDAY, MAY 8

Morning spent at Linda Hall with the French Egyptian expedition.  Great fun.  Ross Taggart came over and the discussions were fruitful for me.  I am beginning to see a pattern within such publications and their relationship—one series with another.  The afternoon was errands.  The older Smiths problem is temporarily adjusted, and in the evening reread the Afro paper and made a few corrections.  Ready for typing.

FRIDAY, MAY 9

Spent the morning with Expedition de l'Égypte.  It is fascinating, and I am beginning to see the character toward representation of the world-microcosm inherent in this.  Also it aggrandizes the nation to be able to transport Egypt back to Paris.  Small objects are collected and put in the Louvre.  Large objects and the land (maps) are carried back in surrogate form,  The world's fairs relate in part.  The Napoleonic magnitude of the l'Égypte is hard to excel, but it sets a pattern for the subsequent series.  The role of the illustration then is critical.  I suspect this will occupy the remainder of the leave and then some.

In the afternoon I met with John Graham of the history department and we discussed the Napoleonic symposium for next fall.  We went over to the Nelson Gallery and met with Ross Taggart.  The exhibition, "The Taste of Napoleon," will go Oct. 2 to Nov. 16, which is great for me.

SATURDAY, MAY 10

Picked [up the] budget form at Department for M.A. in Art History.  Spent the afternoon preparing same and drafting a commentary for Dale.

SUNDAY, MAY 11

Took both boys, at their request, to church.  Typed up budget and commentary for the Art History M.A.  As far as I am concerned, this is it.  No more petty foggery [sic].  If they ask me to attend a session [insert: in Columbia] I might go, but I doubt it.  If it fails, I think I'll just shove the chairmanship into their faces.  I suspect it will go through since it is a rational proposal, but are the people who sit in judgment?  Their competency is at stake if they cannot act intelligently.

Well, enough anger.  Rest of the day was Mother's Day combined with pre-birthday party for Mila Jean.

MONDAY, MAY 12

Morning at Linda Hall and l'Égypte.  Identified the missing volume (plates) and have begun a kind of index to the organization of the whole thing since there is no easy way to grapple with the thing.

The afternoon was spent in part on the town with Mila and then at home where I read a bit on Egypt.  In the evening we went to see Lion in Winter.  An interesting film which required some English history in the post-film hour.

TUESDAY, MAY 13

Spent the morning getting things consolidated re: the summer trip.  Got out most reservation requests.  In the afternoon worked at Linda Hall.  The comprehension of the Egypt project grows, and it overlaps some later expeditions, or is so close that a good tie can be seen.  I can't help but wonder if Napoleon had any plans for such a project to Russia?  Must also read up on Napoleonic art collecting, etc.

In the late afternoon [and] early evening, I reread the Afro paper.  Stuart Levine is planning a special number of the MASJ, so I shall check with him by mail.

The experience of helping Paul with his math, after dinner, called for some oiling of rusty gears.

WEDNESDAY, MAY 14

Decided to do background readings.  Began with Taylor's Taste of Angels.  From there went to the Nelson Gallery, read additional material Ross had put out for me, talked with him, and got a book on the founding of the Louvre as a public museum.  After looking at the Chinese Textiles, went over to UMKC Library and checked out a book on the history of France and Pevsner on Academies again.  The current issue seems to be a case of the relation (in mind, attitude, etc.) of art and science in France in the first half of the 19th Century as represented in the travel books.  The Morée expedition was [insert: (check date)] coincidental with a French expedition to aid Greece.  The French sent a fleet in October 1827 and the Morée was I think 1828, '29.  This needs checking.  Perhaps the most curious aspect is that the Bourbon restoration was a factor of greater consequence than I had anticipated.  The support of science is interesting, and I shall have to ask Beaver about history of French science (or Joe) [sic] in the 19th Century.

Also wrote MU and KU to bring them up to date on the symposium.  Wrote Stuart Levine about the Afro paper as a possibility for the special issue.

THURSDAY, MAY 15

Morning spent on doing some final typing of the Afro paper and reading history of France.  Afternoon at Linda Hall where I did more work on the various French voyages, etc.  It is a hunch that a key may well be in the organization of l'Institut de France, and I gathered some references and began reading those.  In the evening, did more reading on French history.  Considering the history, the scholarly support is interesting.  Arago was a member of one government.  The daguerreotype story is somewhat more in focus.

FRIDAY, MAY 16

Day spent typing some on the Afro paper and reading intensively on France, establishment of the Louvre, etc.

SATURDAY, MAY 17

Continued my various reading relative to French history, the Louvre, etc.  Also did some reading on Canada and our planned trip.  Did some more typing on the paper.

SUNDAY, MAY 18

Church.  More typing.  Went out to the Art Department picnic at the DeLauriers.  Talked privately with Lee Anne Miller.  There is no doubt that the faculty will have to make more decisions next year.

MONDAY, MAY 19

Felt a little bilious, but did get some reading done on Academies.  In the afternoon, worked with a French encyclopedia reading about the various Institutes.  The big one, 1898, has much of value.

TUESDAY, MAY 20

Today was the [second] school levy election.  It failed again.  What and how this will be [sic] is as yet uncertain.  It is a matter of a different type of confrontation politics.  The fact that suburbs are having trouble is indicative of the deepness of the problems.  On Wednesday there will be meetings of the [School] Board and of the teachers.  I doubt that they will resolve matters by Thursday a.m.

As for academies, read in Pevsner's Academies.  Will have to go back and make detailed reading notes on the last two chapters.

WEDNESDAY, MAY 21

Had a talk with the boys, before they went to school, about the levy defeat.  Irony in that of the four wards that mustered the two-thirds required, three were black.  Probably it will go to a $3.75, simple majority and a cut in services.  But if the teachers get stubborn and well they might, I doubt if there will be much that can be done in September.  At the moment, I suspect that school will open late since the State Legislature, even if it acted swiftly and intelligently which it won't, cannot do this on their own.  I tried to get across to the boys that they were not in as vulnerable a position as many others.  For many reasons, they could even sit out a year while those of us who can, try for reform.  The emotional impact of a "year out" would be worse on the parents than the children, since we are less adaptable.  I suspect that the presumed scarcity of the suburban and private schools is less than assured, since the waves will hit them in one form or another.  Sadly, it may be that this the only way to wake people up to issues that are basic rather than superficial.  We all know that we need school reorganization as well as tax reform.  Well, the boys have been cautioned not to lose their "cool," and to maintain an open mind (if not optimism).  As for me, I think I shall wait until I hear what the first echelon says—the Board and the teachers.  Until they speak out and take a position (likely in opposition) the parent and voter has little to offer.  Fortunately, the boys are not too vulnerable in that they are in the middle of programs rather than attempting to start or to finish.  The question that rises in my mind constantly is the one about a possible school movement.  Not the Pem Day or Barstow or parochial type, but the substitute type regardless of the levy, etc.  This could create a brand new ball game.

So later we hear that a lower levy is to be tried and cuts in the budget are to be made.  There was a confused confrontation at the [UMKC] Administration [insert: Building] concerning curriculum confusion, and we watch pictures from the moon as transmitted live by the orbiting astronauts.  In the midst of all of this, I worked on reading and reading notes from Pevsner.  Things seem a wee bit disjointed, especially since I find myself arguing with myself over what I should do on all sorts of issues.  Perhaps the times are all too much with us.  It is an intellectual deflation to match the currency inflation.

THURSDAY, MAY 22

Prepared a letter containing my opinions re: the curriculum-change fiasco for Ed Westermann to insert into the record as the occasion arises.  While delivering it, met Wes Dale who needed still another piece of information relative to the M.A. in Art History, and so went home to prepare that.  Louis Cicotello came over to discuss his salary-future, and I believe I was able to clarify his situation insofar as I could (since the stimulus was from the new appointment salary which I did not negotiate).  We went to lunch and he filled me in on more of the curriculum nonsense since he attended the various meetings (public ones that is).  Heard from Stuart Levine, and he wants to see the Afro paper so I worked it over one more time, had Jean proof it and I shall duplicate it tomorrow and send it off to him.  Also worked on the budget for our trip.  And what with watching and listening to the moon travelers, I was rather drained by my day's activities, so turned to one of Jean's English 1930s mystery tales.  This was about my speed.

FRIDAY, MAY 23

A day of chores.  Over to the bookstore for "supplies" and then over to the library to Xerox the Afro paper and do some bibliographic work.  Then over to the post office to mail Stuart the paper.  Then over to the Gallery (on foot) where I conversed and had lunch.  Then back home.  Took the opportunity to do recreational reading, and then we went over to the Rivas in the evening for a fairly large gathering.  Got into academic (not scholarly) discussions and I sense that one day soon I shall be back at the hot routine.

SATURDAY, MAY 24

A day of chores.  And recreational reading.  I did help Matthew make a paper cup telephone as a school project.

SUNDAY, MAY 25

Church with the two boys.  Then in the afternoon and early evening a "swimming party" with Department over at the "girls' house."  Once again academics finally came up.  I can see where I shall have to become a moderator (à la KCRCHE) and not a participant as I resume chairmanship.  Probably that will suit my health needs better.  But reasons and implementations will need to be requested, as well as maintenance of my own open mind on issues.

MONDAY, MAY 26

The 13th anniversary.  Jean and I went out to lunch, the astronauts who circled the moon landed safely and it was a hot day.  I tidied up the desk, read a little, visited with Jean's parents, and later printed up some pictures for my mother.  A quiet day.

TUESDAY, MAY 27

Visited very briefly in the Administrative Building at the university.  End-of-the-term fatigue, coupled by all the tensions (ranging from budgets to student activists) have had their effect.  At Linda Hall I got in some good licks, especially since the 1838 bibliographic analysis [was] now available.  Needed additional info, so off to the Nelson Gallery for a brief check at the library, brief conference with Ross Taggart, and borrowing of two books, [insert: one of] which occupied me after I mowed the back yard.

WEDNESDAY, MAY 28

All (?) [sic] morning at Linda Hall, deep in Egypt, and after lunch and shopping with Jean, spent the afternoon and much of the evening with Napoleon in Egypt.  My, my!

THURSDAY, MAY 29

A.M. at Linda Hall—continue with Description de l'Égypte and the afternoon (after errands) continued to read Neapoleonic until fairly late (9 p.m.).  Sent Mother times and days for her planned visit to us.

FRIDAY, MAY 30

Finished Napoleon in Egypt.  Not the best book in the world, but it is a difficult theme and objectivity and style are problems.  Spent the afternoon and early evening at Blue Springs.  A real gully washer hit K.C. while we were gone and the area was damp and littered.

SATURDAY. MAY 31

A day devoted to odds and ends and a bit of planning for the trip.  The news from all sides is one of discontent.  Everyone saying his peace dealing with the wrongs, but not too much clear-headed suggestions for making true corrections.  Ah me.

SUNDAY, JUNE 1

Took the boys to church.  Sprayed the evergreens for the first time, read various general publications.  In the evening finished plotting the trip.

MONDAY, JUNE 2

Spent the morning at Linda Hall, finished the Préface to the Description.  Took a two-hour lunch with John Dowgray.  We talked a little about the reasons for his going to Tulsa, but mostly a general talk on higher education.  We both have learned as we grow older.  At least we learn in the process of our aging, and we both agreed that it was on-the-job learning.  In the evening I turned to light reading.

TUESDAY, JUNE 3

Reading and errands.  Nothing profound since I feel the need to avoid profundity.

WEDNESDAY, JUNE 4

The morning was errand morning again, with preparations for the trip.  Bought Tom Benton's book, An American in Art.

After an early lunch we returned home to discover that an excavation to repair the sewer was to take place in our back yard by the big oak tree.  After the matter had been fully (?) [sic] explained to me, I gave the go-ahead.  The job is being done with neatness insofar as the digging is concerned.  I shall be away when we reach the critical stages.  Apparently a TV probe tells them where the sewer is broken, etc.  We have damage and I gather it won't be much to create disaster.  So down they go—by hand—to 15'.

I got most of Benton's book done.  Not really with enough substance once we get past 1934.  The book isn't all it seems to be.

THURSDAY, JUNE 5

More chores.  Had to call to get the Canada liability coverage card from All-State.  They mailed the card to 4310 Highland, and another is necessary.  It will be hand-delivered to me.  The digging continues and we are nearly ready to leave [for Canada].  James Hazlett announced his resignation and Nixon is heading to Midway Island.  The State Legislature seems to be in the depths of confusion.  What a curious, curious world.

FRIDAY, JUNE 6

My Canada Liability Card was hand-delivered.  More errands, but mostly just taking it easy.

SATURDAY, JUNE 7

Last day chores, such as packing and the like.  Should be ready once breakfast and the paper are finished.  Ah me, another adventure.

*

FOR JUNE 8 THROUGH JUNE 29 SEE
1969 SUMMER STUDY TRIP

*

MONDAY, JUNE 30

A quick trip to collect mail at the post office and at the Department.  A visit to various stores for supplies.  Fatigue and rest dominate the very hot and humid day while errands are run to catch up on our necessaries.

TUESDAY, JULY 1

Third try at levy and school bonds, and Mom Ehrlich arrives for a visit.  Spent a little time on errands and a quick visit to the Gallery.  We picked up Mother, a wee bit late, and she seems much better than I had expected.  The levy passed but bonds failed.  The post-mortem on the legislature begins.  I have no idea of how we (University) fared, but I intuit we might expect a fee increase to provide some additional revenue (for salary increases? [sic]).  No one has come out and said that another session will be called, but the temper of the times and people are short, and there may ensue a cooling-off period.

WEDNESDAY, JULY 2

A day of comparative ease, with some errands and some cleaning off of the desk.  The debris of inaction is still too much in evidence.

THURSDAY, JULY 3

Spent a little time at the Department and visited here and there.  Made some progress and getting back into a routine.  Part of Wednesday and Thursday consisted of long talks with Mother relative to Sherry and the Mlinarich posture.  It is a thorough mess and I suspect too far along for any effective reconciliation.  Mother, caught and torn by still other values, is not a happy person.  All I can do is suggest that she avoid taking public sides, although she seems to be under pressure to do so and I don't know how it will turn out.  I suppose I too am a villain, but I confess that doesn't bother me.  I felt for some time I needed a thicker skin.  Perhaps it has grown.  I could certainly use it in the Fall.

FRIDAY, JULY 4

With Granddaddy Smith in Ohio (with the Nashes), Jean's mother joined us and the main event was to see the film Oliver!  I found it impossible to remember the London production I saw except for fragmentary images.  Hence I could not do a job of comparison.

Began reading a Simenon novel in French, having finished the Ian Fleming largely on the recent trip.  A few more desk chores.  The weather has been wretched.  Very, very hot (mid to high 90s) and so very humid.

SATURDAY, JULY 5

A few errands, but a lazy day with reading as the most active exercise (other than wee bit of pruning out back).  Continued with Simenon.  Should have gotten a Maigret story (which this is not).

SUNDAY, JULY 6

Some reading.  Drafted some letters—one to Bea Roos—but generally another easy day.  The weather continues unusually hot and humid.

MONDAY, JULY 7

Spent a couple of hours at Linda Hall and began getting back into a routine.  KCRCHE called to ask about the report that goes to the academic deans, but I noted that I had nothing to add.  Ted Coe called, he and Larry [Sickman] wish to see me about something, and I set up an appointment for Tuesday.  So, apparently my week's retreat—after the trip—is over.

TUESDAY, JULY 8

Went to the Nelson Gallery to see Sickman and Coe.  I have agreed to give a lecture series (ten sessions) to be entitled Painting in America.  From the Gallery, Jean and Mother and I went downtown and had lunch with Mellie.  Upon return, began sorting out the stuff from the trip and making room for it in the library.  At Linda Hall I discovered that the air conditioning was on the blink.

WEDNESDAY, JULY 9

Read in Giedion and other items.  Simenon goes slowly because the story lacks something for me.  But I must continue.

While family at a movie, I went to the Gallery and saw the changes in hanging of the painting galleries.  Very much improved, and when finished it will be a decided improvement.  The Kress works are integrated into the total, which is an asset on both sides.  There is considerable more coherence now that more 19th Century stuff is up.  New vitrines are being installed, and all in all it is a treat and the Gallery is a more exciting place.

Continued reading various things, but I have not gotten too much done.  Mother being here, the wretched weather, another intense storm about 5 p.m. today, and general lassitude have not helped.  The Smiths joined us for dinner, and we all watched the basement fill (not to disaster level, but a real mess) along with a flood at 55th and Holmes.

THURSDAY, JULY 10

Little chores today.  Began reading Newhall's The Latent ImageTook Mother to the airport for her flight back to L.A.  Some shopping, but generally nothing accomplished other than to firm up my thinking on the lectures for the Gallery.

FRIDAY, JULY 11

Took the boys for haircuts, and finished Newhall.  Some of the information contradicts what I knew in dissertation days, but does not invalidate the basic argument.  Some information on patents was new to me, and the roles of Herschel and Arago were amplified.  A fine little work.

Continued to read in Simenon, and I have made reasonable headway.  The language and intent are so different from my art reading that it has both salutary and frustrating effect.  A feature of the later afternoon was my making a coq-au-vin, following a recipe exactly.  It was fairly successful, and a touch of modification the next time around should add to the total experience.  I think that I shall try broiling instead of browning, and try for a thicker sauce.  I guess I can honestly say that cooking, rather than something else, is my "hobby."

The Dick Cavett Show, shown here rather episodically, has a gift (at times) for literate and intellectual dialogue.  Wonder if it can last.  I've come to the conclusion that we are on a massive binge of rejecting reasoned, cerebral objectivity as a manner for achievement, and turning to a glorification of the intuitive, subjective, sensual, emotional, etc.  The very phrase—a mind-blowing experience—used by Kenneth Tynan on a TV show (not Cavett but Mike Douglas) in conjunction with his Oh! Calcutta, is a summary of what I think is happening.  Certainly Op or Minimal is non-intellectual, despite the extensive critical literature to support it, since there is no "content."  The advocates for self and experience of a subjective nature are, I believe, letting themselves wide open for direction by a cynical, aware leader.  The danger in all of this indulgence is not only an eventual puritanical reaction, but the abdication to the charlatan (astrology) and the willful manipulator.  Regrettably I cannot see this trend being reversed until it runs further along its course.  The cult curriculum, pro and con, tends to summarize the entire affair.

SATURDAY, JULY 12

Took Paul for his shot and then put in several hours of outside chores which were noticed since the temperature and humidity were high.  Read more in Simenon and in the recent issues of the SAH Journal.

SUNDAY, JULY 13

Read back issues of the SAH Journal (now up to date) and the AQ.  The desk is slowly clearing.

Saw the Romeo and Juliet film by Zeffirelli and it is visually a gem.  The primitive behavior and simplistic attitudes were all too evident.  And whatever happened to Friar Laurence?

The weather continues beastly hot (though not a record, it is humid!).

MONDAY, JULY 14

The morning consisted of errands, spraying evergreens, checking with the Department.  The afternoon was a good solid session at Linda Hall where I've begun to assemble the various pieces collected over the months into some semblance of order.  I began an outline summarizing the status of my information.  Also, I began trying to sort out the expeditions and voyages material.

TUESDAY, JULY 15

Some errands, and then over to the Gallery.  Turned in lecture topics for their use, and spent some time in the library.  Began reading Rewald's History of Impressionism.  I must have looked at it long ago, but certainly not in recent years.  Like Giedion, it is necessary to return periodically (some of the students will).  Went through the Gallery.  One room on the first floor needs re-hanging and then the "new look" will be in order.  A vast improvement which will facilitate teaching as well as just plain visiting.

In the afternoon I continued my work at Linda Hall.  I am getting into the essentials of the role of savants, etc. on these expeditions.  Really, Napoleon's contribution was the Institute in Cairo rather than the basic concept.  Why the French thought this way is the key.  Continued to read in Giedion rather than Simenon since the entire afternoon was French texts.

On the eve of the attempt at [launching] a landing on the moon, the hysteria mounts on the part of the hangers-on.  I can hear it now, "I saw the rocket blast off (not on TV—everyone can say that) in person from 25 miles"—or whatever.  The airwaves are filled with so much pre-launch ecstasy (simulations have destroyed even the sense of surprise) that it is hard to believe that this can be sustained.  And if anything prevents or mars the expedition, the outrage of disappointment may be one of the great let-downs with a period of national mourning which will be below the dignity of the people involved.  I suspect that no alternative to vicarious and chauvinistic achievement is acceptable.  And while I too am caught by the wonder of it, I am deeply disturbed that this is deemed more important than so many other things.  All it proves is that given a physical (not a social) problem, and a goal that can focus all involved, there is little that can escape the engineering skills of mankind.  Regrettably, we cannot agree on social goals, nor marshal the same type of intellect (a contradiction anyhow) to concentrate on solutions.

WEDNESDAY, JULY 16

Well, the astronauts are on their way and happily they are a laconic group and with no crises developing, the news [insert: media] was not over-involved.  No doubt Monday morning (the day of the moon!) will be something—regardless.

Began working on the report dealing with the High School Course.  Later, read in Giedion.  The weather continues hot and humid but the boys are in camp and are surviving (which helps the old folks to survive).

THURSDAY, JULY 17

So while everyone concentrates on the three Americans heading for the moon, I step back to the mid-1780's and join a French expedition traveling in the Pacific Ocean.  Considering that they had a four-year voyage and considerable danger (de la Pérouse was lost with all his company), I wonder at our general lack of awareness of what the past attempted while in awe of today's achievements.  This is not to downgrade the moon shot, but rather to wonder if they are not indeed "safer" than Cook and others who literally were "on their own."  Reading the narrative and noting the resources makes one a bit timid about one's own daring.

We sit in our home and see "real-time" TV transmission from our space ship, we see the earth as a disc in the heavens, and then I turn to the engravings and etchings made after the fact from drawings and paintings executed by little-known artists whose job was to record pictorially what could not be or was difficult to describe.  The juxtaposition of the two experiences is a bit difficult to balance, yet they have relationships that are more than imaginary.  The role of art in the service of science is I believe a satisfactory general title.  One can then see this by units.  So one can have: ... [sic] on the great voyages of discovery and exploration; ... [sic] the herbals and florilegia (sp?) [sic] and so on.  The corollary theme, the influence of science and technology on the arts, is really quite separate.  But the two together do represent the essence of my work at Linda Hall.

In the afternoon there were errands and I continued to read in Giedion.  There are many other chores to do, both domestic and intellectual.  An improvement in the climate would certainly facilitate this.

FRIDAY, JULY 18

Another morning at Linda Hall.  Pieces are beginning to form patterns, and I can see the overall project much more clearly now.  Probably for the first time I can genuinely see a book in all this, and one which not only draws on years of cumulative experience, but one which would be a new one and not a rehash of others' work.

In the afternoon I took the car in for some servicing and began reading Vol. 2 of my paper Penguin History of Science and Technology.  Upon return, I watch another TV space show.  The weather remained cloudy, and though humid it was cool (so to speak).  I ache all over and seem very stiff in most joints.  Age catches up even with all of the exercises.  Got a way in the Penguin History and I found some useful tidbits.

SATURDAY, JULY 19

A day of little chores—outside excursions and around the house.  Did some more reading, History of Science, and watched another TV broadcast, this from a 70 miles orbit of the moon.  Tomorrow is the landing attempt.  Didn't do too much in final analysis, although I kept busy.  Once the moon excursion is over, life will settle down somewhat.  Aches and pains seem to be my lot and I wonder as to the cause.  I'm so stiff in the a.m. I need to wait until I can do my exercises.

SUNDAY, JULY 20

The morning was spent on phase one of an organization of the boys' room.  The afternoon, and on into the wee hours, was spent watching and listening to the TV broadcasts.  We heard the details giving the successful landing, and then, much later (but at a time early enough for the boys to see the early part) we saw TV transmissions from the surface of the moon showing the beginning of the "moon walk."  I stayed up until the astronauts were back inside and pressurizing their ship.  It was all an amazing demonstration of technological skills and single-minded purposefulness.  It is hard to believe that only sixteen years ago, when I was at the computer lab, that computers filled rooms and were in their first stages of examining the problem.  Assuming continual success, the excitement when return occurs should really turn the world—especially U.S. TV—on.  Unless the drama will have exhausted everyone.

The achievement was textbook, manual perfect to this moment.  At least here is an index of the value of planning and practice which is hard to ignore.  My own feelings were and are hard to identify.  Perhaps I was unable to identify with the voyage, sitting at home.  Some landings I've been in, long ago, were more nervous.  But then I was there then.  Today I was a bystander and I would be deceitful if I said I tried to assume some of the "glory."  Possibly it was the rather calm environment at home.  The boys were very attentive but relatively knowledgeable, so they were more matter-of-fact.  They are so steeped in all this (what with their own rehearsals time and again) that I found myself reacting to them rather than the more gabby news commentators.

So in retrospect it was indeed a remarkable experience, and being a passive participant, seeing the entire from my own home, is part—a great part—of the experience.  So little ago, TV was for us a novelty.  Now it watched, and we watched, a man step out on the moon's surface.  I wonder about the implications.

MONDAY, JULY 21

The morning was spent in basement and yard work.  The afternoon was occupied with following the leaving of the moon, rendezvous and docking.  A few catnaps helped catch up on sleep lost the night before.  Some more reading in History of Science.  A tiring day but many chores accomplished.  A few out in space were successful too.

TUESDAY, JULY 22

The morning was spent on errands and excursions with an unexpected agreement to purchase a rug (for the living room).  A new "Oriental," it is an India-made rug which to us was a real beauty (and we could afford it).  It was delivered at 2 p.m. and the excitement in preparation was quite heady.  We also had lunch at the Gallery, and I noted progress in the various installations.  I suspect the big Rubens will go on the corridor end which will permit some re-hanging in gallery X.

Upon return I found the '69-'70 appointment (at long last) and the [pay] increase was quite respectable.  There is now a lot of poor-mouthing for public consumption, and while much of it is justified, it can go too far and create morale problems.  The fee increases were announced as I had anticipated, and all of this is being reported with considerable confusion since the pending med school is involved (along with everything else).

I did get in a little time at Linda Hall.  Barbara Mueller joined us for dinner.  Bob Graham dropped by for a drink, and Barbara and Jean and I went to see the Mo Rep production of Our Town.  Quite delightful and we visited briefly with Art Ellison afterwards.

A full and stimulating day.  Also did more reading re: History of Science.  Almost finished with the Penguin book.

WEDNESDAY, JULY 23

Linda Hall in the morning.  Work around the house in the afternoon.  Reading in the afternoon and evening—Giedion and Saturday Review.

THURSDAY, JULY 24

Prepared a calendar for my 19th-20th Century course for this coming fall term.  Excursions to the store and then watched the recovery of the Apollo 11 crew via the TV.  In some very real ways, the true ordeal of the expedition now begins.

Spent some more time at Linda Hall.  I hope to wrap up the expedition aspect by the end of August and to have a preliminary outline fleshed out.  Then I can begin with the note cards etc.  I feel that what I have been doing is really background reading and thinking, although I do have an incredible accumulation of materials.  Incredible not for size but for variety (and accuracy).  But these are tidbits which did not have the structure required.  I think that is getting nearer.  There is so much to do, and my energy flags at the end of the day.  I cannot say that I am ill in any way, but I just poop out and the muscles ache and the joints creak.  I doubt that the medication has much to do with it, but perhaps I better set up an appointment soon for a checkup.  Now that Ed Twin is no longer practicing, I may slouch around a bit before I get oriented with a new M.D.  Howsoever, that is the pattern.  I also should have my eyes checked.

FRIDAY, JULY 25

The morning at Linda Hall.  Worked with the first Cook voyage.  I am near ready to develop the general outline, and then a specific one for the travel—Egypt, etc.—series.  These will enable me to start being systematic.

Did some reading in Pevsner's Academy.  I had worked with the 19th and 20th Century parts, but now I moved earlier in time.  Some additional value in that it serves both the teaching and the current project.  Finished the History of Science and Technology Vol. 2 by Forbes and Dijksterhuis.  Began on Dampier's Shorter History of Science.  It is all bits and pieces.  But now the time has come to make it work more effectively.

SATURDAY, JULY 26

A variety of little activities around the house coupled with readings in my field.  Both boys are under the weather a bit, and this has dampened activities somewhat.

SUNDAY, JULY 27

Went out to the Department to check on some U.S. architecture slides for Nancy DeLaurier.  Also picked up mail and discovered that Burton is disturbed (again) re: salary.  This via a note from Eric asking, for Burton, for explanation re: my original recommendation.  After initial reaction, I settled down at home to write a detailed and accurate account of the academic fiscal facts of life.  Everyone's education (including my own) must be cumulative.  I called Eric and he agreed to stop by in the late afternoon and I would discuss the letter prior to sending it (copy to Eric).  As things turned out we had the Bransbys to supper and a most pleasant three hours went by.

During the interval in the afternoon, I read the new American Art Journal, to which I had subscribed.  So another exciting day in the life of the sabbatical was logged.

MONDAY, JULY 28

Desk chores in the a.m. and then a visit to the doctor to have a checkup.  Since Ed Twin is no longer in practice, I selected the newest member of the groupHerbert Waxman.  We covered the usual, and discovered that the blood pressure is up a bit.  So we've increased the Dyazide intake and will have a checkup in late November.

I've continued to read in the American Art Journal.  It is a pretty decent first issue.  Finally finished the Simenon.  I didn't dream about the story, but I did improve my [French] vocabulary (especially in dialogue).

I delivered the letter to Dunbar's box (along with a carbon to Eric) and discovered a postcard from Henry Hope.  The Magic Theater article will be in the Fall number of the Art Journal.  Also learned that the Afro piece is in Wyoming with the guest editor and I'll hear word early next year.

TUESDAY, JULY 29

The morning at Linda Hall, after taking Paul to the orthodontist and both boys out to Allendale.  I spent a little time at the Nelson Gallery in the afternoon and upon return home did some more reading.  Also began Agatha Christie (in French).  Yesterday was a "pooped" day and my productivity declined in the later portion of the day.  At times one feels as if the gears are not meshing.  Ah well.

WEDNESDAY, JULY 30

Morning at the desk, doing intellectual chores.  Afternoon at Linda Hall.  Evening made contact with the "missing" professor at Columbia campus.  Bonner Mitchell was the man whose letter I lost, and my plea for help hit the covert target and now all is well.  Continue with Agatha in French.

THURSDAY, JULY 31

Morning at Linda Hall.  Finished with Cook and next week I can take on the Astrolabe—that should hold the voyages for a while.  In the afternoon I did some reading but little more than that.

FRIDAY, AUGUST 1

Some chores and some reading.  Major work on the picture books—at long last.  Ours is now up to date insofar as printed pictures etc.  Now for the boys's books—very out of date by now.

SATURDAY, AUGUST 2

Working at the desk and then was horrified to learn that I had the wrong time (too late) for an appointment to have eyes checked.  An unnerving experience.  In the evening we went to a party given by Barbara Mueller and we stopped by to see the new faculty member, Stephen Gosnell, first.  Then we all went on together.

Did more work on the picture books.  Paul's is nearly up to date.

SUNDAY, AUGUST 3

Various reading, some serious, and assorted outside chores.  Somehow the day was indeed slow insofar as my productivity.  A late (for me) night shoots the following day.

MONDAY, AUGUST 4

The morning was productive re: errands and such activities.  A portion of the afternoon was devoted to reading French—Agatha Christie!

TUESDAY, AUGUST 5

At the Gallery where I looked, read and visited.

WEDNESDAY, AUGUST 6

At Linda Hall in the morning.  General readingSaturday Review, American Art Journal, Scientific American, etc. in parts of the rest of the day.  My energy level falls a bit fast after 12 or 1 in the afternoon.  Phooey.

THURSDAY, AUGUST 7

The morning was fairly productive, especially with Pevsner—finished making notes.  All this at home.  But I felt rather wretched in the afternoon and evening with the left elbow and shoulder giving me fits.  It was decidedly uncomfortable.  Whether it is the weather, or metabolism, or whatever, I felt bedraggled.  It is hardly conducive to productivity.

FRIDAY, AUGUST 8

Felt bilious, yet was not.  Kept rather a quiet routine with reading of things as a major activity.  Art Journal, American Art Journal finished—that was about the only intellectual activity.

SATURDAY, AUGUST 9

I feel better today, but maintained a restrained schedule.  Had my eyes checked and I will need new glasses (from 0.75 to 1.50).  Perhaps my span of concentration will improve once I have the new lenses.

SUNDAY, AUGUST 10

Various chores, readings, simple desk activities and the like.

MONDAY, AUGUST 11

Took in prescription for the new glasses—ran other errands,  Reading in the afternoon (with a nap) and Jane and David Dodds, with their daughter Elizabeth, came into town.  Had dinner with us and we visited in the evening.

TUESDAY, AUGUST 12

The Dodds were with us in the morning, and I took them to the airport.  After lunch I napped; still feel a bit peculiar, but I really doubt that is could be the increase in the Dyazide.  But if it continues I shall speak with the doctor.  Later, went to the University Library to check on some titles, and then picked up a couple of others which will assist in both my 19th-20th Century course and the pending lecture series at the Gallery.  Did some reading on Benjamin West and James Tissot.

I am now so blasted conscious of the need for new glasses, my efficiency is reduced.  Well, Thursday a.m. I can get them.

WEDNESDAY, AUGUST 13

Typed up letter to Hair (Acting Superintendent of K.C. Schools).  Kept it ambiguous as to "role," but tried to urge initiation of contact with the educated-sincere minority.

Went to the Nelson Gallery where I read McCoubrey's American Tradition in Painting Then checked out Sellers' two volumes on Charles Willson Peale.  Had lunch at the Gallery, visited a bit.  Once home I began reading the Peale book.  Got through half of the first volume.

THURSDAY, AUGUST 14

Picked up the new lenses for my glasses.  After adjusting to the more limited depth of field of focus, it is gratifying to have sharp vision again.  The difference became more striking as the day progressed.

Jean and I went to see Goodbye, ColumbusA well-made film, it is also a curiously moral one.  I can see, however, why Roth's status toward "Jewishness" is considered ambiguous.  But then I don't know how much of the film was Roth.  Jack Klugman was very good, but so were all in the cast.

The remainder of the day (and night) was devoted to a solid effort on the C.W. Peale books.  Finished the day (night) well into Volume 2.  Peale is very much a part of all the Linda Hall efforts, not only in the role of the museum, but also in the function and status of the artist.  The tie-ins are not just in my mind.  He was a correspondent of Banks, entertained von Humboldt and received gifts from Saint Hilaire of Egyptian specimens.  I can see a pretty little piece called "Peale's Museum Revisited," with stress on the cultural contextual aspect.  For me it is all rather exciting.

And we have only about two weeks left before I return to the office.  I will have to take a day off to outline the sabbatical's results, for the next phase has to be translating and adding on note cards for proper later use.

FRIDAY, AUGUST 15

Continued work with the Sellers book on C.W. Peale.  Tremendous rains today, and we had to excursion out to Allendale for the awards day.  Both of the boys received a recognition.  We returned with a Gerbil, and later Betty Ganser [insert: now in Denver] came by for a visit.  A long, damp day.

SATURDAY, AUGUST 16

Getting Harry the gerbil settled proved to be quite a morning activity.  Interesting creatures.

Afternoon spent reading trivia, and in the evening we had a visit with the Rivas and Kris.  Ray Riva brought home the soon [sic] return to the office.

SUNDAY, AUGUST 17

A lazy day with a bit of catching up on rest since I lost much on both Friday and Saturday.  Little of consequence other than nature observation—that is gerbil watching.  Fascinating.

MONDAY, AUGUST 18

Went out to the Department in the morning to get the mail.  Lee Anne was back from France (she also had her parents in town) and we visited briefly in the Department.  When Eric came in we discussed a number of issues, particularly space matters.  Some decisions were made and I agreed to come in on Tuesday to help develop the Spring '70 schedule.  In the afternoon I went to Linda Hall and studied the plates in the Astrolabe voyage.  Later in the afternoon, and in the evening, read more on C.W. Peale.

TUESDAY, AUGUST 19

Reading of C.W. Peale in morning.  Lunch with Eric at WRNG and then adjourned to Department where I worked out a spring schedule while Eric labored at other things.  It is very clear that things are ripe for many chores, decisions etc.  Not because Eric hasn't worked hard, he has, but because there is so much to do and more comes in view constantly.  The taste of the office routine was a curious experience after the retreat of "scholarship."

WEDNESDAY, AUGUST 20

Morning at UMKC Library, and at the desk, getting ready for the Art Historiography.  Lunch with Jean and general reading in the afternoon and part of the evening.  Some chores interludes.  An item in the Saturday Review gave me the thought to check into Jefferson's charge to Lewis & Clark and into the expedition, so as to compare with the other voyages.

THURSDAY, AUGUST 21

Continued work at UMKC Library in preparation for the Historiography seminar.  Had a haircut.  In the afternoon the Dodds returned to town, visited with us for a couple-three hours.  Just before, we went out to the pet shop where we learned a few more useful things about gerbils.  In the evening I read Roth's Goodbye, Columbus.

FRIDAY, AUGUST 22

Errands.  Also finished the C.W. Peale books.  Worked on the Art Historiography seminar.  Talked with Tom Thomas by phone and reached a preliminary solution for the Art Education in the spring when Tom is on sabbatical.

SATURDAY, AUGUST 23

Some more work on the Historiography seminar.  Some errands and house chores.  Worked on the Benjamin West book.  Other general reading.  Some thoughts on summary of the sabbatical.

SUNDAY, AUGUST 24

A rather good day for desk accomplishments.  Prepared materials for return to the office, and worked at considerable length on C.W. Peale notes, notes for the [insert: sabbatical] project, and read in Benjamin West.  Gave thoughts to the qualifying exam for the M.A.  It seems clear to me that the concept of candidacy vs. grad work and the implications are not understood as the basic principle.  Hence a proposal, which will solicit information as well as present my views, is needed for circulation to the faculty.

As for the sabbatical project, I have not yet settled on either a single thesis or basic premises.  It is an aspect of cultural history in which art and science have not only a utilitarian [struck through: element] relationship, but this relationship is a manifestation of the period.  Possibly Art in the Service of Science: A Cultural History of Scientific Illustration.

MONDAY, AUGUST 25

Did some work at UMKC Library.  I estimate 6,000-7,000 individually catalogued items [insert: directly] relevant to art, plus the periodicals.  Then over to Linda Hall where I talked with Joe Shipman and thanked him.  Told him I would be "away" for a month, and then would try to return on a once-a-week basis.  From there, I came home and took the family to the U.S. and Missouri government buildings downtown.  Boys bought some "space" materials at the U.S. bookstore.  Afternoon was largely desk work, to some good profit.

TUESDAY, AUGUST 26

Went over to the Department.  Did not sit at my desk, but took care of a few chores, made some recommendations after a conference with Eric.  Got over to the Nelson Gallery for lunch and a quick walk-through of [building?/painting?].  At home did desk work and got a number of things straightened out.  Also managed a visit to the dentist ensemble.

WEDNESDAY, AUGUST 27

Desk work, some library work while boys got their haircuts.  I got two mighty tomes for home reading.  Second trip to dentist for Jean and me.  Weather hotting up a bit.

THURSDAY, AUGUST 28

Small chores and errands of one sort and another.  Some desk work and some reading.  Major activities were culinary.  It sounds as if very little of consequence is being done, but not really so.  Ross Taggart called in the later afternoon, seeking suggestions for a speaker re: Napoleon show to fill a special—hopefully architectural planning—slot, and that set me into a frenzy of a search for possibilities that kept me deep in effort (with a minimum of results) until 10 p.m.

FRIDAY, AUGUST 29

Took car in for 12,000 [mile] check.  From there walked to bus [stop] and took bus to near University.  At UMKC Library did further search for Ross.  Went, on foot, to Gallery.  Had an excellent visit with Ross re: the show, gave him my suggested names.  Saw some fascinating objects gathered for the exhibition.  Read draft of essay for the catalog and saw the catalog text.  Had lunch with Ross and continued talk on show, its theme, the period, etc.  After lunch talked briefly with Larry Sickman about some matters and then walked back home.  After a brief rest, over to the bus and back to pick up the car.  Returned home where I read until dinner.  After dinner, watched K.C. play St. Louis in football.  We won!

SATURDAY, AUGUST 30

The morning consisted of errands and chores.  The afternoon was a combination of being lazy, recreational reading and some serious reading and thinking of the art-science theme.  This occupied portions of the evening as well.

SUNDAY, AUGUST 31

The morning was spent at the desk doing dozens of little activities.  Working through the accumulation of projects, sorting, disposing and preparing for the coming weeks at the university.  After some excursioning in the afternoon to give the family a break, I turned to serious reading again.  So ended the month and the sabbatical.

*

POSTSCRIPT

MONDAY, SEPTEMBER 1

Today is Labor Day and so a holiday.  By coincidence it is also the first day "back on the job."  We have invited the Bransbys over to dinner, both as a social evening and to acknowledge his acting as chairman during the sabbatical.  We have a bottle of top-notch gin—most excellent for martinis—to be the symbol of appreciation.

So what was accomplished?  What did I learn?

Intangible, but the most valuable to the University (and to me as an individual) is the chance to retreat and think things out.  Here I do not mean solutions to practical problems, but to examine self and my relationship to a host of professional issues.  I think I shall return a more tempered and temperate individual.  I suspect the knowledge that I am different (and I think I am) will penetrate my colleagues and superiors but slowly.  But that too is good—the changes are of degree rather than of kind.

Then there was the Canadian trip.  For the time and the money, a good value.  Thinking only of my part (the family benefited of course) I think I gained considerable insight into the arts elsewhere, and my awareness of the role of the museum (of several kinds) has increased.  But as so often happened before, a first-hand view of other places makes one's own situation clearer.  As before, I see that Kansas City with all of its problems is not too badly off when compared to other places.  Parochialism of almost any kind is not a good thing.

And then I did get one article of some substance (the Magic Theater) accepted and to be published this fallArt Journal.  A second is under consideration (the Afro-American Art piece) and I intuit it will be accepted, although I cannot tell how the editor will cast his special issue.  At any rate it is a completed paper.  Others should have been written, but the research project was more demanding of intellectual effort than I anticipated.  Oh, I could have ground away at all levels, but the benefits of the sabbatical would have been diluted.

I suppose the most remarkable thing about the research project is that I went into it out of long-time curiosity, and hopeful that maybe an exhibit of fine printed illustrations would be a possible result.  Now I see, for the first time seriously, a book.  I like for the present the title: The Didactic Image.  A subtitle would be, tentatively, A Cultural History of Illustration for Science.  Pompous?

I started out to look at pictures that art historians rarely or never look at as art, and which science historians see only for content in a context.  I have ended by a completely new (to me) idea of what the arts and artists meant prior to the age of photomechanical illustration.  And since this is also prior to "mature" industrialization, we have to see science and technology in a different light as well.  What has happened, and the details are complex, is an enlarged and I believe more accurate understanding of the uses of the arts.  The two cultures concept of C.P. Snow reflects the current self-images and practices.  The 18th Century was another matter altogether.

The changes in the biological sciences, toward biochemistry in opposition to the taxonomic, have muddled the earlier descriptive role.  The use [of]—even dependence on—art to further the descriptive sciences is an element that was important but is no longer so.  Ecology seems to be statistical and computerized.  I suppose the key is instrumentation.  As instrumentation grows in the sciences, the visual descriptive function of art decreases.

So we not only have a use of art by science, but science influencing the arts.  Touched on in the doctorial dissertation, the patterns seem clearer and of greater significance.  Yes, I think there is a book here, one which is both an historical account and theoretical in content.  I somehow see it as beginning with a theoretical position, and followed by the historical.  While this seems inverted, the historical is less a matter of presenting theories that are then synthesized, as a demonstration of the implication inherent in a view toward certain intellectual activities of mankind.

I daresay this is a ten-year project (or longer) to gather together and make sense out of the subject.  At the moment I see it as being done on two levels.  First there must be the continuous gathering of data, illustrations, etc.  Second, there is the taking of discrete portions or periods and writing them up, not as chapters but as separate themes which will sharpen my thinking till I am ready to take off a year? [sic] and write.

Well, it is an ambitious idea and a rather positive note on which to end.  But this is not contrived to look good only to the reader of these pages; rather it represents the genuine feelings that I have as a result of what is now, obviously, a most beneficial sabbatical leave.
 









































 


Afterward
 

In June 1971 George took his family to England and there continued researching this project, specifically for a report to the American Philosophical Society (which had provided one of the grants financing the trip) "and perhaps either a paper or an article, "The Age of Exploration and the Uses of Art":
       a)  The Voyages of Captain Cook
       b)  The Missing Artist on the Lewis & Clark Expedition
       c)  Scientific Illustration and Romantic Naturalism
                                            etc."

A few days later George would add:

As these things sometimes happen, I awoke and while not quite alert to matters had several thoughts about my project, and quite surprisingly these thoughts were concise and relevant.  So I got up and proceeded to outline them in my notebook.  Within a fairly short time I had a short book outlined insofar as chapters and orientation are concerned.  It is a development of the plans of Thursday.  In brief it is as follows:
               Preface
       I       Introduction
       II     The Need for Pictorial Documentation
       III    The Cook Voyages
       IV     L'Description de l'Égypte
       V      The Missing Artist on the Lewis & Clark Expedition
       VI     Scientific Illustration and Romantic Realism
       VII   A Conclusion
       The title remains as before: "The Age of Exploration and the Use of Art."
       I think it may all work out fairly smoothly and well—I think.  With that sort of focus now at hand, I can see the parts more clearly and what I can or should
be doing while here in England.  The Cook role is more rationally conceived, and Chapter VI will permit me to include the Scandinavian material...

Ultimately George's research report, titled “Art Works Used for Scientific Illustrations,” would appear in the American Philosophical Society Year Book for 1972.  However, The Age of Exploration and the Use of Art would never reach full-length book form.  As a ten-year "(or longer)" project, it was displaced by Kansas City, Missouri: An Architectural History 1826-1976, whose first edition would be published in 1979, followed by a revised edition (its subtitle extended to 1990) in 1992.

A glimpse of this pre-emption came while George was still in England.  On July 21, 1971 "our mail then arrived including one from Gerry Fowle which noted that there was an announcement that Union Station was to be demolished.  Ah me, I can see that I shall be quite, quite busy upon my return."

In 1968 Kansas City’s eighty-year-old Board of Trade Building, "an exceptional work of architecture," had been torn down "to make room for nothing more than a surface parking lot."  This sparked a local preservation movement, with the Landmarks Commission created in 1970 and the Historic Kansas City Foundation organized in 1974.  George was prominently associated with both from their inception, stating that "Central to the preservation movement is the objective of halting unwarranted demolition or radical remodeling of historically or architecturally significant buildings."  When KCMO’s monumental Union Station was threatened with the wrecking ball, a crusade was mounted to save it; in 1972 George organized and moderated a symposium on the Station’s future, asserting that

We do not advocate preservation of every old building.  The key element is finding new uses for many of our old buildings…  I resent deeply that things can be done without explanation.  If they do tear it down and put up a Holiday Inn or something, I want to be convinced that there was no other alternative.  So far I am not convinced.

Nor were many others; but their campaign would go on for decades as Union Station withstood neglect and decay.  Numerous other vintage buildings of eminent importance were in need of safeguarding, so the preservationists were kept vigilantly busy.  George's Architectural History (written after he stepped down as department chairman in 1975) was not intended as a scholarly work, but one bringing together the various social, cultural, economic, and artistic forces that had shaped Kansas City’s architectural heritage.  It was illustrated with nearly two hundred photographs taken by George over the years.  Its revised edition was followed in 1996 by a Guide to Kansas Architecture in collaboration with David H. Sachs.  That same year Union Station’s long-sought restoration was finally approved, with renovation completed in 1999 and train service resumed there in 2002.

Even so, the older project did produce a number of academic papers, articles, and topics for "summer study trips"; while on his Professor Emeritus résumé of the 1990s, George would still list his Research Interests as:

1.  History of the architecture and architects of the Kansas City area.
2.  Interrelationship of art, science and natural philosophy.

 


Notes

[click on the > at the end of each Note to return to its source above]
 

  The 1969 sabbatical diary began on the same note as 1961's, whose first line was "Accomplished little due to a cold."  >
  The College Art Association of America was founded in 1911 to promote the visual arts "and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners."  George was deeply involved in its endeavors; his regular attendance at its annual conference often meant he was out of town on his Jan. 28th birthday.  >
  A pamphlet written by Marshall W. Fishwick and published by the American Studies Institute of Lincoln University in 1968, "outlining some contributions of black artists to American civilization."  >
  Marshall W. Fishwick (1923-2006) directed Lincoln University's Art and American Studies Department from 1964 to 1970.  He established the journal International Popular Culture and cofounded the Popular Culture Association; among his students was novelist Tom Wolfe.  >
  Laurence Sickman (1907-1988) was Director of KCMO's Nelson-Atkins Museum of Art from 1953 to 1977.  Sickman's obituary in the New York Times called him "a connoisseur and scholar of Chinese art who built one of the world's best collections of Chinese paintings, sculpture and furniture" at Nelson-Atkins.  >
  American Quarterly (AQ) has been published since 1949 by the Johns Hopkins University Press for the American Studies Association >
  The monthly Scientific American, founded in 1845, is the oldest magazine continuously published in the United States.  >
  Published by Princeton University Press in 1961, edited by Hedley Howell Rhys.  >
  Mostly likely the Royal Canadian Air Force Exercise Plan for Physical Fitness: five basic exercises (5BX) that could be done in eleven minutes per day.  The U.S. edition was first published in 1962.  >
 
The College Art Association has published the Art Journal since 1941.  Membership in the former includes subscription to the latter.  >
  The Magic Theater was a collection of eight avant-garde exhibits (or "environments") appearing at the Nelson Gallery from May to July 1968.  "The genius of the artist, the engineer and industry have been brought together here to produce 'Magic Theater,' undoubtedly the most wide-ranging and advanced psychic art exhibition that will be mounted this year in the United States," stated the Kansas City Star.  Commissioned by the Performing Arts Foundation, it was visited by over 50,000 persons in its first month.  George's article, "The Magic Theater Exhibition: An Appraisal," would appear in the Fall 1969 Art Journal.  >
  Fred Licht (1928-2019) was an art historian, Goya scholar and academic museum director who co-founded the Committee to Rescue Italian Art from devastating floods in 1966.  His Sculpture 19th & 20th Centuries was published in 1967.  >
  The Society of Architectural Historians was founded in 1940 with a mission is to promote "the study, interpretation, and conservation of architecture, design, landscapes, and urbanism worldwide," plus "meaningful public engagement with the history of the built environment through advocacy efforts, print and online publications, and local, national, and international programs."  George was an active member of the SAH throughout his professional life; he helped establish its Missouri Valley Chapter in 1966-67, presided over this in the 1970s, and often contributed to the SAH Journal.  He and Mila Jean would participate in SAH study tours of Greece and Turkey in 1978 and France in 1980 >
  Lexington, about forty miles east of KCMO, has numerous antebellum houses and public buildings.  Warrensburg, about sixty miles southeast of KCMO, is the home of what was then called Central Missouri State University (now the University of Central Missouri).  >
  Saturday Review was a weekly magazine about American culture, published from 1924 to 1986.  >
 
James C. Olson (1917-2005) was chancellor of UMKC from 1968 to 1976, then president of the University of Missouri till 1984; he and his wife Vera Farrington Olson (1918-2014) were tireless supporters of the arts.  The MU Board of Curators established a fund in their names to continue this advocacy, and the UMKC Performing Arts Center was rededicated in Dr. Olson’s honor in 2008.  George and Mila Jean encountered the Olsons in London during the Ehrlich family trip there in 1971 >
  Kenneth O. Gangel (1935-2009) was a Christian pastor and educator who served as the Kansas City Regional Council for Higher Education's Administrative Assistant for Academic Affairs in 1968-69.  He went on to teach at several divinity schools and theological seminaries.  >
  The Kansas City Regional Council for Higher Education (KCRCHE) was founded in 1962 to coordinate and improve cooperation among nine area educational institutions.  By 1969 the council had expanded from nine to seventeen.  >
  Referred to in our household as simply "the Gallery," the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts (a title later condensed into the Nelson-Atkins Museum of Art) was built along majestic Neoclassical lines, and (like the nearby University of Kansas City) opened to the public in 1933.  >
  Relief No. 1, a seven-foot-tall bronze sculpture created in 1959, was the first work by Henry Moore to enter the Nelson Gallery's permanent collection.  >
  Mark Leaf (1926-1999) of Durham University was a British pioneer in American studies who also worked with Amnesty International in Africa.  >
  The Midcontinent American Studies Association (a chapter of the American Studies Association); later renamed the Mid-America American Studies Assocation (MAASA), perhaps to avoid confusion with the Missouri Association of School Administrators.  >
  Henry C. Haskell (1902-1981) was an editor of the Kansas City Star from 1938 to 1968 as well as a civic leader, patron of the arts, philanthropist and playwright.  In 1969 the outgoing President Lyndon Johnson appointed him to the board of the National Council of the Humanities.  >
  I watched part of this, having played Bottom-as-Pyramus in a Creative Dramatics production the previous May.  (Our version lacked the near
ly-nude Titania—portrayed by a thirtyish Judi Denchof the Royal Shakespeare telecast.)  >
  Presumably the Encyclopedia of World Art, an imposing fifteen-volume set published by McGraw-Hill in 1959, which occupied a bookcase in the Ehrlich living room.  >
  Joseph Collins Shipman (1908-1977), a chemist turned librarian, served as the first Director of the Linda Hall Library of Science and Technology from 1945 to 1974.  Thanks to Joe Shipman's arrangements, George was able to type his 1960 doctoral dissertation in quiet air-conditioned comfort at Linda Hall.  >
  Alistair Cameron Crombie (1915-1996), author of Augustine to Galileo: The History of Science A.D. 400–1650 (aka Medieval and Early Modern Science), first published in 1952; a revised edition came out in 1969.  >
  Faculty members from the seventeen member colleges of the KCRCHE examined the professional use of visual arts in higher education during this three-day institute at the Hotel President.  "Topics to be developed at the conference include: 'The Artist-Teacher in a College Setting,' 'Student and Professional Aspirations and Requirements in the Visual Arts,' 'Relationships Among Art Departments of Regional Council Schools,' and evaluation and planning for art departments," reported the Kansas City Star on Feb. 12.  >
  Joseph McCullough (1922-2012), the outspoken director of the Cleveland Institute of Art, was a featured speaker at the KCRCHE Faculty Institute.  >
  "30 Miles of Art" was the fourth annual benefit exhibition by the local Junior League.  Artists living within a thirty-mile radius of KCMO were invited to enter prints, drawings and sculpture to the competition.  >
  In Apr. 1968 the UMKC Bookstore relocated to a new building at 1012 E. 52nd St., its old building having been razed during construction of the new UMKC Library.  I worked at the Bookstore from 1975 to 1988, starting as student assistant and ending as supplies buyer.  The building is now occupied by the Edgar L. and Rheta A. Berkley Child and Family Development Center.  >
  George, like his European-born parents and older sister, had no middle name.  I believe I was given "Stephen" because George and Mila Jean felt it went euphonically with "Paul."  My brother Matthew was given "Carleton," derived from Carleton F. Scofield (1900-1990), president of what was then the University of Kansas City; a year later Scofield became the first chancellor of the new UMKC.  >
  Ralph T. "Ted" Coe (1929-2010) was at this time curator of painting and sculpture at the Nelson Gallery; he would serve as the Nelson-Atkins Director from 1977 to 1982.  A foremost authority on Native American art, he avidly collected over a thousand pieces and curated two landmark exhibitions: Sacred Circles and Lost and Found Traditions.  >
  The Nelson-Atkins archival database deciphered this cryptic name as Colonel Charles Maclean Peeke (not Peake: 1913-1994), the first executive secretary and promotion director of the Nelson Gallery's Society of Fellows, which was founded in 1965.  >
  This might refer to the controversial Feb. 13-15 "Robert F. Kennedy Memorial Symposium of Dissent" at UMKC, which included Dr. Benjamin Spock, Rev. Jesse Jackson, Charles Evers, Tom Hayden and Pete Seeger; though heavily protested by conservative groups, the RFK Symposium went ahead as planned and became an annual event.  However, George's reference is more likely to the "Napoleonic symposium" he will mention on May 9 and 14.  >
  The Hotel President at 1327-25 Baltimore Avenue was built in 1925, closed in 1980, got placed on the National Register of Historic Places in 1983, and reopened after renovation as the Hilton President Kansas City in 2005.  >
  Ward Parkway was (and may still be) the poshest landscaped boulevard in KCMO.  The Ward Parkway Shopping Center opened near its southern terminus in 1959 as a two-story mall "for the leisurely luxury shopper"; it was anchored by a Montgomery Ward department store.  >
  "Space Age" was a NASA exhibit sponsored by the Kansas City Museum.  I have no memory of it, though I was an astrobuff at the time.  >
  Thomas Robert Thomas (1919-2000) was a graduate of the Kansas City Art Institute, where he studied under Thomas Hart Benton.  He taught at KCU from 1948 to 1960 and then at UMKC from 1963 to circa 1977, serving as Director of Art Education from 1963 to 1971.  Tom designed and built the huge ceramic masks of Comedy and Tragedy that flanked the outdoor fireplace in front of the KCU/UMKC Playhouse; these were the largest hand-built ceramic pieces in the United States.  (As a child I always wondered why, if both his first and last names were Thomas, his middle initial was "R.")  > 
  Linda Hall Library, named after its benefactress and located on a sizable arboretum across the street from UMKC, is one of the largest and most prestigious libraries of science and technology in the world.  My first paying job (1973) was in the Linda Hall Annex basement, packing blueprints for the Missouri Valley Chapter of the SAH.  >
  Published in the Fall 1970 Midcontinent American Studies Journal (MASJ) >
  Urs Graf (c.1485-c.1528) was a Swiss goldsmith and printmaker, credited with inventing the woodcut technique whereby white lines were created on a black background.  >
  Juanita Vaughn Darling Thomas (1919-2003) was the ex-wife of Tom Thomas; she lived at 5901 Rockhill, six blocks from the Ehrlichs.  Juanita grew up deaf but gained some hearing through surgery and using aids; she attended the Kansas City Art Institute and earned her bachelor's degree from UMKC in 1967.  When I was told about the Thomases's divorce (so I "wouldn't ask where Juanita was") I had to have divorce defined for me since it was an entirely unfamiliar concept.  After marrying Ralph Curry, Juanita went on to receive a master's degree in library science and work at the Mid-Continent Public Library in Independence MO, retiring as its director of institutional service.  >
  Nancy Jane Gibbon DeLaurier (1924-2019) earned her bachelor's degree at Northwestern and did her graduate studies at NYU.  For 27 years she was slides and photographs curator in the UMKC Art and Art History Department, spearheading efforts to gain professional status for what became the Visual Resources Association (which confers an annual Nancy DeLaurier Award).  She and husband Jacques (1921-2012) hosted the annual Art Department spring picnic at their home in Eastwood Hills, a neighborhood they strove to keep racially balanced in resistance to redlining and white flight.  >
  Presumably David Farrant Bland, who wrote The Illustration of Books (1951), A Bibliography of Book Illustration (1955), and A History of Book Illustration (1958).  >
  Subtitled "A Chronological Encyclopaedia from the Earliest Times to 1950," this was written by W. Turner Berry and H. Edmund Poole and published by the University of Toronto Press in 1966.  >
  Norman Cousins (1915-1990), a longtime advocate of nuclear disarmament and world peace, was editor-in-chief of Saturday Review from 1942 to 1971 and again from 1973 to 1977.  >
  Katherine Woolf Kuh (1904-1994) ran one of Chicago's first galleries of avant-garde art from 1935 to 1943, then served as the first curator of modern art and sculpture at the Art Institute of Chicago until 1959, when she became an art critic for Saturday Review.  >
  Washington's Birthday was celebrated on this Friday in 1969; it would not be scheduled on the third Monday of February (commonly referred to as Presidents Day) until 1971.  >
 
Louis Martsolf Cicotello (1940-2011) taught at UMKC from 1967 to 1984, then chaired the Visual Arts Department at the University of Colorado–Colorado Springs from 1984 to 2007.  He died while rappelling in Utah’s No Man’s Canyon; his younger brother David survived, but spent six days trapped on a ledge.  >
  Park College (renamed Park University in 2000) is a private institution in Parkville MO, ten miles northwest of Kansas City.  Louis Cicotello's exhibit was of four wall pieces and eleven free-standing pieces using Plexiglas, foam and plywood.  >
  The National Agricultural Center and Hall of Fame was founded in 1960 in Bonner Springs KS, twenty miles west of KCMO.  It included "Farm Town USA," an exhibit recreating a rural village.  >
  Wheadon C. "Chip" Bloch (1956-2011) was the son of S. Wheadon Bloch (1917-2012), Dean of Students at UMKC from 1953 to 1969.  The Blochs lived at 5421 Locust in the Crestwood neighborhood.  Chip, visually impaired by a detached retina, would be killed while crossing the street on his way to work.  >
  Student unrest at the University of California, Berkeley had been ongoing for several years, but re-erupted in Jan. 1969 when the Third World Liberation Front began the second-longest student strike in American history, and police countered with a brutal crackdown; Governor Ronald Reagan declared a "state of extreme emergency."  Even so, support for the strikers grew and the university administration was pressured into negotiations, resolving the strike in Mar. 1969 with the creation of the first Ethnic Studies Department in the United States.  >
  George was taught how to develop film in the late 1940s by Lou Bloom, his landlord in Champaign IL; he would be master of his own darkroom (a corner of the 5505 Holmes basement) for decades afterward.  >
  For two weeks in July 1968 the Ehrlichs had traveled east to Virginia, Washington DC and Philadelphia.  >
  Osmund R. "Ozzie" Overby (1931-2014) taught in the University of Missouri-Columbia Department of Art and Archaeology; he was a longtime member of the Society of Architectural Historians, editing its Journal from 1968 to 1973 and presiding over the SAH from 1986 to 1988.  >
  Hellmut Lehmann-Haupt (1903-1992) was an expert on rare books and bibliographies as well as an academic, teaching at the University of Missouri-Columbia from 1969 to 1974.  His doctoral dissertation at the University of Frankfurt had been on early book illustration.  >
  The main University of Missouri campus in Columbia MO.  >
  The Vitruvius Teutsch was a 1548 German edition of De architectura by the Roman architect Vitruvius: translated by Walther Hermann Ryff, illustrated with woodcuts by Peter Flötner, and published by Johannes Petreius.  >
  Gutenberg and the Master of Playing Cards, published by Yale University Press in 1966, analyzed the pioneer printer's possible role in the invention and development of copper engraving.  >
 
Burton L. Dunbar III joined the UMKC Art Department in 1966 and was still on its faculty fifty years later, specializing in Netherlandish Renaissance art, and having served several times as department chairman.  >
  Rockhurst College (which became Rockhurst University in 1998) is a private Jesuit institution across Troost Avenue from UMKC.  >
  Eric Bransby (1916-2020) and his wife MaryAnn
(née Mary Antoinette Hemmie: 1921-2011) met and married while they were students of Thomas Hart Benton at the Kansas City Art Institute.  Both went on to renown, Eric as painter and muralist, MaryAnn as silversmith and watercolorist; each also as a teacher.  They came to UMKC in 1965 and became close friends with the Ehrlichs.  During our western trek in the summer of 1970 we stayed with the Bransbys at their Colorado Springs home/studio, where the mountain air was refreshingly cool (though tinged by a recently-departed skunk).  Eric would still be a working artist when he reached his centennial.  >
  A 12' x 18' Bransby mural was presented to Rockhurst's Greenlease Library by Mrs. Helen Biersmith and dedicated on Mar. 11th (with the Rev. John J. Walsh speaking on "What's the matter with love?").  Also, photographic reproductions of Eric Bransby's murals were on exhibit in Rockhurst's Massman Hall gallery Mar. 3-13.  >
  Edward J. Twin MD (1921-1986) left private practice in 1969 to become president of the Baptist Memorial Hospital medical staff for a year, then executive director of Kansas City General Hospital (renamed Truman Medical Center in 1976).  >
  Of braces, installed the previous autumn by H.E. Thompson DDS.  They cost $1,085 (nearly ten grand in 2025 dollars) and were paid for in monthly installments through 1969 and 1970.  >
  Maria Boas Hall, a historian who specialized in the Scientific Revolution of the 16th and 17th Centuries; the book George read was most likely The Scientific Renaissance, 1450-1630, published in 1962.  >
  Great Flower Books, 1700-1900: A Bibliographical Record of Two Centuries of Finely-illustrated Flower Books, written by Sacheverell Sitwell and Wilfrid Blunt; published in 1956.  >
 
Robert John Thornton (1768-1837), English physician and botanist, who wrote monumental dissertations on the sex of plants.  >
  Pierre-Joseph Redouté (1759-1840), a botanical illustrator known as "the Raphael of flowers"; Linda Hall Library has his Jardin de la Malmaison (1803-04), depicting Empress Josephine's garden.  >
 
The Temple of Flora was Part III of Thornton’s A New Illustration of the Sexual System of Carolus Von Linnaeus (1797-1807).  Only half of its seventy colored plates were produced, due to lack of interest from the public and the failure of a lottery held to finance the project.  George saw the original work while visiting Cambridge on July 22, 1971>
  Giovanni Battista Piranesi and his children, Francesco Piranesi and Laura Piranesi, were all Italian etchers of the 18th Century; the father and son were also architects.  >
  Leo Bagrow, historian of mapmaking, established the Imago Mundi: International Journal for the History of Cartography in 1935.  >
  This may represent the first stirring of George's interest in what would be the core of this sabbatical's research, and extend into the Ehrlichs's trip to England in 1971 >
  Mike Mardikes (1927-2011) was a prizewinning photographer as well as UMKC's Associate Dean of the School of Continuing Education, Assistant Dean of the Conservatory of Music, and Director of Public Affairs.  His wife Myrt Sanger Mardikes became an iconographer of the Greek Orthodox Church; their son Tom Mardikes would be chair of UMKC Theater in the 21st Century.  >
  Raymond T. Riva had joined the UMKC Foreign Languages Department in 1968; like George, he'd earned his PhD at the University of Illinois.  His wife Roxane Kaman Riva was an artist in enamels.  >
  My father's attempts to get me interested in the basics of practical photography did not pan out.  >
  Passage of a French exam had been required before George could begin work on his doctorate, but he twice failed this exam in 1956-57, and was required to make at least a B in a sophomore-level college French course before his third (successful) try.  >
  Avila College (now Avila University) is a private Roman Catholic institution in KCMO, originating as a junior college associated with the high school at St. Teresa's Academy.  >
  Excelsior Springs is about thirty miles northeast of KCMO.  >
  Fine Bird Books, 1700-1900, a comprehensive guide to ornithological art compiled by Sacheverell Sitwell, Handasyde Buchanan and James Fisher, was published in 1953.  >
  Besides this mulberry tree, the Ehrlich "estate" at 5505 Holmes came with a plum tree, persimmon trees, and raspberry bushes: most of which did more to stain sidewalks and driveways than yield edible fruit.  >
  Matthew was finishing second grade at William Rockhill Nelson Elementary School, though aged only six-and-a-half; he had skipped first grade, just as I had skipped second and our cousin Sherry Renée had skipped fourth.  All three skips were done due to perceived academic potential, and to save us from being "bored" with our studies; but since the skips made us the youngest members of our classes all the way through high school, they were of questionable benefit.  > 
  The Plaza Branch of the Kansas City Public Library opened at 4801 Main in 1967; it was the first branch built outside of a high school.  >
  The main campus of the University of Kansas is in Lawrence, forty miles west of KCMO; leading many "borderline" Kansas Citians to root for the KU Jayhawks over the Tigers of the Mizzou campus in Columbia, 125 miles east of KCMO.  >
  Ray Browne (1922-2009) of Bowling Green State University founded the Journal of Popular Culture in 1967, and pioneered the academic study of popular culture in the United States.  >
  The American Studies Association, founded in 1951 for interdisciplinary study of United States culture and history; it publishes the journal American Quarterly.  The ASA's first national convention had been held in KCMO in Oct. 1967.  >
  The Country Club Plaza is an upscale shopping district just north of Brush Creek, which flooded the Plaza in 1977 and dramatically changed its character as yuppification resulted.  > 
  The Mapmaker's Art: Essays on the History of Maps by Edward Lynam, published in 1953 and including period cartographic ornamentation.  >
  Gashland is in Clay County MO, north of the Missouri River.  >
  Dolce's Highland View Farm restaurant was located on thirty acres of countryside in Kansas City North; its menu advertised meals as "an adventure in country dining."  >
  Alois Ralph Curry (1913-1985), Juanita Thomas's second husband, was an architect with engineering companies; his first wife Miriam had managed the annual Plaza Art Fair.  >
  All Souls Unitarian Universalist Church at 4500 Warwick, across the street from the Kansas City Art Institute and what was then the UMKC Conservatory of Music.  George first became involved with Unitarians when he returned to the University of Illinois after World War II, initially through their involvement with a Student Community Interracial Committee that accomplished a great deal toward enforcing equal accommodations.  He did not become a formal church member until 1955, following a rollover car accident that left him with bruises and a wrecked Oldsmobile.  George and Mila Jean were married by Unitarian ministers in their two 1956 weddings: Raymond Bragg in KCMO and Arnold Westwood in Urbana IL.  George resigned from All Souls a few years later rather than actively oppose what he considered an impractical plan to build the new church building that opened in 1960; yet he still often attended services there, being a great admirer of Ray Bragg.  >
  I was given a "secular humanist" upbringing, which disturbed my devoutly Methodist grandfather Francis See "Frank" Smith (1896-1973) who at times referred to my mother—not entirely facetiously—as his "heathen daughter Jeanie."  He appointed himself my unofficial godfather and occasionally provided me with religious literature.  As for attendance at All Souls, I suspect my father suggested I join him there, which I did off and on until 1973.  My memories of the services aren't quite all-souls-stirring: e.g. a decidedly middle-aged female quartet that warbled "What the World Needs Now (Is Love, Sweet Love)."  >
  Raymond Bennett Bragg (1902-1979) was the primary author of A Humanist Manifesto (1933).  He served as pastor of KCMO's All Souls Church from 1952 to 1973, chaired the local Civil Liberties Union, and taught philosophy at the Kansas City Art Institute.  >
  Though Claudius Ptolemy wrote his Geography—an atlas/gazetteer with a treatise on cartography—in the 2nd Century, it was not translated into Latin until the original Greek text was rediscovered at the beginning of the 15th Century.  >
  The Geography of Ptolemy Elucidated by Thomas Glazebrook Rylands.  >
  The Loeb Classical Library, which published Ptolemy's Tetrabiblos in 1940.  >
  Phi Kappa Phi was the first national honor society to recognize superior scholarship in all fields of study and branches of learning; UMKC's chapter was founded in 1969.  >
  Ptolemy defined geography as the study of the entire world, and chorography (also translated as regional cartography) as the study of its component parts.  Ptolemy indicated this was a graphic technique for a draftsman or a landscape artist.  >
  By Philip Hofer: subtitled A Short Survey from the Collection in Department of Graphic Arts (at Harvard), and published in 1951.  >
  The Great Age of the Fresco: Giotto to Pontormo, a Metropolitan Museum of Art exhibit that ran from Sep. to Nov. 1968.  >
  Andrea Mantegna (c.1431-1506), a Renaissance painter known for his linear sharpness and attention to detail; his workshop was the leading producer of Venetian prints prior to 1500.  Nelson-Atkins has a copy of his engraving Battle Between Three Tritons, and the right half of his frieze Battle of the Sea Gods>
  The photography exhibit, which ran from Mar. 13 to May 4, included works by Ansel Adams, Henri Cartier-Bresson, Andreas Feininger and Edward Steichen.  >
  Abraham Ortelius (1527-1598) created the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World), in 1570.  Gerardus Mercator (1512-1594) created the Nova et Aucta Orbis Terrae Descriptio ad Usum Navigantium Emendate Accommodata (New and More Complete Representation of the Terrestrial Globe Properly Adapted for Use in Navigation) in 1569; its straight-line projection is still in use today.  >
  Sherry Renée Lewis (born 1949) had dropped out of Fresno State the previous spring following a major confrontation with her mother (George's sister Martha Ehrlich Lewis Mlinarich, 1919-1991) and stepfather (Nick Mlinarich, 1918-1993).  S
herry—who'd begun going by her middle name Renée to escape from Lamb Chop jokes—was now pursuing a semi-hippiesque lifestyle in Los Angeles.  >
  The ceramic art exhibit, which ran from Mar. 13 to Apr. 13, was done in co-operation with the Kansas City Art Institute.  About 575 persons attended the openings of this and the photography exhibit in the Nelson sales and rental gallery.  >
  George Alonzo Phillips (1921-2015) was director of UMKC Audio Visual Services and a member of the Kansas City Historic Foundation.  >
  Possibly The Journal of Negro History, cited in the next day's entry.  Retitled The Journal of African American History in 2001, this quarterly was founded in 1916 by Carter G. Woodson (1875-1950: the "father of black history") who later promoted the first Negro History Week, which evolved into Black History Month.  >
  During each Ehrlich family vacation, George painstakingly recorded all work-related expenses for tax purposes (and also because none of the trips were abundantly budgeted).  >
  Contac was our family's choice of decongestant for many years.  Our noses were so susceptible to clog and drip that George's could be affected by reading The Temple of Flora.  >
  Apollo 9, the first test of the Lunar Module vehicle in Earth orbit, flew from Mar. 3 to Mar. 13.  >
  Though Napoleon abandoned his army in Egypt to go overthrow the French revolutionary government in 1799, the "savants" who accompanied the expedition would produce the Description de l'Égypte
a comprehensive catalog of everything known about ancient Egypt and its natural history—from 1809 to 1829.  >
  Built in 1957, Massman Hall includes Rockhurst's dining rooms, meeting rooms, lounges, bookstore and chapel.  >
  This was an exhibit of sculptures by fifteen members of the Black Student Activity Committee.  Martin Luther King Jr. had been assassinated less than a year earlier.  >
  The cinematic adaptation of Muriel Spark's novel, with Maggie Smith in the title role, had been released in the United States on Mar. 2.  >
  These were Barbara Mueller and Lee Ann Miller, two thirtyish studio artists who'd joined the UMKC faculty in 1966 and 1968 respectively; both lived at the Santa Fe Village apartment complex at 8523 Holmes.  (It should be noted that Mila Jean was with George when he "invited the girls home for a drink.")  >
  Agnes Arber (1879-1960) was the third woman elected as a Fellow of the Royal Society and the first to receive the Linnean Society's Gold Medal.  Her Herbals: Their Origin and Evolution, a Chapter in the History of Botany 1470-1670, was published in 1912.  >
  The Hunt of the Unicorn is a series of seven tapestries woven in the South Netherlands around the turn of the 16th Century, featuring the millefleurs background style of floral imagery.  >
  This may have been the first time my brother Matthew and I were allowed to spend an evening at home alone sans babysitter.  >
  The Bel Air East motel, with a Trader Vic's restaurant and tiki bar, opened in St. Louis at 4th and Washington in 1963.  I
t "was a great example of the tower on a podium concept that was popular in the Modern era and executed in a manner unequaled anywhere in St. Louis" (per VanishingStL.blogspot.com).  >
  The Vienna Dioscorides is a 6th Century illuminated manuscript of Pedanius Dioscorides's 1st Century De materia medica, illustrating plants and birds in a naturalistic style.  >
  The Gart der Gesundheit, edited in 1485, was one of the first herbal guides printed in German and illustrated hundreds of medicinal plants.  >
  Otto Brunfels (c.1488-1534) was a botanist as well as a theologian; his Herbarum vivae eicones (Living plant images) were illustrated with high-quality woodcuts by Hans Weidlitz the Younger (1495-c.1537).  >
  Henry Radford Hope (1905-1989), chairman of the Fine Arts Department at Indiana University from 1941 to 1967, was editor of the Art Journal from 1945 to 1949 and then from 1953 to 1973.  >
  Published by the National Trust for Historic Preservation in the United States, the Preservation News was founded in 1961 and published till 1995, the last five years as Historic Preservation News.  >
  Belle Grove Plantation in Virginia was the birthplace of James Madison; its manor house, built in 1794-97, was opened to the public by the National Trust for Historic Preservation in 1967.  >
  Working with the American Institute of Architects, Jerome Joseph Oshiver (1922-2016) created a tour program integrating history with community that eventually led to renovation of KCMO's Power & Light and 18th & Vine districts.  >
  As told in To Be Honest, George's father József/Joseph Ehrlich began assembling George's Scrapbook circa 1938.  It consisted of recollections and carefully-saved keepsakes; a notable feature was Joseph’s writing its captions and commentaries in English rather than his native Hungarian.  >
  In 1969 we traveled by VW Squareback.  George had to do all the driving on Ehrlich family auto trips, since Mila Jean never learned how to drive and I deferred getting my license till the age of thirty-eight.  >
  The St. Louis Art Museum (SLAM) moved into the World's Fair Palace of Fine Arts when the 1904 Louisiana Purchase Expedition closed.  >
  George Caleb Bingham (1811-1879), "the Missouri Artist," painted Jolly Flatboatmen in 1846.  (During 1969 I attended George Caleb Bingham Junior High School, which was not especially jolly.)  >
  In the scrapbook she kept of our 1968-70 vacations, Mila Jean wrote: "George had a meeting, so the whole family tagged along.  It was very cold (35°) but enjoyable.  Upon arriving, found out that Gen. Eisenhower had died.  At Art Museum three young girls, giggling, asked Geo if he was a "movie star."  >
  The Rev. Martin F. Hasting S.J. (1913-2003), Dean of St. Louis University's College of Arts and Sciences, was in charge of the program for MASA's 1969 meeting.  "October's executive committee meeting brought forth an avalanche of audacious program possibilities," enthused the Fall 1968 MASA Bulletin; "Father Hasting will sort and investigate them...  MASA spring meetings are famously fruitful and pleasurable; it's to plan to attend [sic]."  (Evidently Father Hasting didn't, going so far as to leave the Jesuit order.)  >
  In Mila Jean's vacation scrapbook: "Sat morning children and Mom went up in Arch.  Went to Old Courthouse, saw old church, and shopped at Famous-Barr.  Sat night Geo and I had duck at Trader Vic's in spite of glaring Chinese cook."  (Famous-Barr was the flagship of the May Department Stores, headquartered in St. Louis.)  >
  The Jefferson National Expansion Memorial (aka Gateway Arch) was dedicated in May 1968.  Periodically KCMO became jealous of this Arch and debated installing a rival tourist trap; architect Tom Tingle would win an Image of Kansas City contest in 1986 by suggesting "a St. Louis arch reversed into a pair of pork ribs, stuck together and made into a monument replete with jazz restaurant and barbecue-sauce-spouting fountains."  >
  The Missouri Botanical Garden (aka Shaw's Garden) has the second-largest herbarium in North America.  Its Climatron is a greenhouse enclosed in a geodesic dome.  >
  Also known as the "scenic route."  >
  Jefferson City is the capital of Missouri.  Washington MO, "the Corncob Pipe Capital of the World," has hundreds of buildings on the National Register of Historic Places.  Hermann MO is known for its seven wineries as well as sausage-making.  >
  Lincoln University is an historically black land-grant institution, established in 1866.  >
  Thomas Hart Benton's Mural of Missouri, commissioned in 1936 and depicting the state's social history, is located in the third-floor House of Representatives Lounge at the Missouri Capitol.  >
  Sidney Larson (1923-2009) taught art at Columbia Christian College for over fifty years; he was the resident assistant for Thomas Hart Benton's mural at the Truman Library in Independence MO, and created numerous murals of his own.  >
  In her vacation scrapbook, Mila Jean wrote only: "Sunday we drove to Jeff City, saw Capitol and got permission to see Benton murals."  >
  Missouri state law allowed public school districts to place a $1.25 operating tax on each $100 of assessed property value within its borders.  If district officials decided the tax needed to be greater than $1.25, a majority of voters would need to concur; if greater than $3.76, a two-thirds majority was required.  The levy that had been approved in 1967 was about to expire, reverting the tax rate to $1.25; so the Kansas City district, facing a multimillion dollar deficit and with every operating cost rising, sought a $1.28 increase to $4.60.  Also on the ballot was a $12 million school bond proposition; it too required a two-thirds majority.  "The schools could stay open for only a few months on a levy of $1.25," reported the Kansas City Star, "and this year the challenge is more formidable than at any time since 1950 when the schools had to be closed early because of levy defeats."  >
  Subtitled "A history of the making and selling of books in the United States," this was published in 1952.  >
  Originally published in 1941 with a fifth edition in 1967, Space, Time and Architecture: The Growth of a New Tradition by Sigfried Giedion (1888-1968) integrated the history and cultural context of modern architecture and urban planning.  >
  Not mentioned by George was the defeat at the polls of both the Kansas City school levy and school bond issue.  >
  The Museum of Kansas City at 3218 Gladstone Boulevard opened in 1940 and focused on natural history for many years.  >
  West Port, four miles south of West Port Landing on the Missouri River, was the early 19th Century gateway to westward trails through Kansas Territory.  Westport Landing became a component part of Kansas City MO, which went on to annex Westport in 1897.  Today Westport is a leading KCMO entertainment district.  >
  Mathilda Kohn Ehrlich (1895-1992), whose story is told in To Be Honest>
  Most likely Funny Girl, which (though G-rated) caused some in the audience to gasp when Barbra Streisand said "damn" right out loud.  >
  Even now hobbyists continue to build crystal sets, the simplest and least expensive kind of radio receivers, which have a limited AM range but require no external power.  >
  Initial reaction in KCMO to King's assassination on Apr. 4, 1968 had been shock rather than violence; but when public schools remained open on Apr. 9 (the day of King's funeral) black students staged a walkout and march to City Hall that got dispersed by police using tear gas.  Riots and arson began that night and went on through Apr. 10, with many homes and businesses on the East Side destroyed by fire.  >
  George and Mila Jean made a point of collecting works by studio artists in "the Department," resulting in a very eclectic home gallery.  Lee Anne Miller would succeed George as Department chairman in 1975 and then become Dean of the Cooper Union School of Art in 1981.  >
  Fifty-six years later and umprompted by me, Matthew would say "I'm pretty sure the '69 St. Louis trip was the time I left my new wristwatch behind in the motel room and it had to be mailed back to Kansas City (not to be confused with the time I dropped the same watch in the toilet)."  >
  Established by the College Art Association (CAA) in 1913 to publish original scholarly research in the history of art and architecture.  >
  "The World of Art," one of numerous book series issued by Frederick A. Praeger Publishing.  >
  Joseph-Emile Muller (1911-1999), who wrote many books on artists and art history.  >
  Ross Edgar Taggart Jr. (1915-1998), a Princetonian from Pittsburgh, was hired as the Nelson-Atkins registrar in 1947 and became its senior curator in 1953, overseeing the Gallery's collections till his retirement in 1983.  Ross Taggart gave George his first tour of the Gall
ery—"one of those magical experiences which are truly unforgettable"—in 1951.  >
  "The Taste of Napoleon," observing the bicentennial of Bonaparte's birth, would run from Oct. 2 to Nov. 16.  >
  The expeditions led by Commodore Matthew Perry in 1852-55 established diplomatic relations with Japan and launched the Western trend in art and design called Japonisme >
  The Snyder Collection of Americana, originally businessman Robert L. Snyder Jr.'s private collection, was donated to the University of Kansas City in 1937.  >
  Evidently this was Voyage en Scandinavie, en Laponie, au Spitzberg et aux Feröe pendant les années 1838-1840 sur la corvette La Recherche, commandée par M. Fabvre.  Published between 1842 and 1855 in sixteen volumes plus five atlases, it documented scientific expeditions to Sweden, Norway, and the Spitsbergen archipelago.  > 
  Harold Edwin Wethey (1902-1984) was a professor of art history, specializing in Spanish art, at the University of Michigan from 1940 to 1972.  >
  Art historian Geraldine E. Fowle (1929-2011), formerly a colleague of Harold Wethey's at Michigan University, joined the UMKC faculty in 1967; she accompanied George and Mila Jean on the SAH study tour of Greece in 1978.  As with George, a scholarship was created in Gerry's name to provide support to students seeking an art history degree.  >
  The Lawrence Gallery opened in 1949 as the first commercial art gallery in KCMO; in 1969 it was located at 901 Westport Road.  Susan Lawrence would organize the Kansas City Art Gallery Association in the 1970s and initiate a tradition of simultaneous "First Friday" openings.  >
  Henry Koerner (1915-1991) was a painter and graphic designer known for his Magic Realist works and Time magazine portrait covers.  >
 
At the CAA’s annual meeting in Chicago in 1971, George would present a paper titled “An Expedition to Scandinavia: Scientific Illustration and Romanticism.”  >
  Those paying for membership at Nelson-Atkins are Friends of Art.  In 1969 one of their principal functions was to purchase modern art for which Gallery funds could not be spent.    >
  Tom's Cubicle, a 1967 steel sculpture by Alexander Calder measuring 10' long and 6½' high, costing $36,000.  > 
  Chester Byron Ball (1907-2000), director of the Ball Clinic in Excelsior Springs and one of the organizers of UMKC's Carolyn Benton Cockefair Chair in Continuing Education.  >
  Donald Beaver (1936-2022) taught history and general science for four years at UMKC, then went on to found the interdisciplinary Department of the History of Science at Williams College in Massachusetts.  >
  John G.L. Dowgray Jr. (1922-2003) was the first chairman of UMKC's School of Graduate Studies and served as Dean of Faculties from 1965 to 1969, before moving on to the University of Tulsa as Vice President for Academic Affairs.  >
  Lengthy construction strikes delayed many projects in KCMO and at UMKC during the late 1960s.  >
  Sidney F. Pakula MD (1905-1991) was pediatrician to the Ehrlichs and many other families, as well as a teacher and administrator at numerous regional medical centers.  >
  Here I must respectfully disagree with my father, feeling that the film version fell short in adapting both the book and the play.  >
  Man of La Mancha, the musical inspired by Don Quixote (which George had been reading), played at the KCMO Music Hall Apr. 22-26 with José Ferrer as Cervantes/Quixote.  >
  "The Kansas City school system has been made a scapegoat which may be sacrificed to the anger of some and the apathy of many.  Property owners can do what I did.  You can find out exactly how much of your county taxes go to the schools.  Look at the total, but also calculate what the weekly or monthly costs have been.  It is also easy to see what the new levy will mean (remember $1.25 is a base).  Schools are a necessity, so ask yourself how much you spend, per week or month, on other necessities or services.  You might also look at what you spend on things that are not necessary, but that can be embarrassing.  The chances are that most of us pay more for automobile insurance than for the schools; I know I have.  As a parent with school children, and as a property owner, I can see the problem from both sides.  But the problem is not the cost of the schools, but rather the method of financing them.  To demoralize the teachers and to cripple the schools is not the way to achieve necessary tax reforms; there are other elections (with candidates) for that.  If you are discontented with the system, or with taxes, or with paying for two school systems, pick your fight with the people who can do something about it; don't pick on the youngsters who happen to be in public school.  Vote yes on the levy, and then go on to solve the basic problems in a way that make[s] sense.  George Ehrlich / 5505 Holmes. >
  The American Association of University Professors (AAUP) was formed in 1915 with a Declaration on Principles of Academic Freedom and Academic Tenure.  Besides the advancement of these, its mission is to define higher education's professional values and standards, and ensure its contribution to the common good.  >
  Architect Herbert E. Duncan (1905-1972) designed five high-rise apartment buildings for the Country Club Plaza (two of them winning awards from the Kansas City chapter of the American Institute of Architects) along with many other residential, commercial and educational structures.  His wife Evelyn Weeks Duncan Brown (1906-1993) presided over the Kansas City Council of Church Women and originated the God and Community award for the Girl Scouts.  >
  Charles H. Kahn (1926-2021) was the first Dean of the University of Kansas School of Architecture & Urban Design from 1968 to 1981, as well as a leading advocate for civil rights and social equity.  >
  As President of France, following defeat of a constitutional referendum on his proposal for decentralized government.  >
  Edwin Westermann (1913-2003), Dean of the UMKC College of Arts and Sciences from 1960 to 1973; Wesley J. Dale (1922-2005), the first Dean of the School of Graduate Studies, who later served as Provost and acting Chancellor; and Henry A. Mitchell (1937-1994), Associate Dean of the College of Arts and Sciences, who would become Vice Chancellor for Academic Affairs and International Affairs.  >
  George makes no mention of the ban on open burning of trash that went into effect in KCMO on May 1.  Like most households, 5505 Holmes had an incinerator in a corner of the back yard; and its loading/ignition had been added to my list of household chores a short time before, possibly when I turned twelve on Apr. 2.  Protests of this no-burn ordinance would go on for months, since it had not been accompanied by any additional trash collection.  >
  Frank Smith had retired at the age of 68 (willingly or not) from Reeves-Weideman Plumbing Heating & Cooling in Jan. 1965.  The previous August, Mila Jean had written her mother-in-law Mathilda that her parents's situation was "very touchy now in many respects...  Mother says she’ll start looking for a job, so that when Daddy quits his job or gets fired they’ll have something to live on.  As far as I can tell, there are no savings, retirement benefits, etc. to speak of.  Also, Mother is 56 [actually 57] and can’t get Social Security for years, so as you can see, things are no bed of roses here."  Mila Jean and her sisters were “terribly upset about the whole situation... but we feel that this is something they must work out for themselves and we will be there to help if they ask for it but Daddy is so stubborn and proud he just 'clams up' when anyone starts asking questions."  An attempt by Mila Jean's mother Ada Louise Ludeke Smith (1907-2011) to restart her career as a social worker had fallen thro
ugh—for "reasons of health," we grandsons were told.  >
  Perhaps Lysistrata, which opened at the UMKC Playhouse on May 1.  >
  John Graham (1928-2017) was a professor of European history at UMKC from 1966 until his retirement in 2000.  >
  The Morea Expedition (Expédition de Morée) was an 1828-33 intervention by the French army, accompanied by scientists from the French Academy, in the Greek War of Independence from the Ottoman Empire.  >
  Mila Jean, reading this line, would definitely sing "We were poor, but we were honest."  >
  Mila Jean's eldest sister Mellie/Mildred Agnes/Aileen Smith Nash (1918-2017), whose story is told in footnotes to Mila Jean's First Seventeen: 1932-1949>
  The elder Smiths's economic condition was exacerbated by racial blockbusting in their KCMO neighborhood near Southeast High School.  Eventually Mellie's husband William Henry "Pete" Nash (1918-1985) rebuilt his three-car garage in Blue Springs MO and topped it off with an upstairs apartment, into which the Smiths moved in 1971.  >
  Keith Coldsnow, a KCMO art supply store that was in operation from 1951 to 2023.  >
  Now referred to as Gong Xian: a Chinese landscape painter (c.1618-1689) of the late Ming and early Qing dynasties.  >
  I imagine Mila Jean had a hand in this request, since it gave her the house to herself for a couple of hours on Sunday morning.  (Her temple and tabernacle, of course, was The Theater.)  >
  Mother's Day was always conveniently close to, if not the same date as, Mila Jean's May 12th birthday.  In 1969 she turned thirty-seven.  >
  Starring Peter O'Toole as Henry II of England and Katharine Hepburn as Eleanor of Aquitaine (for which she won her third Academy Award as Best Actress).  >
  Stuart George Levine (1932-2016), who taught American Studies at the University of Kansas from 1958 to 1992, founded and edited the Midcontinent American Studies Journal (MASJ) whose title was truncated to American Studies in 1971.  >
  I did not inherit my grandfather Ehrlich's facility with mathematics, and my study of that subject in seventh grade was not much helped by Bingham Junior High's reliance on modular scheduling.  For Christmas 1968 I was given a polysterene Digi-Comp I (first marketed as an educational toy in 1963) which could add and subtract, do Boolean logic and play simple logic games; but I didn't make much more sense of it than of the abacus Grandpa Ehrlich had given me in 1961.  >
  The Taste of Angels: A History of Art Collecting from Rameses to Napoleon by Francis Henry Taylor, published in 1948.  >
  The Louvre was opened in 1793 during the French Revolution, to display confiscated royal and church art collections.  George visited it during his Solo Jaunt to Europe in 1966 and again, with Mila Jean, during their trip to France in 1980.  >
  Academies of Art: Past and Present by Nikolaus Pevsner, published in 1940, traced the evolution of art academies from the 16th Century to the 20th.  >
  L'Institute de France was established in 1795 as a learned society, grouping five académies >
  François Arago (1786-1853) was a French scientist and mathematician who held several ministerial posts (briefly) in the Republican government after the fall of King Louis-Philippe in 1848.  Nine years earlier he had reported on the earliest experiments with capturing images on light-sensitive substances.  >
  The second school levy won a majority of the vote but fell far short of the necessary two-thirds; the school bond issue did not even win a majority.  >
  Pembroke-Country Day School (for boys), the Barstow School (coed since 1967), and Sunset Hill School (for girls) were the leading private secondary schools in KCMO.  In 1974 George and Mila Jean pulled Matthew out of the imploding Kansas City public system (I had graduated that May: a boon of having skipped second grade) and enrolled him at Pem-Day.  This was "partly on the basis of 1) it being much closer and 2) the fact that during the school tours, the Pem-Day people touted their excellent library, whereas the Barstow people touted their excellent athletic fields.  You can imagine which of the two appealed more to Dad," says Matthew.  He went on to excel academically, theatrically and journalistically there, laying the foundation for his careers in public radio and higher education.  >
  The UMKC All-Student Association staged a sit-in in Dean Westermann's office that morning and a rally that afternoon, protesting rejection of recommended curriculum revisions.  On May 24 faculty and students agreed to form a new committee to reconsider these.  >
  Apollo 10, the "dress rehearsal" for the lunar landing, flew from May 18 to May 26.  (The spacecraft modules were named Charlie Brown and Snoopy, much to the consternation of NASA PR.)  >
  Santa Fe Village, home of Barbara Mueller and Lee Anne Miller, advertised itself as a "luxurious & desirable apartment community.  Unusual features include 2 swimming pools, separate club house, convenient location and unique finish work."  >
  Of George and Mila Jean's first (KCMO) wedding; followed by a second one on June 16, 1956 in Urbana IL.  >
  By Paul Strathern, published in 1940.  >
  When Mila Jean's sister Mellie, her husband Pete Nash and daughter Marcia (born 1941) moved to Blue Springs MO in 1953, it was a small rural community.  Its population was 1,068 in 1950 and 2,555 in 1960; trips there definitely felt like excursions into the countryside.  Even in 1970 the census had grown to only 6,779; but by 2020 Blue Springs would be a full-sized KCMO suburb with a population of almost 60,00
0—the tenth-largest city in Missouri.  >
  Subtitled A Professional and Technical Autobiography, published by the University Press of Kansas in 1969.  >
  Much of the arboreal nature of our back yard was lost during this excavation, though happily the big oak and an adjacent ash tree were spared.  >
  Where we'd lived from 1958 to 1962.  >
  James Arthur Hazlett (1917-1997), Superintendent of the Kansas City Public Schools from 1955 to 1969.  Submitting his resignation, Hazlett stated "I would be less than honest if I did not state that in the last year or so I have felt that perhaps a fresh and new administrative leadership might be helpful in the solution of many of our problems.  I have also begun to develop considerable cynicism about the readiness of the General Assembly [state legislature] to financially unshackle Missouri's schools."  At the same time, the School Board accepted 173 other resignations from teachers and teacher aides.  >
  President Nixon conducted secret talks at Midway with South Vietnamese President Thieu, regarding the first withdrawal of American troops from the Vietnam War.  >
  Grandma Mathilda Ehrlich had been seriously ill in the spring and summer of 1968.  (When George flew to Los Angeles in early June to check on her, he got entangled in a massive security clampdown following the assassination of Robert F. Kennedy.)  >
  This would be the last public school levy approved by KCMO voters.  Many other levies were defeated in the years to come; teachers went on prolonged but futile strikes in 1974 and 1977; and the district grappled endlessly to overcome its de facto racial segregation, while white students migrated to Missouri suburbs or across the Kansas state line.  >
  The Missouri Legislature's regular session adjourned on June 30 "with its main problems in greater disarray than at any time in the last quarter century" (per the Associated Press).  A special session would begin on Sep. 8 to deal with the unresolved need for more revenue.  >
  Sherry Re
née and her parents would alternate between reconciliations and fallings-out for the rest of the Mlinariches's lives.  >
  During this difficult period, Frank Smith was sometimes determined to move back to his hometown of Urbana OH, despite having few if any surviving friends and family there, and regardless of whether or not Ada Louise accompanied him.  Ultimately they remained together in Missouri.  >
  The exuberant musical which on Apr. 14th had won the Academy Award for Best Picture of 1968.  Matthew recalls the drive to see it "in the Squareback with me riding restraint-free in the very rear behind the backseat."  >
  On June 28, 1966 George had seen the stage version of Oliver! at London's New Theatre, and found it "charming and well done."  >
  Georges Simenon (1903-1989) was a prolific Belgian author, best known for his detective fiction featuring the character Jules Maigret.  >
  "Pruning" was George's standard term for tree maintenance, just as "culling" was always applied to library conservation.  >
  Popi starring Alan Arkin, who would win the Kansas City Film Critics Circle Award for Best Actor.  >
  Samuel Henry Kress (1863-1955), after making a fortune with a chain of five-and-ten-cent stores, became an avid art collector and donated many paintings to museums across America, often helping to establish galleries in smaller cities.  Nelson-Atkins has fourteen Kress paintings and two sculptures.  >
  A vitrine is a glass display case, typically found in stores and museums.  >
  The basement at 5505 was susceptible to flooding.  Though 1969's "real mess" only warranted George mentioning it once, much worse floods were to come in the '70s and '90s.  >
  This was the first time I saw Holmes Street turn into a streaming
river—a phenomenon repeated during the Brush Creek Flood of Sep. 1977, which damaged much of the Country Club Plaza.  >
  Latent Image: The Discovery of Photography, published in 1967.  >
  These were always done at UMKC's University Center (i.e. student union) barber shop.  >
  John Herschel (1792-1871), while following in his father William's astronomical footsteps, was one of the pioneers of photography (coining the term itself in 1839).  >
  Dick Cavett hosted a daytime TV talk show from Mar. 1968 to Jan. 1969, then a prime time talk show from May to Sep. 1969, then a late night talk show from Dec. 1969 to Jan. 1975: all on ABC.  >
  Theater critic Kenneth Tynan (1927-1980) coordinated the Off-Broadway "erotic revue" Oh! Calcutta! which opened on June 21.  >
  This award-winning 1968 film was notable for casting actual teens in the lead roles; though Leonard Whiting (Romeo) and Olivia Hussey (Juliet) would file lawsuits in 2023, alleging sexual abuse and harassment by director Franco Zeffirelli.  >
  Art historian John Rewald (1912-1994) was an authority on French artists of the late 19th Century; his History of Impressionism was published in 1946.  >
  Apollo 11 was due to launch the next day.  >
  In 1966-67 George and Tom Thomas received a $1,000 UMKC grant "to examine the problem of objectives and alternative approaches for a high school level art history course.  A course called The Visual Dialogue was introduced into the curriculum of East High School (K.C., Mo.) as a direct result of the project."  >
  The Allendale day camp at 14601 Ho
lmes Road, 11½ miles due south of 5505 and just west of Richards-Gebaur Air Force Base; it had opened c.1962 on a 160-acre farm.  This was my second summer there and Matthew's first.  In 2000 it would become the new home of KCMO's Saddle & Sirloin Club.  >
  Jean-François de Galaup, Comte de Lapérouse (1741-c.1788) was appointed by Louis XVI to lead a scientific voyage around the world.  Embarking in 1785, this expedition aimed to complete the late Captain Cook's exploration of the Pacific, but after many adventures it was wrecked on reefs in the Solomon Islands.  At the CAA's annual meeting in San Francisco in 1981, George would present a paper titled "Cook and La
Pérouse: Establishing an Important Link Between Art and Science in the Eighteenth Century."  >
  By R.J. Forbes and E.J. Dijksterhuis and published in 1963; Volume 2 covered the 18th and 19th Centuries.  >
  At one point in this reorganization, bunk beds were suggested for Matthew and myself; we convinced our parents to scrap this idea.  >
  Following his discharge from the Air Force in 1953, George spent a year and a half working as a draftsman at the University of Illinois's Digital Computer Lab while he launched his doctoral program.  George found bringing ILLIAC I
(Illinois Automatic Computer) to full operation of such interest that he might have made this his career, had he not heard of the KCU Art Department's faculty opening—the same one he'd been hired to fill just before being recalled to the USAF in 1951.  (The full story of "How I Came to Kansas City [twice] and Why I Stayed at UMKC" can be read here.)  >
  Steeped in the Jetsonian Space Age all through the Sixties, we had often played astronaut.  (One time c.1967 I removed the batteries from a flashlight to use the emptied tube to collect a "contingency sample" of dirt, à la an Apollo lunar lande
r—but neglected to clean it out before my father discovered this, and then compounded my folly by feigning surprise that dirt could be in the flashlight.)  >
  This elaborately-patterned deep-pile carpet provided Matthew and myself with a stadium-sized playing field for paper-triangle ("flick") football.  >
  The UMKC School of Medicine would open in 1971, offering an accelerated curriculum that allowed high school graduates to earn both B.A. and M.D. degrees in six years.  >
  Robert MacDonald Graham Jr. (1919-2000) studied with Thomas Hart Benton at the Kansas City Art Institute and served as a combat artist in World War II; he was a teaching associate with the KCU/UMKC Art faculty from 1958 to 1975.  A close friend of the Ehrlichs for several years, he painted a portrait of me in 1960; but Bob "had a habit of showing up uninvited and expecting alcoholic refreshment," Matthew would recall.  "One time he showed up and Dad said there was no bourbon or whatever, and after that, he stopped coming."  >
  Patricia McIlrath founded the UMKC Summer Repertory Theatre in 1964; this became the touring Missouri Repertory Theatre in 1968 (renamed Kansas City Repertory Theatre in 2004).  Needless to say, KCU Playhouse veteran Mila Jean was intimately involved with "the Rep" from its debut until her death in 2016.  >
  Arthur Wayland Ellison (1899-1994), "the Grand Old Man of Kansas City theater," worked for the Power and Light Company for half a century while appearing in countless amateur stage productions and industrial/educational films; he did not turn pro until retiring from KCP&L in 1964.  In Missouri Repertory's July 1969 production of Our Town he played the Stage Manager.  >
  Buzz Aldrin would in fact struggle with depression and alcoholism after his return to Earth.  >
  Captain James Cook (1728-1779) was commissioned in 1768 to command a scientific voyage to the Pacific Ocean aboard HMS Endeavour, returning to England in 1771.  Precisely two centuries later George would lead the Ehrlichs to England where he studied the illustrators who accompanied Cook on this and subsequent voyages.  >
  Besides a 46-volume series of guidebooks titled The Buildings of England, art/architectural historian Nikolaus Pevsner (1902-1983) published Academies of Art, Past and Present in 1940.  >
  William Cecil Dampier (1867-1952) wrote A History of Science and its Relations with Philosophy and Religion in 1929; its condensed version, A Shorter History of Science, came out in 1944.  >
  Founded in 1969 by art collector and philanthropist Lawrence A. Fleischman (1925-1997), the American Art Journal ran through 2004.  Fleischman had also helped found the Archives of American Art in 1954.  >
  As of 2025, Herbert J. Waxman MD is still listed online as an internal medicine provider, albeit with "64 years experience."  >
  A trade name for the combo-medication hydrochlorothiazide/triamterene, approved in 1965 for treating hypertension and edema.  >
  Marion Bonner Mitchell (1926-2014), who joined the Missouri University faculty in 1958, specialized in French and Italian literature of the Renaissance.  >
  Jules Dumont d'Urville (1790-1842) was a botanist, cartographer, and explorer of the Pacific and Antarctica.  In 1826 his ship Coquille was renamed Astrolabe in honor of one of La Pérouse's ships.  >
  The family photo albums: one set for the parents, two for the sons.  >
  Stephen James Gosnell (1941-2012) would be a longtime friend of the Ehrlichs and their neighbor on both sides of Holmes Street; his monumental back-patio portrait of George and Mila Jean would be donated to the UMKC Art Department in 2016.  The Ehrlichs would also be very close to Steve's wives, Nelda Gay Younger Gosnell (1938-1982) and Mary Lou Pagano (born 1951, married 1985).  Steve's obituary would call him "a true Renaissance man.  He was known for his intellect, sense of humor, curiosity, storytelling and singing the blues...  In retirement, he enjoyed camping, fishing, gardening, biking, birdwatching, creating paintings and building guitars."  >
  Mary Jane Davis (1929-2015) met Mila Jean at KCU during the Winter 1952 semester; they worked together on numerous Playhouse productions and were sorority sisters in the Chiko social society.  After receiving her bachelor's and master's degrees, Jane taught English, speech and drama in the Midwest, New England and New York while acting and directing in many theatrical venues, including Kansas City's Lyric Theater.  She married David Findlay Dobbs in 1958 and, following their divorce, married Colin Carter in 2005.  Sending him consolations after Jane's death was one of Mila Jean's last acts before her own death a few weeks later.  >
  Elizabeth Dodds Trimbach (born 1962) would become a mixed-media collage artist in New England.  >
  Benjamin West (1738-1820) painted historical and religious scenes; George saw and commented on his
Death of General Wolfe (1770) on June 18 in Ottawa.  James Tissot (1836-1902) was a French painter and illustrator, as well as a caricaturist for Vanity Fair.  >
  The KCMO School Board named Donald Hair as Acting Superintendent on July 10; he had been Assistant Superintendent for Instruction.  Dr. Hair would have to deal with student demonstrations, racial disturbances and termination of a controversial teacher before submitting his resignation in Mar. 1970.  >
  George's frustrations with the public school district worsened to the point that he considered running for a seat on the Board of Education hims
elfwhich probably would have resulted in apoplexy, regardless of his Dyazide dosage.  >
  American Tradition in Painting, by John W. McCoubrey of the University of Pennsylvania, was published in 1963.  >
  Charles Coleman Sellers's biography of Charles Willson Peale, published in 1969, won Columbia University's Bancroft Prize the following year.  >
  Starring Richard Benjamin and Ali McGraw, this adaptation of Philip Roth's novella was one of the most popular films released in 1969.  >
  Soldier/naturalist/painter Charles Willson Peale (1741-1827) founded the Philadelphia Museum in 1784 and organized the United States's first scientific expedition in 1801.  >
  Joseph Banks (1743-1820) took part in James Cook's first voyage of exploration; Alexander von Humboldt (1769-1859) was a pioneer of modern geography; Étienne Geoffroy Saint-Hilaire (1772-1844) was a member of Napoleon's Institut d'Égypte >
  I received a copy of The Story of Doctor Dolittle, and Matthew was praised for attempting archery at an age when the bow was almost as big as he was.  >
  Matthew and I had wanted to bring home a duckling from Allendale; wiser heads prevailed and we got Harry the gerbil (scrambling around inside a flowerpot during the drive home) instead.  >
  George and Mila Jean's first apartment in KCMO was at 4112 Walnut; also living there were Elizabeth Bucher Ganser (c.1912-2002), who ran the supply store at the Kansas City Art Institute, and her husband Ivan Laurence Ganser (1906-1973), a KCAI ceramics instructor.  Betty had spearheaded restoration of the Gertrude Woolf Lighton Studio (headquarters of the Kansas City Society of Artists; originally the "Bucket of Blood" saloon) as the Holly Street Art Gallery in 1953.  Five years later Ivan replicated the oxblood glaze for fine porcelain used by 17th Century Chinese artists in the court of Emperor Kangxi.  By 1967 Betty had relocated to Denver, where the Ehrlichs would visit her during our Western trek in 1970.  >
  The Mongolian gerbil (Meriones unguiculatus) was introduced to the United States in 1954 for scientific research purposes, then as a house pet.  >
 
Evelyn Louise Hoffman Huffman (born 1931) graduated from Cornell in 1952, got her master's from Yale Drama, taught world literature at UMKC and then English, theater and public speaking at Kansas City Community College for 35 years.  Mila Jean first met "Kris" in 1959 during a KCU Playhouse production of Le Bourgeois Gentilhomme (directed by Al Varnado before he departed for New Orleans) in which they portrayed Dorimène and Lucile respectively.  They would remain close friends for over half a century, though Mila Jean sometimes grumbled that Kris (an indefatigable traveler) was "never home."  Among my early memories is Mila Jean’s relishful reading aloud of Kris’s out-of-town letters, each ending in some sort of migratory cliffhanger.  >
  Harry (1969-1971) was the first of three gerbils kept by the Ehrlichs over the next seven years; he was succeeded by Max (1971-1973) and then Gus (Angus Augustus Gustavus: 1973-1976).  >
  Horton C. Miller (1900-1987), a teacher, principal, and school administrator; and Iona Osmond Miller (1904-2002), first cousin of George Virl Osmond, the father of Donny & Marie & Co.  (Technically "half-cousin," since their Mormon grandfather was a polygamist who sired sizable families by multiple wives.)  The Ehrlichs would stay with Lee Anne's parents in Farmington, Utah during our western trek in 1970.  >
  William Rockhill Nelson Gallery
(an acronym occasionally used by George, that took me some time to decipher)>
  From this Saturday Review-inspired thought would come George's articles “The 1807 Plan for an Illustrated Edition of the Lewis and Clark Expedition” (Pennsylvania Magazine of History and Biography, Jan. 1985) and “The Illustrations in the Lewis and Clark Journals: One Artist or Two?” (Proceedings of the American Philosophical Society, June 1990).  >
  The Menagerie at 10117 State Line Road.  >
  In this pre-season interleague exhibition game, the AFL Kansas City Chiefs defeated the NFL St. Louis Cardinals 31-21 to win the Governor's Cup.  The Chiefs would go on to defeat the Minnesota Vikings in Super Bowl IV, avenging their loss of the first Super Bowl in 1967.  >
  Charles Percy Snow (1905-1980) published The Two Cultures and the Scientific Revolution in 1959; it argued that science and the humanities had divided into separate cultures that were at variance with each other.  In 1963 Snow wrote a more optimistic followup, The Two Cultures: And a Second Look: An Expanded Version >
  Grants "to support the study of art works in British museums used for scientific illustration."  >
  This followed a Missouri Historic Preservation Conference in May 1971, where George reported on preservation activities in KCMO; and a preservation meeting re: Union Station by the Kansas City Chapter of the American Institute of Architects (of which George was an honorary member) in Jan. 1972.  >
 
At the CAA’s annual meeting in Detroit in 1974, George presented a paper titled "The Kansas City Union Station: The Neglected Giant."  Nearly two decades later, his article "Shall We Demolish Union Station?  It Would Teach Us a Rather Harsh Lesson" appeared in the Oct. 11, 1992 Kansas City Star.  >
 


List of Illustrations

●  A selection of students and faculty from "The Department" in the Jan. 9, 1969 University News
●  George and Eric Bransby in the Jan. 9, 1969 University News
●  Mila Jean and George with Mrs. Raymond Bragg and Ken Coombs, President of the Missouri Valley Chapter of the Society of Architectural Historians, in the Jan. 18, 1969 Independent magazine
●  The William Rockhill Nelson Gallery - Mary Atkins Museum of Fine Arts (courtesy of the Missouri Valley Special Collections)
●  Linda Hall Library (courtesy of the Missouri Valley Special Collections)
●  The Bel Air East Motel in St. Louis
●  Brochure for the Jefferson National Expansion Memorial (aka Gateway Arch)
●  Paul, Mila Jean and Matthew at Shaw's Garden, Mar. 30, 1969
●  Paul and Matthew with a Statehood Statue at the Missouri State Capitol, Mar. 30, 1969
●  George Ehrlich, Apr. 8, 1969
●  Mila Jean Ehrlich, Apr. 9, 1969
●  Paul Stephen Ehrlich, Apr. 9, 1969
●  Matthew Ehrlich, Apr. 9, 1969
●  The back yard at 5505 Holmes undergoing sewer repair, June 6, 1969
●  55th and Holmes flooded, July 9, 1969
●  Matthew and Paul with Grandma Mathilda Ehrlich, July 9, 1969
●  Mary Jane Davis Dodds, Aug. 11, 1969
●  Harry the gerbil, Jan. 1970
●  Harry with Matthew, Apr. 1970
 



A Split Infinitive Production
Copyright © 2025 by P. S. Ehrlich


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